The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.
The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:
- Design: Costume
- Design: Video
- Company Ensemble
- Musicals: New Musical
- Plays: Most Promising New Playwright
- Plays: Production
- Theatre for Young People: Production (0-7)
- Theatre for Young People: Production (13+)
- Theatre for Young People: Production (8+)
Continue reading “The finalists of The Offies 2021”
Songwriters Anderson & Petty have announced A Christmas Wish, a virtual concert with West End stars from Everybody’s Talking About Jamie, SIX: The Musical, Wicked and more, available to stream at select times from 17 December – 20 December 2020. The concert is hosted by Ben Stock and Hilary O’Neil and is in aid of theatrical charity Acting For Others who provide emotional and financial support to theatre workers in times of need through 14 member charities.
Sign up and buy tickets here: www.stream.theatre/home Continue reading “News: Songwriters Anderson & Petty announce A Christmas Wish”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”
The Original London Cast Recording for Rags – The Musical is released by Ghostlight Records, the first to capture the many changes to the show
“What if we never meet again?”
Sometimes a musical just doesn’t grab you, and so it was for me with Rags The Musical. The show received its UK premiere at the Northern powerhouse that is the Hope Mill Theatre in February 2019 and transferred to the Park Theatre in London at the beginning of 2020 and despite its excellent notices, I just didn’t fancy it. The universe clearly wants me to hear it one way or another though, as Ghostlight Records are now releasing an official London cast recording, the first for this show since 1991.
I think my ambivalence might have stemmed from a lack of love for Fiddler on the Roof (I know…). And Rags was initially conceived in 1986 as a sequel of sorts by book-writer Joseph Stein, as he explores the experience of a group of Jewish immigrants as they arrive in the US. Over the years though, David Thompson has considerably revised it and Stephen Schwartz’s lyrics and Charles Strouse’s music have also been substantially tinkered with. Musicals are ever a work in progress but such overhauling doesn’t always inspire the greatest confidence – credit then to director Bronagh Lagan and musical director Joe Bunker for refining this material in such a stylish manner. Continue reading “Album Review: Rags – The Musical: Original London Cast Recording”
Not the one for me I’m afraid
Main photo: Darren Bell
“Its simple truth speaks volumes in a world where hatred rages”
Following on from the re-release of his self-titled album earlier this year, Leslie Odom Jr gives us another opportunity to sink into his world of soulful jazz with an album of reinterpreted holiday classics in Simply Christmas on S-Curve Records. And I do mean sink into like the most comfortable sofa you can imagine, in front of a log fire and drinking a nice cup of Charbonnel and Walker, for this is rich and luxurious stuff – as evidenced halfway into opening track ‘Have Yourself A Merry Little Christmas’ when a softly funky breakdown envelops you in its warmth like a marshmallow on top of that hot chocolate.
Dangerously seductive in Hamilton, Odom Jr will lose precisely zero fans here with this lush yet restrained style. Arrangements are kept simple, allowing heartfelt vocals to imbue tracks like ‘The First Noel’ and ‘The Christmas Song’ with renewed life. Equally, the piano and vocal improvs in ‘My Favourite Things’ keep things utterly fresh without losing sight of the overall vision of the record. The gentle guitar accompaniment to The Carpenters’ ‘Merry Christmas Darling’ is a thing of loveliness and Sara Bareilles and Ingrid Michaelson’s new festive standard ‘Winter Song’ blooms gorgeously under the treatment. Continue reading “Festive review: Leslie Odom Jr / Megan Hilty / Eyles & Gould / All Aboard! The Sleigh Ride”
“I have not a bad word to say,
about small towns. Per se.”
Expectations were high, how could they not be. Following on from the extraordinary success of Matilda, Tim Minchin’s next foray into musical theatre was to an adaptation of the 90s movie Groundhog Day, playing a two month run at the Old Vic ahead of a presumed Broadway transfer (a move that has had a little doubt cast on it by the withdrawal of major producer Scott Rudin). Now full disclosure, I saw it in its first week thanks to the PWC £10 tickets and the show went for a full month of previews before officially opening, so feel free to take my opinion with a pinch of salt.
For I did not enjoy Groundhog Day, at all. Worse than that, I was bored by it – at least hating something rouses some form of passion, but as Danny Rubin’s book cycled round and round and Minchin’s not unpleasant but in no way striking score dissipated into the ether, I wondered if Rudin might not have had the right idea. There’s a stellar performance from US import Andy Karl as the central Phil, carved out of that leading man material that is particularly American, but for me there was just too little magic emanating from Matthew Warchus’ direction to elevate the material.
Running time: 2 hours 30 minutes (with interval)
Booking until 17th September
“All along knowing that no-one has returned to care”
Barely managing six months in the West End in 2013/4, I think it’s fair to say the musical adaptation of From Here to Eternity underwhelmed. And though I was reasonably fair to it at the time, I can’t say that it has aged well, upon returning the live cast recording that was made before the final curtain fell, blame seeming to fall evenly between composer Stuart Brayson, lyricist Tim Rice and book writer Bill Oakes.
And with weaknesses on all sides like this, very much exposed in the medium of record, it’s not too hard to see why the show didn’t achieve anywhere near the levels of success it was aiming for. There’s so little sense of the main thrust of the story coming through, or indeed any of the strands put forward being sufficiently developed, to make you care about any of the relationships or the plight of the men. Continue reading “Album Review: From Here To Eternity (2014 Live Cast Recording)”