Featuring 18 West End musicals, The Show Must Go On is a concert to remember, featuring a whole host of theatrical talent both on and off the stage
“Just like Dolly Levi, we are back where we belong”
Showcasing 18 West End musicals that are reopening soon or in some cases, have already reopened, The Show Must Go On is a celebratory concert, gathering together so much on- and off-stage theatrical talent in aid of Acting for Others and Fleabag Support Fund.
With Bonnie Langford and Trevor Dion Nicholas hosting and gamely working their way through a multitude of rapid-fire show descriptions, the real MVPs of the night were the orchestra, under Stuart Morley’s direction, and the choir, made up of recent graduates, who enthusiastically put their voices to any number of harmonised accompaniments. Continue reading “Review: The Show Must Go On, Palace Theatre/online”
The Theatre Support Fund+ are delighted to announce that, due to phenomenal public demand, the final performance of the sold-out run of THE SHOW MUST GO ON! LIVE AT THE PALACE THEATREwill now be streamed as a LIVE broadcast on Sunday 6 June at 7pm.
Theatre fans will be given further opportunity to enjoy the show in its entirety as it is made available to watch on ‘The Shows Must Go On!’ YouTube channel for the seven days following the LIVE broadcast.
Theatre Support Fund+, the team behind ‘The Show Must Go On!’ campaign and MZG Theatre Productions are delighted to announce 18 West End shows and an all-star musical theatre cast coming together for a unique one-off concert in the biggest West End celebration this summer in THE SHOW MUST GO ON! LIVE AT THE PALACE THEATRE from 2 – 6 June 2021.
All shows which appear on the iconic The Show Must Go On! design will be performing alongside Pretty Woman and a West End debut performance from Back To The Future. This will be the first time in history these West End musicals will come together for one night of pure joyous entertainment which celebrates the wealth of talent in London and includes a multi award winning creative team, over 50 performers and an orchestra made up of some of the finest musicians in London.Continue reading “News: The Show Must Go On line-up revealed”
I thought Liam Tamne’s tweet thread about diversity was worth flagging up ahead of today’s concert announcements as talk about change is proving awfully cheap compared with actually actioning it…
To all the announcements today, if you strive for diversity, please note this is more than Black and White actors. It’s ALL ethnic groups, also disabled actors, trans actors, representation not only on stage but also behind. All though I welcome these announcements, I’m sad
The West End Does… team returns to the stage with West End Does: Christmas 2020 at Cadogan Hall on 13th December. They promise a socially distanced West End Christmas extravaganza, featuring stars of the West End performing songs and carols with Louise Dearman,Killian Donnelly,Rachel John and Oliver Tompsettannounced as headliners and special guests to be announced in the coming weeks. Continue reading “News: concerts announced, warning given”
The cast recording for USHERS: The Front Of House Musicalwas released in advance of its 2014 run at the Charing Cross Theatre but ever the trail-blazer ;-), I saw the show a few months before when it played at the then newly inaugurated Hope Theatre. There, its homespun charms won me over, with its tales of drama in the theatre but not the onstage kind, rather it is the Front of House staff in the spotlight here.
In some ways, this tale of the exploitation of unpaid interns working in a theatre could be considered a timely revival looking at the ethics of the industry. But though that is the pretext of Babes in Arms, it is a much more whimsical piece than that – a 1937 Broadway musical from Rodgers and Hart, frothily light in plot but musically superlative in places, brimming with standards like ‘The Lady is a Tramp’, ‘Johnny One Note’ and ‘My Funny Valentine’.
This production uses a revised book from 1959 by George Oppenheimer in which a team of bright young apprentices toil away at a struggling theatre, falling in and out of love with each other at the drop of a hat and secretly rehearsing a musical revue which they hope to put on. It’s undoubtedly a candy-floss ball of a plot but cheerfully and entertainingly staged in David Ball’s production with Sam Cable’s sharp 3-man band and splendidly enlivened by the interjections of Lizzi Gee’s suitcase-wielding and delightfully tap-heavy choreography. Continue reading “Review: Babes in Arms, Union Theatre”