Featuring 18 West End musicals, The Show Must Go On is a concert to remember, featuring a whole host of theatrical talent both on and off the stage
“Just like Dolly Levi, we are back where we belong”
Showcasing 18 West End musicals that are reopening soon or in some cases, have already reopened, The Show Must Go On is a celebratory concert, gathering together so much on- and off-stage theatrical talent in aid of Acting for Others and Fleabag Support Fund.
With Bonnie Langford and Trevor Dion Nicholas hosting and gamely working their way through a multitude of rapid-fire show descriptions, the real MVPs of the night were the orchestra, under Stuart Morley’s direction, and the choir, made up of recent graduates, who enthusiastically put their voices to any number of harmonised accompaniments. Continue reading “Review: The Show Must Go On, Palace Theatre/online”
“Never again will I doubt it when my mummy says I’m a miracle!”
More so than with straight plays, I find musicals tend to benefit from re-views (as opposed to reviews!). There’s just more to take in with book, music and lyrics all demanding the attention, especially if they’re richly detailed, staging and choreography offering much inventive potential and by no means least, a wide range of performances, which altogether offers a lot to soak in on a single viewing. Returning to a show also offers the opportunity to reassess one’s initial reactions to it, and so it was with the RSC’s Matilda, the Musicalwhich has now made its long-awaited transfer from Stratford to the West End.
I saw the show at the beginning of the year, fairly late in the run, so had been unable to avoid the effusive praise coming from all angles and the sense of anticipation that came along with it. So predictably, whilst loving the show, there was a nagging sense of a slight disappointment too, which mainly stemmed from it not matching up with my childhood memories of the book and how I thought the show would go. It was still a strong 4 star show for me though, just not quite the saviour of musicals it was being acclaimed as, and so though I was pleased it gained the transfer it deserved, I felt little need to revisit the show. Continue reading “Re-review: Matilda, the Musical – Cambridge Theatre”
“When I grow up, I will be brave enough to fight the creatures that you have to fight beneath the bed each night to be a grown-up”
Darn it darn it darn it. I had pretty much decided that I wasn’t going to go and seeMatilda the Musical once it had made its long-awaited West End transfer from the now-defunct Courtyard in Stratford to the Cambridge Theatre. Not because I didn’t like it, I really did (though not quite as much as others) – you can read my thoughts here – but because of the eye-watering ticket prices: the vast majority of the stalls and dress circle are £60 or more, rear stalls coming in at a mere £50. That pretty much made up my mind for me but on purchasing which has now been released on CD, I have fallen well and truly back under the spell of this show and so it looks like I will have to do some careful budgeting next month!
When it was first announced, the marriage of individual Australian comic Tim Minchin with Roald Dahl’s source material seemed the ideal match but I don’t think anyone could have imagined just how well it would work. The score is simply joyous, the lyrics perfectly crafted – witty enough to make adults laugh and carefree enough to perfectly evoke childhood thinking and the combined package fits together in a way that one imagines that Roald Dahl would be proud of. Chris Nightingale’s full-bodied orchestrations give depth to the music, especially in the swirling sections of incidental music that are included (that’s probably my one criticism is that not enough of that is kept in here) and an enthusiastic cast give marvellous voice to these quirky but perfectly suited songs that will undoubtedly leave a smile on your face. Continue reading “Album Review: Matilda the Musical Cast Recording”
For their festive family show over the 2010/11 winter, the RSC went for an adaptation of the Roald Dahl story to create Matilda, A Musical which has been, by all accounts, a runaway success for them. Dennis Kelly was responsible for the book but the production’s masterstroke has been to employ Tim Minchin, whose impish charm is wholly suited to the show, to do the music and lyrics. Directed by Matthew Warchus, the slightly tweaked story follows the prodigiously talented young girl Matilda, as she battles against the cruel indifference of her parents and the fearsome child-hating headmistress of her new school.
The employment of Minchin is a perfect fit, his anarchic wit feels like something Dahl himself would have approved of but pleasingly Minchin has not dumbed down at all in his songwriting, he has simply removed the profanity. His lyrics are absolutely sensational at times: incredibly witty on multiple levels (the kids to the left of me looked over a few times as I dissolved in hysterics at humour that thankfully flew over their heads) and stuffed full of intricate but engaging wordplay which fit the occasion perfectly: the alphabetic progression of ‘School Song’ being perhaps the best example of a seemingly simple conceit which is just bursting with invention. Continue reading “Review: Matilda – A Musical, Courtyard Theatre Stratford”
My intention is, honestly, to see less theatre this year and try and regain some semblance of a normal life again on the odd evening. But the curse of advance booking and grabbing cheap(er) tickets whilst you can has meant that there’s already an awful lot of theatre booked for 2011. Some have been booked without a huge deal of enthusiasm, but others have a dangerous amount of anticipation attached to them…and so I present to you, the shows I am most excited about seeing this year (so far).
The Roman Tragedies was hands down one of the most exhilarating and refreshing theatrical experiences of 2009 and possibly my life, I’m even headed to Amsterdam in May to see a surtitled production of their Angels in America. So when I heard that the same Dutch theatre company were returning to the Barbican in February, tickets were booked instantly and I am feverishly over-excited for this now! Continue reading “Shows I am looking forward to in 2011”
This review marks a momentous occasion as it features the first appearance of Aunty Jean, one of my most faithful theatre companions, despite living nearly 200 miles from me in Wigan. We try to see at least one thing every time she visits whether for pleasure or work, but it has been a while since she has been down so Olivermarked her first 2009 London theatrical trip.
Fortunately it was well worth it, as this show did not disappoint on any level (and many levels it did have!). The sets for this show were truly awe-inspiring: Fagin’s underground lair was cleverly constructed; the depth of the alleyway for the street scenes was huge so it gave a great sense of scale to the proceedings, one which has been sadly lacking in many large recent productions, cost-cutting I guess, and the lighting from scene to scene could not have been more different, yet still highly effective. This all combined to give great energy and movement to the show, which scarcely needs it due to the highly familiar and zippy score. Continue reading “Review: Oliver!, Theatre Royal Drury Lane”