Just a quickie for this as the book is almost sold out now, but Sophie Ross and Danny Kaan’s coffee-table book Dear Audience is such a beautiful book that I’d encourage you to go and purchase one of the few remaining copies. Striving to photographically celebrate the arts industry from a wide range of performers through producers, MDs and writers, it is a nicely high-quality publication that matches that aim.
In the interest of fairness, I can’t pick favourites from the many many names featured here, just look at the tags to see the impressive roll-call. What really elevates the book though is the inclusion of heartfelt letters from some of the participants, adding a really personal note to the whole endeavour, reminding us of the personal cost of the pandemic alongside what it has done to the sector as a whole. Track down those last copies now.
Be More Chill is a couple of hours of enjoyable, escapist fun at the Shaftesbury Theatre
“I am not the one who the story’s about”
Through no fault of its own, I just decided that I didn’t need Be More Chill in my life when it opened last year at The Other Palace, put it down to me trying to see less… And since that happened in a way more drastic manner than anyone could have foreseen, I had to say yes when the show announced its reboot for a summer season at the Shaftesbury Theatre.
And I’m so glad I did, as I’d been doing myself out of a really fun show. Joe Tracz’s book borrows heavily from traditions of high school melodramas and social outcasts learning life lessons but it swerves the po-faced sanctimony of the likes of Dear Evan Hansen and dives headlong into the pulpy thrills of the likes of Little Shop of Horrors, resulting in something daftly enjoyable. Continue reading “Review: Be More Chill, Shaftesbury Theatre”
The 21st Annual WhatsOnStage Awards are forging ahead, with a ceremony and concert recorded at the Turbine Theatre and streaming on Sunday 14th March. Tickets available here.
2020 being what it was means things will have to be different and the concert will be shining a light on a mixture of performances from shows that had their runs disrupted by the pandemic, those created during lockdown and those to look forward to in the future. Continue reading “News: the 21st Annual WhatsOnStage Awards arrive on 14th March”
Lambert Jackson Productions and The Theatre Café have announced the return of popular online concert series Leave A Light On, with 70 performances being re-streamed via stream.theatre.
Shows from across the two series’ feature Zoe Birkett, Jordan Luke Gage, David Hunter, Cassidy Janson, Lucie Jones, Beverley Knight and Layton Williams many more famous West End faces.
Shows will be available to watch every day at 5pm and 8pm from 15 March to 24 April. Continue reading “News: Lambert Jackson Productions and The Theatre Café announce the return of Leave A Light On”
Photo © Pip
Fionn Whitehead, star of Dunkirk and Black Mirror: Bandersnatch, will take on the titular role in an upcoming contemporary digital adaptation of the Oscar Wilde classic, The Picture of Dorian Gray.
The Picture of Dorian Gray, from the team behind the celebrated digital production of What a Carve Up!, is set to push the theatrical form like its predecessor; utilising elements found in radio plays, films, documentaries as well as traditional theatrical techniques.
Set in a profile pic-obsessed, filter-fixated world where online and reality blur, influencer Dorian Gray makes a deal. For his social star never to fade. For the perfect self he broadcasts to the world to always remain. But as his mental health starts to decline, as corruption and murderous depravity start to creep into his world, the true and horrific cost of his deal will soon need to be met.
The Picture of Dorian Gray, which runs for two weeks from 16-31 March, will reunite Henry Filloux-Bennett, writing the new adaptation, and director Tamara Harvey. Continue reading “Assorted January news”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
Chichester Festival Theatre has announced their Autumn plans and it looks to be a good’un. It includes:
– Sarah Kane’s Crave, directed by Tinuke Craig and starring Erin Doherty and Alfred Enoch, staged in a socially distanced Festival Theatre for 10 performances and live streamed to digital audiences
– for Christmas, a series of festive concerts (including one with Rebeccas Caine and Trehearn), followed by Chichester Festival Youth Theatre in a new version of Pinocchio by Anna Ledwich, directed by Dale Rooks
– Michael Ball, Sheila Hancock and Patricia Routledge in conversation with Edward Seckerson
– cabaret and comedy including Frisky & Mannish, The Black Cat Cabaret, Barely Methodical Troupe, Rich Hall, Suzi Ruffell, Russell Kane and Rosie Jones
– music ranging from a celebration of Sondheim with West End stars, to a song recital by Kate Royal, a new concert from Joe Stilgoe and a portrait of Rachmaninoff with Henry Goodman and Lucy Parham Continue reading “September theatre news, the UK version”
The schedule has been announced for week 2 of Leave A Light On, a series of live-streamed concerts.
The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.
Tickets to watch the live streams are a bargainous £7.50, just click on the links to book.
The full lineup is as follows:
Monday 30th March
2:30pm Nathaniel Morrison
4:30pm Grace Farrell
6:30pm Declan Bennett
Tuesday 31st March
2:30pm Simon Bailey
4:30pm Kelly Mathieson
6:30pm Jordan Luke Gage
Wednesday 1st April
2:30pm Daniel Boys
4:30pm Sophie Isaacs
6:30pm Aimie Atkinson
Thursday 2nd April
2:30pm Declan Egan
4:30pm Hannah-Grace Lawson
6:30pm Velma Celli
Friday 3rd April
2:30pm Blake Patrick Anderson
4:30pm Daniel Koek
6:30pm Marisha Wallace
Lambert Jackson Productions and the Theatre Café have announced the line-up for the first week of their Leave A Light On series. The series of intimate, piano vocal concerts streamed live from The Theatre Café will feature performances from Blake Patrick Anderson, Aimie Atkinson, Christopher Cameron, Alice Fearn, Victoria Hamilton-Barritt, Evelyn Hoskins, David Hunter, Cassidy Janson, Lucie Jones, Bradley Judge and Harry Cooper-Millar, Emma Kingston, Sarah O’Connor, Steph Parry, Danielle Steers, and Layton Williams.
For a fee of £7.50, significantly less than a ticket to a show, audiences around the country will be able to access a live concert from their favourite West End performer from the best seat in the house – their own home! Continue reading “News: line-up for the first week of Leave A Light On”
“A hero on the run
And a woman with a gun
And an ending with a twist
And a brother who is pissed”
What would you do for six million dollars? That’s the question underlying Lynn Ahrens (book and lyrics) and Stephen Flaherty’s (music) 1988 musical farce Lucky Stiff, based on the 1983 novel The Man Who Broke the Bank at Monte Carlo by Michael Butterworth. And being a farce, it’s not a story to examine too closely as a Home Counties shoe salesman, a Brooklyn dog home employee and an Atlantic City optometrist and his legally blind sister converge on the South of France in pursuit of the money.
Shoeshop Harry is the one with his nose in front – it is a bequest to him from his late uncle that kicks off all the shenanigans. A sizeable inheritance with an all-expenses-paid trip to the French Riviera to boot, with just the one catch – Harry has to take his uncle’s body with him on every step of the holiday. As several other interested parties get wind of the news, the scene is set for all sorts of supremely silly capers and your enjoyment of the show may well depend on your tolerance of daftness. Continue reading “Review: Lucky Stiff, Union Theatre”