“The first night in a place always weirds me out”
Released by Netflix just in time for Hallowe’en, I Am The Pretty Thing That Lives in the House naturally popped up on my register as it features the ever-luminous Ruth Wilson in the starring role of Lily. Indeed, Oz Perkins’ film rests mainly on her shoulders, as a live-in hospice nurse who becomes increasingly convinced that her elderly employee’s Massachusetts house is haunted. her fears rooted in her boss Iris Blum’s former career as a horror author.
It’s a remarkably restrained affair from writer and director Perkins, astutely aware of the power of showing as little as possible whilst ratcheting up the tension through a rumbling sound design and a gorgeously gloomy colour palette from cinematographer Julie Kirkwood. It’s unrelentingly creepy rather than outright shocking (for the most part at least…) and this mood that it cultivates is properly scary (and that’s coming from someone who’s really not that much of a fan of the genre). Continue reading “Hallowe’en Film Review: I Am The Pretty Thing That Lives in the House (2016)”
“There is a balance to be maintained”
One of the main reasons for finally booking a trip to Broadway was the chance to see Glenn Close make a rare foray back onto the stage in a revival of Edward Albee’s A Delicate Balance. I saw the play at the Almeida back in 2011 with an exceptional cast and didn’t imagine it could be bettered but something about it clearly attracts the crème de la crème as the ensemble around her in Pam McKinnon’s production is just as thrill-makingly irresistible.
Brits Clare Higgins and Lindsay Duncan join John Lithgow, Bob Balaban, and the delectable Martha Plimpton to form the kind of company to dream of, and deliver this modern classic exquisitely if agonisingly as its WASP certainties are thoroughly dismantled. Albee’s prose has an unwieldy verbosity on the page but in the hands of such consummate professionals, it flows beautifully off the tongue as even the most convoluted of clauses gain conversational clarity. Continue reading “Review: A Delicate Balance, John Golden Theatre”
The Grand Budapest Hotel
The Imitation Game
The Theory of Everything
Wes Anderson – The Grand Budapest Hotel
Ava DuVernay – Selma
David Fincher – Gone Girl
Alejandro G. Iñárritu – Birdman
Angelina Jolie – Unbroken
Richard Linklater – Boyhood Continue reading “20th Critics’ Choice Awards nominees”
“Many of the hotel’s most valued guests came for him”
At a smidge over £50 a head, the latest incarnation of Secret Cinema certainly isn’t cheap. But they are doing things differently this time around – the location is secret as always but the film has been identified in advance as Wes Anderson’s The Grand Budapest Hotel and the immersive experience into which they plunge the audience will be running for over a month, to allow many more people than usual through the doors of this plush establishment and into its fabulous world.
For where we end up is The Grand Budapest Hotel itself, an evocation of Mitteleuropäische largesse to which we are guided by purple-suited bellhops. Instructions issued beforehand identify the dress code as evening dress, urge you to practice your waltzing and give a list of props to bring along. It’s all voluntary but as with any immersive experience, one gets so much more from it by diving headfirst into the universe that has been so lovingly created. Continue reading “Review: Secret Cinema, The Grand Budapest Hotel”