Staged in celebration of the story’s 50th anniversary of publication, David Greig and Charlie Fink’s Olivier Award-nominated adaptation of The Lorax will be inventively transformed for OLD VIC: IN CAMERA into a semi-staged pint-size version to keep young (and older) minds entertained, enchanted and empowered with its central message of protecting the planet.
The cast includes Audrey Brisson, Richard Katz, Melanie La Barrie, David Ricardo-Pearce, Ben Thompson, Jamael Westman and Silas Wyatt-Barke. Should you be so inclined, you can read both of my rhyming reviews for the previous productions of the show here and here.
Dr. Seuss’s The Lorax will be streamed live from The Old Vic stage this Easter from 14th–17th April. All performances will offer audio description and captioning.
Two winters ago if you went to the Old Vic,
Your life would have been filled with something fantastic.
A musical treat fit for all of the fam’ly,
The Lorax is as good as such a show could be.
Returning for half-term with some new cast members,
The musical’s just as good as I remember.
It’s heartfelt and funny and really quite moving,
A powerful message but not too reproving. Continue reading “Re-review: The Lorax, Old Vic”
“People fall through the world all the time”
Former Noah and the Whale front-man and songwriter Charlie Fink is no stranger to the Old Vic, having composed the rather lovely score for The Lorax, but his return takes a rather unconventional form in the shape of Cover My Tracks. It occupies that strange place of ‘play with songs’, or ‘live gig and modern folk tale’, or ‘night of live music and theatre’, anything but call it a musical apparently – that probably wouldn’t fit with the brand that the Old Vic are trying to establish with their Lates programme.
In the end, it doesn’t really matter what you call it, as the combination here is subtly beguiling. Reuniting with Lorax scribe David Greig, Fink plays Frank, a depressive young songwriter who has split with his band due to ‘artistic differences’ of a sort and Jade Anouka takes the role of Sarah, the hotel worker who intervenes in his life at a crucial moment, seemingly setting it on a new path. Frank though, is determined to find a uniquely 21st century route into rockstar immortality which involves disappearing completely. Continue reading “Review: Cover My Tracks, Old Vic”
A tempting looking trailer has been released for Late Company, the Finborough’s forthcoming drama
— TheatreDotLondon (@TheatreDotLDN) April 13, 2017
Continue reading “Round-up of news and treats and other interesting things”
If Dr Seuss stories are what makes you tick,
Then this Christmastime you should hit the Old Vic.
The Lorax adapted by scribe David Greig
is so damn delightful for tickets you’ll beg.
Director Max Webster has served up a treat
with such charm no panto could ever compete.
A show for all ages, it’s also a musical,
I had my doubts but it’s something quite beautiful. Continue reading “Review: The Lorax, Old Vic”