A trio of charity singles supporting some great causes over Christmas
Martin Dickinson is releasing a cover of ‘You Raise Me Up’ as a charity single for Shooting Star Children’s Hospice. The track is released on Friday 11th December and features an introduction from the marvellous Brenda Edwards and a choir featuring Kimberley Ensor, Charlotte O’Rourke, Louise Young, Jordan Lee Davies andDanny Whitehead.
Two versions of the single will be available – a full version/radio edit and a music video will arrive on streaming platforms including iTunes, Amazon and Spotify. Continue reading “Charity singles galore”
Regions across the UK were hoping to win the lotterybut with the news of Tier 2 (for now) for London, here’s some Christmas theatre news
The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.
Just a quickie for the infusion of pure joy that was Hello Harry! A Celebration of 40 Years at Stage Door
Amid the constant shower of shit that passes for news about theatre at the moment, this online concert to celebrate the incredible 40 year career of Harry Gabriel, the Shaftesbury Theatre’s Stage Door Keeper, was an absolute ray of sunshine.
I wasn’t going to write up Turn Up Londonbut in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
Theatrical superstars Sharon D. Clarke, Noma Dumezweni, Clive Rowe, Kwame Kwei-Armah, Johnnie Fiore, Brenda Edwards, Zaris-Angel Hator, Rachel Adedeji, Aisha Jawando, Norm Lewis, Brittney Johnson, Brandi Chavonne Massey and Joe Aaron Reid and more join the lineup for TURN UP! , a live stream event supporting the Black Lives Matter movement.
The live stream event is streaming for The Bail Project, The Okra Project, The Black Curriculum and UK Black Pride – in support of the Black Lives Matter movement.
The Shaftesbury Theatre has announced Hello Harry! – A Celebration of 40 Years at Stage Door– an online concert to celebrate the incredible 40 year career of Harry Gabriel, our night Stage Door Keeper. The concert will stream on YouTube on the 15th July at 7:30pm, with an incredible guest list of performers.
The reliable charms of White Christmas reappear at the Dominion Theatre
“When what’s left of you gets around to what’s left to be gotten, what’s left to be gotten won’t be worth getting, whatever it is you’ve got left.”
White Christmas is a show that keeps returning and consistently attracts casts that I can’t quite resist. I’ve seen it in Manchester, Leeds and in this very theatre five years ago. So NIkolai Foster’s production holds little surprise for me now, insomuch as any production of White Christmas can surprise. Instead the feeling is more of cocoa-warm comfort, a reliability underscored by fun performances from leads Danny Mac, Dan Burton, Danielle Hope and Clare Halse. Read my 4 star review for Official Theatre here.
Running time: 2 hours 30 minutes (with interval) Booking until 4th January
This mahoosive new tour of Hairspraystarted in the middle of last month and stretches right through to June 2018 and it certainly feels like it has the potential to be a great success. There are some cracking performances which really elevate Paul Kerryson’s production of this most effective of shows (music by Marc Shaiman, lyrics by Scott Wittman and Shaiman, book by Mark O’Donnell and Thomas Meehan) and choreography from hot-shot of the moment Drew McOnie.
And given how dance heavy Hairspray is, it is an astute move from Kerryson as McOnie’s inventive use of movement establishes and reinforces so much of the febrile mood of simmering racial tension and potential societal change. In the hands of the likes of Layton Williams’ Seaweed and an effervescent ensemble, it’s hard to keep a smile from your face as the sheer toe-tapping enthusiasm of it all as fabulous group numbers shake and shimmy their way across the stage. Continue reading “Review: Hairspray, Orchard Dartford”