Ian McKellen and Helen Mirren team up for the entertainingly twisty film The Good Liar
“It seems like you’ve had quite a past”
Adapted by Jeffrey Hatcher from the novel of the same name by Nicholas Searle, The Good Liar marks the first time that British institutions Ian McKellen and Helen Mirren have worked together on screen. And when these two are onscreen together, this is a corking film.
With a twinkle in his eye, McKellen’s Roy is trawling the dating apps and lights upon the widowed Betty (Mirren). soon setting a date. They connect over martinis and bond over not necessarily being who they said they were online but as we discover Roy is a lifelong conman, it’s clear his eyes are set on her not inconsiderable means. Continue reading “Film Review: The Good Liar (2019)”
Lucy Kirkwood returns to the National Theatre with The Welkin, starring a brilliant ensemble led by Maxine Peake
“Nobody blames God when there’s a woman can be blamed instead”
There are moments in Lucy Kirkwood’s new play The Welkin that are just outstanding. The opening tableau of silhouetted women engaged in housework is one for the ages, the early montage of women being empanelled onto a jury is as compelling a piece of social history as has ever been committed to the stage as well as looking stunning, and the final scene is equally full of iconic imagery (that veil, that walk, that ribbon, that realisation!).
Set on the Norfolk/Suffolk borders in 1759, the play focuses on a quirk of English justice at the time. A child has died and Sally Poppy has been sentenced for the crime (by men) but as she is claiming to be pregnant – something which if true, would commute her sentence from death to transportation – a “jury of matrons” must decide if she is telling the truth. Thus 12 local woman are summoned and locked in a room to determine her fate. Continue reading “Review: The Welkin, National Theatre”
Jessie Buckley and Josh O’Connor headline a new production of Romeo and Juliet, while Callum Scott Howells and Rosie Sheehy star in Gary Owen’s Romeo and Julie, among other big news from the National Theatre
Simon Godwin returns to the National Theatre to direct Shakespeare’s ROMEO & JULIET following his critically-acclaimed productions of Antony and Cleopatra and Twelfth Night in the Olivier Theatre. Set in modern Italy in a world where Catholic and secular values clash, Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Country) play the two young lovers who strive to transcend a world of violence and corruption. Fisayo Akinade (The Antipodes, Barber Shop Chronicles) is cast as Mercutio. The production will open in the Olivier Theatre in August 2020.
Set and costume design by Soutra Gilmour, lighting design by Lucy Carter, composition by Michael Bruce and sound design by Christopher Shutt. Continue reading “News: new productions and casting updates for the National Theatre”
Not even the excellent Siân Brooke can do much to save David Hare’s new play I’m Not Running at the National Theatre for me
“Jesus says don’t get too fond of anything because one day you’re going to lose it”
I’m Not Running is David Hare’s 17th new play to be presented at the National Theatre but for a playwright known for espousing the state of the nation in his work, there’s a frustrating vagueness that leaves him feeling just a little out of touch. Perhaps real-life events overtook him but for a play about contemporary left-wing politics in the UK, there’s little here that rings with profound resonance.
Rather, there’s a story about a woman, a doctor, swept up into the world of politics when her heading of a campaign to save a local hospital from closure springboards her into winning a seat as a single-issue MP. And it’s not long before she’s ostensibly lured by the prospect of becoming the Labour Party’s first female leader, an issue complicated by the presence of an old boyfriend high in the party ranks. Continue reading “Review: I’m Not Running, National Theatre”
So much goodness announced here in the National Theatre’s near future – particularly excited for Nine Night’s transfer, what looks like a leading role for Siân Brooke and the prospect of Joanna Riding’s ‘Losing My Mind’.
National Theatre Season: July 2018 – January 2019
Nine Night, Natasha Gordon’s critically acclaimed debut play transfers to the West End following a sold-out run at the NT
Further cast announced for Antony and Cleopatra alongside Ralph Fiennes and Sophie Okonedo, playing from September
Cast confirmed for world premiere of David Hare’s new play I’m Not Running, including Siân Brooke, Alex Hassell and Joshua McGuire
Peter Brook returns to direct at the National Theatre for the first time in 50 years with The Prisoner, co-directed with Marie-Hélène Estienne
Following the acclaimed Consent, Nina Raine returns to the NT with her new play Stories starring Claudie Blakley
Anthony Neilson makes his NT debut with new play The Tell-Tale Heart, based on the short story by Edgar Allan Poe
Alexander Hanson and Joanna Riding to join the cast of Follies alongside Janie Dee and Peter Forbes, returning to the Olivier Theatre in February 2019
War Horse returns to the NT marking the centenary of Armistice Day
Antony and Cleopatra and I’m Not Running to broadcast to 65 countries worldwide as part of NT Live
To mark the 100th anniversary of the first women in the UK gaining the right to vote, the NT stages Courage Everywhere; a series of rehearsed readings, talks and screenings Continue reading “News: National Theatre Season: July 2018 – January 2019”