Kieran Bew and Ben Batt for the heart; Maxine Peake, Rakhee Thakrar and Alison Steadman for the head; Rules of the Game offers some luxury casting for a ferocious tale of post-#MeToo workplace life
“You don’t get to leave us, you’re part of this”
With obedient poodle Nadine Dorries doing her level best to distract from the utter shitshow that has become Boris Johnson’s reign by wielding a headline-stealing axe over the BBC, it feels like we ought to be celebrating whatever drama Aunty can still provide us at the moment. Latest up is Ruth Fowler’s 4-parter Rules of the Game which stars a red-hot Maxine Peake and makes Alison Steadman as scary as she’s ever been.
Set in and around the offices of Fly Dynamics, a Cheshire-based, family-run sportswear company that is on the verge of a stock market flotation designed to take them global, COO Sam finds a significant fly in the ointment when she trips over a body in their foyer. In a Big Little Lies-ish twist, we don’t find out who is it but rather, we’re plunged into the trials and tribulations of what turns out to be the most toxic of workplaces. Continue reading “TV Review: Rules of the Game”
Don’t read on if you haven’t finished Series 4 of Unforgotten for major spoilers are within
“We are who we are – I don’t think you can ever really change that”
It’s a good job that Series 4 of Unforgotten aired as spring arrives in the air and the promise of easements is finally taking some of the sting out of lockdown life. For had it been on in the endless depths of the last few dark months, I don’t think I could have coped. Indeed, I’m not sure I can still really cope now even with it being 23 degrees outside.
They killed Nicola Walker! Again! I’ve barely recovered from how they did Ruth dirty, but given the way that episode 5 ended and the way people were talking at the beginning of episode 6, the writing was on the wall. And so as Sunny finally cracked the case and unwound the puzzle of Matthew Walsh’s death and the four young police officers intimately involved with it, DCI Cassie Stuart breathed her last. Continue reading “TV Review: Unforgotten, Series 4”
With a cast including Sarah Lancashire, Lucian Msamati and Lia Williams, how could Kiri be anything but good
“Stick a flake in it before you try and sell it to the tabloids will you”
Airing on Channel 4 at the beginning of the year, Jack Thorne’s Kiri was billed as a continuation of his National Treasure brand (I managed one episode of that first series…). But any fears I had of not liking it were assuaged by a cast led by Sarah Lancashire, Lucian Msamati and Lia Williams, plus this far down the line, I’d heard enough good things about it to finally get round to watching.
Set in Bristol, Kiri follows the abduction of a young black girl – Kiri – in the foster care system, as she is allowed a meeting with her birth grandparents in advance of her adoption by a white middle-class family. Her social worker Miriam has arranged this unorthodox meeting and sure enough, the proverbial hits the fan when she gets a phone call to say she has gone missing. Continue reading “TV Review: Kiri”
Just a couple of weeks left to catch The Ferryman at the Gielgud Theatre, and it remains entirely worth it
“That is what it takes. Thatis the cost of freedom. The price is unimaginable. And here is a man who knows that. And is willing to pay it.”
Time is so, so relative in theatres isn’t it – the mere thought of a running time that exceeds three hours can send chills running down the spine. But sometimes it is a 70 minute show that can feel like a cruel eternity and in the arms of a brilliant play, you barely even notice the hours passing by, even with Edwardian-levels of leg-room available to you.
With just a couple of weeks left to catch The Ferryman in the West End and the chance to see Rosalie Craig in a non-musical role for once, the offer to return to the Gielgud was one I couldn’t refuse. And though it is the third time I’ve seen the show, it remains a phenomenal piece of theatre in which Jez Butterworth manages that not-inconsiderable feat of making time fly. Continue reading “Re-review: The Ferryman, Gielgud Theatre”
Producers Sonia Friedman Productions and Neal Street Productions have today announced new cast members for Jez Butterworth’s hugely successful The Ferryman. (Take a look at my review from the Royal Court here).
Maureen Beattie, Charles Dale, Laurie Davidson , Sarah Greene (replacing Laura Donnelly), William Houston (replacing Paddy Considine), Ivan Kaye, Mark Lambert, Catherine McCormack, Fergal McElherron and Glenn Speers will join the company from October 9th 2017 and the show is currently booking to January 6th 2018.
The original company will give its final performance on October 7th 2017, following which the cast will be comprised of:
Maureen Beattie – Aunt Maggie Far Away
Charles Dale – Father Horrigan
Laurie Davidson – Shane Corcoran
Fra Fee – Michael Carney
Stuart Graham – Muldoon
Sarah Greene – Caitlin Carney
William Houston – Quinn Carney
Ivan Kaye – Tom Kettle
Mark Lambert – Uncle Patrick Carney
Carla Langley – Shena Carney
Catherine McCormack – Mary Carney
Fergal McElherron – Frank Magennis
Conor MacNeill – Diarmaid Corcoran
Rob Malone – Oisin Carney
Dearbhla Molloy – Aunt Pat Carney
Glenn Speers – Lawrence Malone
Niall Wright – JJ Carney
As previously the full company comprises 37 performers: 17 main adults, 7 covers, 12 children on rota and 1 baby. (Plus a few other surprise guests!)
“Sometimes you’ve got to grab life by the balls
You take those balls and tuck ’em between your legs”
We should be talking about Sheffield, and how its place in the fragile ecosystem of British musical theatre has only become more and more invaluable. Nurturing shows like Flowers For Mrs Harris and This Is My Family into existence and taking pride in their understated nature, the venue has also been incubating new writing talent. Well, new to musical theatre at least, for Dan Gillespie Sells is the lead singer-songwriter of The Feeling and Tom MacRae has written several episodes of Doctor Who and sitcom Threesome. And inspired by a BBC3 documentary, a meeting with director Jonathan Butterell and a fairy godmother-like intervention from Michael Ball, the result is brand spanking new musical Everybody’s Talking About Jamie.
And what a joy it is, a breath of feel-good fresh air that can’t help but leave you feeling fabulous. With career advice flying by unheeded, all 16-year-old Jamie is really bothered about as his school-time comes to an end is whether he will attend the school prom as his drag persona Mimi Me or not. And rather brilliantly, the writing hones in on Jamie just as a young man – yes he’s queer and a kween but he’s also a person still finding out the extent of his identity and how to relate to a wider world that isn’t necessarily always set against him. It’s a refreshing take on LGBT+ storytelling, and a sorely needed one, tipping its hat to the tales of coming out and battling against intolerance that have gone before and then finding its own space to parse the consequences of being this fierce in the real world. Continue reading “Review: Everybody’s Talking About Jamie, Crucible”
“You don’t know what day it is today”
It’s been a while since I’ve listened to any radio drama but the prospect of an all star cast doing JB Priestley’s Time and the Conways was something I couldn’t resist and under David Hunter’s direction, it was a truly beautiful piece of work. The aching lyricism of the play and its innovative (extremely so for the time) non-linear structure have long been a favourite and so to see them get the luxury treatment here, headed up by Harriet Walter as Mrs Conway, is just fantastic.
The play looks at the fortunes of the Conway family as they celebrate the 21st birthday of one of the daughters Kay in 1919 and then flicks forward 19 years where we see straightaway what has become of them. And as their lot mirrors that of the class system in Britain, it isn’t a happy one. Walter’s brittle blitheness as she tries to ignore the financial situation is blissful, Anna Madeley and Rupert Evans are just gorgeous as Alan and Kay – the two decent ones out of the whole bunch – and Colin Guthrie’s piano adds an elegiac beauty. Sublime. Continue reading “Radio Review: Time and the Conways / Jailbird Lover / The Benefit of Time”