Album Reviews: Sleeping Beauty the Musical / 9 to 5 the Musical / Girlfriends

This trio of musical theatre album reviews features Sleeping Beauty the Musical, 9 to 5 the Musical – West End Cast Recording and Girlfriends (London Musical Theatre Orchestra)

“When life seems uphill, remember you’re still ascending”

A bit of googling about Joel Harper-Jackson (what, you don’t do it too…?) came up with this studio cast recording of Sleeping Beauty the Musical. A musical adaptation of the fairytale with book and lyrics by Ian Curran and music by Simon Hanson and Peter Vint, it is a rather amiable treatment of the story and a perfectly serviceable set of tunes. Truth be told, this isn’t a score to really set the world alight but then not everything has to, especially when allied to as classic a tale as this. Harper-Jackson and Maria Coyne both impress as the central couple of Prince Perrault and Princess Aurora whose growing relationship is the cornerstone of the show and ultimately quite affecting here. Continue reading “Album Reviews: Sleeping Beauty the Musical / 9 to 5 the Musical / Girlfriends”

Review: 9 to 5 The Musical, Savoy Theatre

As 9 to 5 The Musical announces its closing dates and forthcoming cast changes, I go along because I can’t resist Bonnie Langford

“Respected and high class,
I don’t have to kiss ass
For the first time since I’ve been employed”

The pictures above should give you an indication as to who the real star of 9 to 5 The Musical is, no matter how red the trunks (or surprisingly long the legs) of David Hasselhoff. I first saw this cinematic adaptation in 2012 on its UK tour and loved Bonnie Langford’s performance so much it ranked in that year’s best. So her return to the show in its West End debut last year was great to behold (even if it didn’t quite tempt me along to see it again).

It’s a curious one, Patricia Resnick’s adaptation of her own film sprinkles the story with the rhinestone glitter of Dolly Parton’s songbook, far beyond the iconic title track and is possessed of a huge spirit of fun. But the tale itself, of the struggle for women’s equality in the workplace, demands a little more gravity than it ultimately gets here. How seriously are we meant to take sexual harassment when it is accompanied by the Colgate smile and eye twinkle of the Hoff. Continue reading “Review: 9 to 5 The Musical, Savoy Theatre”

fosterIAN awards 2018

 WinnerRunner-upOther nominees
Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusBen Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
Best Supporting Actress in a Musical
Patti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison,
The Secret Garden

Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2018 Best Actress in a Play + in a Musical

Best Actress in a Play

Leah Harvey, Clare Perkins, Vinette Robinson, Emilia
For the second year running, this award goes three ways as apparently I’m a sucker for a women-heavy production (who knew!). But there’s something more here, it wasn’t just about how Harvey, Perkins and Robinson shared the role of the title character in Emilia, its how they supported each other through it as well, reinforcing the play’s cry for the necessity of solidarity. Everyman? Every-Emilia! 

Honourable mention: Sarah Gordy, Jellyfish
A deeply empathetic performance from Gordy underscored the undersung importance of this production – her searingly honest Kelly opened the eyes and touched the hearts of surely everyone who saw Jellyfish

Patsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking

8-10
Sophie Okonedo, Antony and Cleopatra; Lia Williams, The Prime of Miss Jean Brodie; Ria Zmitrowicz, Dance Nation

 

Best Actress in a Musical

Rosalie Craig, Company
Crowding us with love, forcing us to care…Craig’s initial casting as Bobbie garnered all sorts of headlines but once Marianne Elliott’s production opened, that attention was more than justified by a sterling turn from this most versatile of actors (don’t forget she’d only just finished a run in The Ferryman). A strikingly contemporary figure, she both integrated Bobbie better into the ensemble than ever before and made her stand out at just the right moments, ie making sure she got hers from Andy!

Honourable mention: Kaisa Hammarlund, Fun Home
Given some of the things that transferred into the West End, especially now the Ambassador’s has been freed up, it’s a travesty that Fun Home didn’t get to further its journey (for now at least), especially since it was anchored by a finely nuanced performance from the excellent Hammarlund. A small saving grace is that she’s now free to lead the cast of Violet in the New Year.

Bonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O’Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical

8-10
Jocasta Almgill, Sunshine on Leith; Jemima Rooper, Little Shop of Horrors; Rebecca Trehearn, Sweet Charity (Nottingham Playhouse)/Gemma Sutton, Sweet Charity (Watermill)

10 of my top moments in a theatre in 2018

Flashes of excellence can be found in the midst of any production so this list celebrates some of those breath-taking and/or memorable moments that really made theatregoing enjoyably fun this year.

For reference, here’s my 2017 list2016 list2015 list and 2014 list.

Being your hero!

