Episode 1 of Unprecedented features strong writing from James Graham, Charlene James and John Donnelly
“It’s clear that everything’s going to be different…
and then again, I’m scared that things won’t be different”
It is with an admirable speed with which Headlong and Century Films have pulled together Unprecedented, a theatrical response to the impact of lockdown on society. Conceived, written, filmed and produced in lockdown, and now airing on BBC4, some of our most exciting playwright and a cast of over 50 really have pulled together impressively and this first instalment of three short plays is certainly promising.
Necessity is the mother of invention, or something, and so all three use digital conferencing technology in one way or another and if anything, there’s no bigger marker in the way that our relationships to each other have been altered than this. How many of us even knew what Zoom was in January? And between them, writers James Graham, Charlene James and John Donnelly deftly sketch some of these changes. Continue reading “TV Review: Unprecedented, Episode 1”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
Some decisions that reflect my own nominations for the year, many others for plays I haven’t seen and as ever, some curious choices too.
Gabriella Slade for Six at the Arts Theatre
Jonathan Lipman for Harold & Maude at the Charing Cross Theatre
Pam Tait for Rothschild & Sons at the Park Theatre
Bethany Wells for Distance at the Park Theatre
Francis O’Connor for Harold & Maude at the Charing Cross Theatre
Simon Daw for Humble Boy at the Orange Tree Theatre Continue reading “The finalists of The Offies 2019”
“Tell how it chanced that we sworn mates were once the deadly poison of each other’s eye…”
On the one hand, Jessica Lazar’s production of Steven Berkoff’s East – returning to the very King’s Head theatre where it made its debut back in 1975 – is a ferociously charismatic whirlwind of stylised beauty and linguistic gymnastics that is an undoubted visceral thrill to watch and listen to. On the other though, there’s a definite sense of style over substance over the length of its two hours, and a problematic niggle about the play’s relationship to violence.
Set in the East End of yore, Berkoff uses his bastardised Shakespeare’n’slang prose style to depict the lives there with an extraordinary vigour. Nabbing a cigarette off a pal and violence, sex and violence, racism and violence, day trips to Southend and violence, bus rides on the number 38 and violence, beans on toast and violence – you get the picture. East in unapologetic in the bleakness of its vision for this substrata of society and in some ways, feel eerily prescient in that. Continue reading “Review: East, King’s Head”