News: One year of National Theatre at Home – New titles added

Ahead of National Theatre at Home’s one year anniversary on 1 December, the National Theatre has today announced the next filmed productions to be added to the streaming service, which is supported by Bloomberg Philanthropies.

Joining the platform today is Simon Godwin’s critically acclaimed 2018 production of Antony & Cleopatra in the Olivier theatre, with Ralph Fiennes and Sophie Okonedo playing Shakespeare’s famous fated couple. Then the iconic and multi-award-winning production of War Horsebased on the novel by Michael Morpurgo, will be available from 1 December until 31 January 2022 on demand internationally for the first time since its premiere 14 years ago. It will be available with British Sign Language, audio description and captions. Continue reading “News: One year of National Theatre at Home – New titles added”

Plays update November 2021

Casting updates for the Young Vic’s Best of Enemies, Hampstead Theatre’s Peggy For You, audio drama Ghost Walk and the Royal Court’s A Fight Against…

The Young Vic has revealed the complete cast and creative team for James Graham’s bold new play Best of Enemiesdirected by Jeremy Herrin, in a co-production with Headlong.

1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they’re about to open up a new frontier in American politics, and transform television news forever…

Charles Edwards plays Gore Vidal and David Harewood plays William F. Buckley Jr. The complete cast also includes Margo Cargill, Emilio Doorgasingh, Clare Foster, Tom Godwin, John Hodgkinson, Justina Kehinde, Syrus Lowe, Kevin McMonagle and Sam Otto. Continue reading “Plays update November 2021”

News: National Theatre adds new productions to streaming platform NT at Home

The National Theatre has announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, the Young Vic and Joshua Andrews’ production of Tennessee Williams’ timeless masterpiece A Streetcar Named Desire featuring Gillian Anderson as Blanche DuBois, Ben Foster as Stanley and Vanessa Kirby as Stella, the NT’s recent production of Dylan Thomas’ Under Milk Wood with Michael Sheen and Nadia Fall’s verbatim play Home that explores homelessness in the UK featuring Michaela Coel. New productions are added each month and since launching in December 2020, there are now 31 productions available to stream on the platform.

It is also announced today some of the productions that audiences can expect to see on the platform in the coming months. Those productions are confirmed to include Antony & Cleopatra with Ralph Fiennes and Sophie Okonedo in the title roles; Hedda Gabler with Ruth Wilson in the title role; Caryl Churchill’s Top Girls in the Lyttelton theatre from 2019Sally Cookson’s 2017 production of Peter Pan; Yaël Farber’s Salomé and James Graham’s political drama This House, alongside current NT productions; Kae Tempest’s Paradise with Lesley Sharp and Winsome Pinnock’s Rockets and Blue LightsIan McKellen on Stage will also join the platform this autumn for audiences outside the UK and Ireland. It is currently available in the UK and Ireland for Amazon Prime subscribers. Continue reading “News: National Theatre adds new productions to streaming platform NT at Home”

27th Screen Actors Guild Awards winners

Film
Outstanding Performance by a Male Actor in a Leading Role
Chadwick Boseman – Ma Rainey’s Black Bottom as Levee Green 
Riz Ahmed – Sound of Metal as Ruben Stone
Anthony Hopkins – The Father as Anthony
Gary Oldman – Mank as Herman J. Mankiewicz
Steven Yeun – Minari as Jacob Yi

Outstanding Performance by a Female Actor in a Leading Role
Viola Davis – Ma Rainey’s Black Bottom as Ma Rainey
Amy Adams – Hillbilly Elegy as Beverly “Bev” Vance
Vanessa Kirby – Pieces of a Woman as Martha Weiss
Frances McDormand – Nomadland as Fern
Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas Continue reading “27th Screen Actors Guild Awards winners”

27th Screen Actors Guild Awards nominees

Film
Outstanding Performance by a Male Actor in a Leading Role
Riz Ahmed – Sound of Metal as Ruben Stone
Chadwick Boseman – Ma Rainey’s Black Bottom as Levee Green (posthumous nomination)
Anthony Hopkins – The Father as Anthony
Gary Oldman – Mank as Herman J. Mankiewicz
Steven Yeun – Minari as Jacob Yi