No word of a lie, my happiest memory from inside a theatre has to be Knights of the Rose. Nothing about the overblown opening night (including real roses on the seat) prepared us for the moment someone broke out into Enrique Iglesias’ ‘Hero’ in what had been heavily trailed as a rock musical. Kudos to the cast for continuing valiantly on, and thanks for the entertainment. Continue reading “10 of my top moments in a theatre in 2018”

2018 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre

Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”

Re-review: 42nd Street, Theatre Royal Drury Lane

42nd Street is signing off at the Theatre Royal Drury Lane in quite some style as a perfectly-cast Bonnie Langford joins the company

“Musical comedy – the most glorious words in the English language”

I liked 42nd Street when I saw it last year but I can’t say that I truly loved it, it felt a 24 carat production of a gold-plate show. But upon revisiting, to celebrate Bonnie Langford’s arrival in the company for its final furlong before closing in the New Year, some kind of magic seems to have happened at the Theatre Royal Drury Lane (or maybe I was just less grumpy tonight!) as it has now matured into something spectacular.

The only major difference is Langford’s presence as Dorothy Brock, but there’s just something about her that shimmers with star quality and it is contagious. So even as she’s trying to dampen it down a bit as this particular fading star, her comic timing makes her scenes crackle with electricity, her singing is on point and she’s just a dream to watch. It’s a perfect role for her – who needs stunt casting when you have the right casting? And as for her surprise appearance in the finale? SWOON!

I also felt Clare Halse has really settled into the role of Peggy Sawyer. It’s a curious role in that she grows to become the leading lady of this musical as the understudy-come-good, but is given precious little time in which to do so and most of that is taken up with dance. Such amazing dance though, she really is effortless in her every graceful move, and she’s acting more through every movement too as her self-belief slowly blooms into the incandescent life of the finale.    Continue reading “Re-review: 42nd Street, Theatre Royal Drury Lane”

Album Reviews: Love on a Summer Afternoon / The Maury Yeston Songbook / There’s Something About You – More Words and Music of Richard Kates

This trio of album reviews covers Love on a Summer Afternoon: Songs of Sam Davis, The Maury Yeston Songbook and There’s Something About You – More Words and Music of Richard Kates

“You don’t know what you do to me”

There’s something of a deliciously old-school feel about Love on a Summer Afternoon: Songs of Sam Davis, these vignettes of song that recall even Noël Coward in their ability to capture mood and tone as well as telling a damn good story. David Hyde Pierce’s ‘Goodbye to Boston’ is probably the best, most heart-breaking example, Gavin Creel’s ‘Greenwich Time’ coming a close second. There’s levity and humour too, ensuring the collection doesn’t become too downbeat, but there’s definitely a musical and lyrical gift here that deserves to be more widely known. Continue reading “Album Reviews: Love on a Summer Afternoon / The Maury Yeston Songbook / There’s Something About You – More Words and Music of Richard Kates”

Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates

This trio of album reviews spans the decades with Jonathan Reid Gealt – Whatever I Want It To Be, This Ordinary Thursday and Among Friends – The Words and Music of Richard Kates

“Nothing worth doing will ever come easy”

There’s something irrepressibly catchy about the music of Jonathan Reid Gealt as evidenced on this album Whatever I Want It To Be. From the cracking one-two of the driving pop of the title track sung with exciting energy by Jane Monheit and Alysha Umphress and the swinging delights of Loren Allred, Natalie Weiss and Luke Edgemon on the adorable ‘Boy Crazy’ to the more restrained but no less deeply felt emotion of Joshua Henry on ‘Let Me Try’ or Laura Osnes on the shimmeringly lovely ‘Lullaby’, this is some top-notch songwriting. Continue reading “Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates”

Album Reviews: Bonnie Langford – Jazz at the Theatre / Laura Osnes – If I Tell You / Renée & Bryn: Under the Stars

The trio of album reviews takes in Bonnie Langford – Jazz at the Theatre, Laura Osnes – If I Tell You (The Songs of Maury Yeston) and Renée & Bryn: Under the Stars

“Who would think it astounds us
Simply naming their names?”

Who doesn’t love a bit of Bonnie Langford? Her 2003 album Jazz at the Theatre does exactly what it says on the tin, mixing the worlds of musical theatre and jazz to great effect. So bossa nova rhythms drive Cy Coleman’s ‘Use What You Got’ from The Life, pacey bass-driven romp through ‘If I Were A Bell’ from Guys and Dolls, and there’s a delicate skip through Fiddler’s ‘Sunrise, Sunset’.

Sondheim and Lloyd Webber get their name checked with tender takes on ‘Sooner or Later’ and ‘Unexpected Song’ and I loved the straight rendition of Me and My Girl’s ‘Once You Lose Your Heart’. Throughout are sprinkled standards like ‘Old Devil Moon’ and ‘My Funny Valentine’ which also work well but the less said about this version of ‘God Bless the Child’ the better though… Continue reading “Album Reviews: Bonnie Langford – Jazz at the Theatre / Laura Osnes – If I Tell You / Renée & Bryn: Under the Stars”