Review: Tennis Elbow, Sound Stage

Audio-digital platform Sound Stage stumbles a little with John Byrne’s Tennis Elbow, a new play that feels terribly dated

“Park your bottie, let’s have some cheese and crackers”

After a powerfully evocative start with Mark Ravenhill’s Angela, the audio-digital platform Sound Stage stumbles a little with its second instalment Tennis Elbow. Written by Scottish arts titan John Byrne – his first play in 13 years – it acts as a follow up to his 1977 play Writer’s Cramp and thus tying its fortunes very closely with that original work.

Presented as a story-within-a-story and narrated by the fabulous Maureen Beattie, we’re treated to a succession of biographical snippets from the life of Pamela Crichton-Capers, ostensibly an undersung artist who just happens to be the wife of Francis Seneca McDade, also an undersung artist who was the subject of Writer’s Cramp. Continue reading “Review: Tennis Elbow, Sound Stage”

Review: Crips Without Constraints Part 2

Graeae’s Crips Without Constraints Part 2 shows off UK Deaf and disabled artists firing brilliantly on all creative cylinders

“I think this could be the biggest challenge of my career”

Graeae’s Crips Without Constraints Part 2 feels like a great shot in the arm for those who might be tiring of the Zoom format that characterises so much of what new theatre we’re able to get at this moment in time. All five short plays in this collection have been written by alumni from Graeae’Write to Play programme and are directed by upcoming disabled directors. truly celebrating celebrating the best talent and creativity of UK Deaf and disabled artists.

What is particularly impressive is the way in which that talent matches up to the more established names taking part here. Just look at how Mandy Colleran squares up to Harriet Walter’s condescending actor in Kellan Frankland’s How Do You Make A Cup of Tea?, skewering the lie about who gets the opportunity to portray disability onstage or onscreen. Or the way Saida Ahmed’s incredible performance equals the magnificent Sharon D Clarke’s for emotional intensity in The Gift by Leanna Benjamin, as a mother and daughter attempt to deal with some hard-hitting truths. Continue reading “Review: Crips Without Constraints Part 2”

News: Casts Announced for Next Three New Sound Stage Productions

Pitlochry Festival Theatre and The Royal Lyceum Theatre Edinburgh in association with Naked Productions are delighted to announce casts for three forthcoming Sound Stage plays.

  • Tennis Elbow by John Byrne (30 April – 2 May 2021) is directed by Elizabeth Newman and stars Maureen Beattie, Brian Ferguson, Jessica Hardwick, Cherylee Houston, Louise Jameson, Anne Odeke, Sally Reid, Kirsty Stuart, Samuel West and Fiona Wood
  • Hindu Times by Jaimini Jethwa (28 – 30 May 2021) is directed by Caitlin Skinner and stars Rehanna McDonald, Adam McNamara and Daniel Portman
  • The Mother Load by Lynda Radley (25 – 27 June 2021) is directed by Isobel McArthur and stars Nalini Chetty, Anna Russell-Martin, Wendy Seager and Rosalind Sydney

Continue reading “News: Casts Announced for Next Three New Sound Stage Productions”

News: Crips Without Constraints Part 2 further casting announced

Crips Without Constraints Part 2, which runs from January to February this year, comprises five brand new short plays celebrating the best talent and creativity of Deaf and disabled artists from across the UK. 

Having released the first two plays, How Do You Make a Cup of Tea starring Dame Harriet Walter and Mandy Colleran (comedy duo No Excuses) and Flowers For The Chateau starring Naomi Wirthner (The Doctor – Almeida & West End) and Julie Graham (Benidorm – ITV, Doctor Who – BBC), Graeae continues the series on February 2 with The Gift starring Sharon D Clarke (Death of a Salesman – Young Vic, Holby City – BBC) and Saida Ahmed (Notes to Forgotten She-Wolves – Shakespeare’s Globe). The company can also reveal today that Sharon Duncan-Brewster (Years and Years – BBC1, Sex Education – Netflix) will be joining the line-up which also includes Cherylee Houston(Coronation Street) and Alex James.

The new plays, all bold and brilliant duologues, are written by Leanna Benjamin, Rebekah BowsherKaren FeatherstoneKellan Frankland and Jessica Lovett, all alumni from Graeae’s Write to Play programme, covering topics from sibling rivalry to death by post stick notes.  Additionally this year, the pieces will all be directed by upcoming disabled  directors Stephen BaileyHana Pascal KeeganCheryl MartinAlex Whiteley and Lilac Yosiphon