Outstanding Performance by a Female Actor in a Leading Role
Amy Adams – Hillbilly Elegy as Beverly “Bev” Vance
Viola Davis – Ma Rainey’s Black Bottom as Ma Rainey
Vanessa Kirby – Pieces of a Woman as Martha Weiss
Frances McDormand – Nomadland as Fern
Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas Continue reading “27th Screen Actors Guild Awards nominees”

TV Review: The Crown, Series 4

Whereas I was sad that the cast of The Crown had to regenerate at the end of Series 2, I’m kinda glad that Series 4 is the last we’ll see of this second generation  

“Let’s just say, I can’t see it ending well for you”

I sampled the first few episodes of Series 4 of The Crown on release and whilst still appreciating much of the quality of this prestige drama, I couldn’t help but feel that it just isn’t quite up to par. An element of that is certainly personal, I just have zero desire to see depictions of Margaret Thatcher in anything. But there’s also something more nigglingly fundamental awry here, as we move to closer to the current day and increasingly feature people who are still alive. 

Whether royalist or republican (do republicans watch The Crown…?), there’s something fascinating about the way in which Peter Morgan’s writing has challenged conventional notions of myth-building around the British Royal Family. What might previously have been called decorum has been jettisoned with little seeming sacrosanct now, particularly as we delve into the marriage of Charles and Diana and his enduring relationship with Camilla, plus going deeper into Thatcher’s psyche than one could ever care to. Continue reading “TV Review: The Crown, Series 4”

TV Review: The Crown, Series 4 Episodes 1-3

I ration myself to Episodes 1-3 of Series 4 of The Crown in the first instance but find it is losing its lustre a little

“I’m struggling to find any redeeming features in these people at all”

Kicking off in 1977, Series 4 of The Crown swiftly moves into my lifetime with its second scene taking place in 1979, although not quite into events that I remember, at least in these first three episodes. And with the arrival of both Diana Spencer and Margaret Thatcher on the scene, there’s quite the decade to explore.

But something has gone a little awry for me and The Crown. The sheer scope of Peter Morgan’s writing means that there’s a mahoosive ensemble at work here but the nature of his construction of episodes that drill down to intimate focus means that there’s huge gaps and terrible wastage, particularly of Helena Bonham Carter’s delicious Princess Margaret. Continue reading “TV Review: The Crown, Series 4 Episodes 1-3”

Film review: The Witches (2020)

Robert Zemeckis takes on Roald Dahl’s The Witches for a new spin but loses his purpose pretty quickly. And Anne Hathaway is no Anjelica Huston as the Grand High Witch

“That’s how you wanna play, we’ll play”

I swear I went into watching this ‘reimagining’ of The Witches with as open a mind as I could muster but the truth, Nicolas Roeg’s iconic 1990 film looms incredibly large in the mind as I first saw it then as an impressionable 11 year old. The fabulousness of Anjelica Huston’s performance, and Jane Horrocks’ menacing work too, etched themselves on my mind, leaving Robert Zemeckis with lots to do here.

And I’m not sure he really does it. His screenplay, written with Guillermo Del Toro and Kenya Barris, shifts the action to Alabama in the late 1960s but does little with that, aside from casting the excellent Octavia Spencer as Grandma alongside Jahzir Bruno’s Charlie. And in simply retreading familiar ground, there’s little that really gives any sort of compelling reason for this new adaptation to exist. Continue reading “Film review: The Witches (2020)”

News: National Theatre at Home Phase 3

The National Theatre has today announced further productions that will be streamed live on YouTube every Thursday at 7PM BST via the National Theatre’s YouTube channel as part of National Theatre at Home; the new initiative to bring content to the public in their homes during the Coronavirus outbreak. The titles announced today include productions from partner theatres which were previously broadcast to cinemas by National Theatre Live. Continue reading “News: National Theatre at Home Phase 3”