News: updates for Frozen in the West End.

With so much uncertainty still blighting the West End, Frozen the Musical has announced that it is taking tickets offsale and postponing its premiere until a new timetable can be confirmed. But to sweeten the pill, they’ve also revealed the final members of their company.

Chris Fung and Kerry Spark will join the already announced cast, led by Samantha Barks (Elsa) and Stephanie McKeon (Anna), as well as Obioma Ugoala (Kristoff), Craig Gallivan (Olaf), Oliver Ormson (Hans), Richard Frame (Weselton), and alternating the role of Sven, Mikayla Jade and Ashley Birchall. Continue reading “News: updates for Frozen in the West End.”

News: new musicals for Christmas and New Year

It’s a theatre that reliably creates memorable Christmas productions so it is good to hear that Forever Plaid will return to Upstairs at the Gatehouse from 16th December. The cast features Cameron Burt, George Crawford, Christopher Short and Alexander Zane, with Ian Oakley (musical director) and Jess Martin.

The show was written and originally directed and choreographed by Stuart Ross and has musical continuity, supervision and arrangements by James Raitt. This production is directed by John Plews and choreographed by Racky Plews. Continue reading “News: new musicals for Christmas and New Year”

February news round-up

Lots to catch up on so here’s a quick round-up of some upcoming concerts and events that could well be worth your time

If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will  ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!

Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has  and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here. Continue reading “February news round-up”

Finalists of 2019 Stephen Sondheim Society Student Performer of the Year

Louise Cowling (The Hammond School, Chester)
Jamie Bogyo (RADA)
Aliza Vakil (Royal Conservatoire of Scotland)
Samantha Bingley (Brunel University)
Oisín Nolan-Power (Royal Academy of Music)
Lily Kerhoas (Royal Academy of Music)
Lucy Reynolds (Royal Welsh College of Music and Drama)
Cameron Burt (Guildford School of Acting)
Niamh James (Royal Central School of Speech and Drama)
Ahmed Hamad (ArtsEd)
Stuart Thompson (LAMDA) 
Paige Fenlon (Bird College)

Host: Joanna Riding
Judges: Edward Seckerson (Chair), Julia McKenzie, Daisy Maywood, Peter Polycarpou, Gareth Valentine

Review: The Hired Man, NYMT at St James Theatre

“What would you say to your son?”

Howard Goodall’s The Hired Man probably has to be one of my favourite musicals, British or otherwise, so going to see any production of it is something of a no-brainer, especially in a year that marks the centenary of the beginning of the First World War that plays such a strong part here. But performed by the National Youth Music Theatre of Great Britain, this one has the added bonus of featuring people who we are bound to be seeing on our stages for years to come, emerging as an astonishingly accomplished piece of work, not least in the lead performances of Amara Okereke and Dominic Harrison.

Bolstering the sterling efforts of the cast though is some superb creative work under Nikolai Foster’s hands. Matthew Wright’s design really opens up the stage most effectively, allowing for his beautiful set to evoke the unforgiving terrain of the turn-of-the-century English countryside; Nick Winston’s choreography reflects a similar muscularity that felt utterly true; and Sarah Travis’ musical direction is just inspired, marshalling the voices of her 30+-strong company to spine-tingling effect and also employing actor-musicianship to add real texture to the music. Continue reading “Review: The Hired Man, NYMT at St James Theatre”