“Step one – learn three chords”
Those who know me will instantly recognise the main point of interest for me in this film (lovely lovely Kieran Bew who was lovely in a pub in Bath once) but it also stars Ian Bonar who holds a special place in my heart for being the first lead Tom Wells character I ever did see in Me, As A Penguin back in 2010. Sadly, neither could really save Giles Borg’s low-budget indie flick for me as 1234 fails to bring anything significant to the world of band movies.
The premise of the film is simply that an ill-matched group of 3 guys and a girl set up a band and that really is about it. But even within this simplicity which could have worked, there’s a paucity of believable characters with realistic relationships or any real sense of personal involvement as the writing is just so thin. So it becomes extremely hard to get invested in or even really care about the dilemmas the band finds themselves in and as that is all there is to the plot, the film is sunk from the outset.
Continue reading “DVD Review: 1234”
“There are times when justice is too big a risk”
Anne Carson’s version of Elektra is the latest play to take up residence in the Maria studio upstairs at the Young Vic. Allegedly having written 123 plays, only 7 of Greek playwright Sophocles’ works still remain, yet they remain ever popular: soon to open at the National Theatre, Moira Buffini’s Welcome to Thebes also takes much from his writing. However, this Elektra is doing things a little differently: no press night, no previews, just opening to its audience, oh and all tickets are completely free (though advance booking is strongly recommended!)
Carrie Cracknell’s debut as Associate Director at the Young Vic is a joint effort with Headlong and so it should come as little surprise that it is an inventive fusion of movement, music and text, creating haunting dreamscapes and evocative imagery that really capture the overwhelming aura of grief permeating this play. The whole play is darkly lit with varying shades of gloom and this allows for some eerie dream sequences to be played out with masked dancers at the start, setting the tone for a haunting exploration of grief and what it will drive people to. Continue reading “Review: Elektra, Young Vic”