Spooks – Code 9 is a spin-off that spins off too far, nowhere near deserving of the Spooks name
“Don’t make me look like a dickhead”
An absolutely baffling one this. Spooks – Code 9 was commissioned by the Beeb as a spin-off of the Spooks franchise that was aimed at the 16-24 demographic. Conventional wisdom dictates that a spin-off has at least some connection to its parent but for some reason, the decision was made to completely sever this new show, with no crossover with Spooks whatsoever.
Not only that, it is also set in an entirely different universe as this series is set in a UK that is reeling from a nuclear attack during the opening ceremony of the 2012 Olympics Games. With London irradiated and most of its staff killed, MI5 has had to evacuate Thames House and set up regional field offices. Because the only way to justify setting a show in Leeds is to make London radioactive…(and even then they can’t keep away for the finale). Continue reading “TV Review: Spooks – Code 9”
Bodyguard reaches a thrilling climax that is sure to disappoint some but left me on the edge of my seat
“I wanted to know who did it, I don’t know who did it”
Except we do finally know who did it. Jed Mercurio’s Bodyguard – an unexpected massive hit and a reminder that the appointment-to-view model is far from over – reached its climax tonight in typically high-tension style, confounding expectations to the end and dashing the dreams of many a conspiracy theorist to boot. Seriously, so glad that Julia Montague remained dead (at least until a sequel is announced and we have to go through this whole farrago again).
And though it is bound to have its detractors, I have to say I found it all hugely entertaining. If it just wasn’t realistic enough for you, then WTF are you doing watching dramas? If you’re getting swept up in locations in this fictionalised version of London not being where they are in real life, turn the damn thing off! Its not for everyone, that’s absolutely fine, but you don’t have to drag everyone else down with your misery. Continue reading “TV Review: Bodyguard Series 1”
Fascinating but shocking history, and beautiful theatre. Don’t miss The Great Wave at the National Theatre
“It doesn’t mean…It doesn’t mean, that”
Francis Turnly’s new play The Great Wave explores a fascinating but shocking slice of history, severely underexplored in this country. And Indhu Rubasingham’s production thereof is one which puts East Asian experience, and actors, front and centre, a pleasing but too-rare sight to see in any of our theatres, never mind the National.
Its history covers the tense relationship between North Korea and Japan, notably in the late twentieth century when the former carried out a series of abductions of citizens of the latter, but all concerned hushed up the story. Turnly focuses down to the micro through the experience of one family but also amps up the macro, as past Japanese imperialism and the grotesqueries of the North Korean regime are also placed under the microscope. Continue reading “Review: The Great Wave, National Theatre”