Who needs Shakespeare when you have William Oldroyd and Alice Birch to give us a chillingly excellent Lady Macbeth
“I’d rather stop you breathing than have you doubt how I feel”
Based on the book Lady Macbeth of Mtsensk by Nikolai Leskov, William Oldroyd’s Lady Macbeth is a ferocious debut film and written by Alice Birch (no stranger to theatregoers but also making a feature debut here), it is a remarkably forward-thinking piece for that old hoary chestnut that is the British period drama.
Layering in intersectional notions of race and class, not shying away from domestic abuse and violence, it is probably safe to say it is unlike any other film you’ve seen that is set in 1865 England. Trapped into a stifling marriage with a disinterested man with a domineering father and a dour isolated estate in the North East, Katherine resolves not to let this be the sum total of her life. Continue reading “Film Review: Lady Macbeth (2017)”
A nightmare audition is nothing new but Jonathan Kydd’s 15 minute Shakespeare’s Wart is an inspired take on the hoary old trope. Kydd plays the auditionee in front of Peter Wight and Bill Fellows as a bad cop bad cop pair of auditioners who send him on a ridiculous journey of improv work, daft accents and crocodile chasing as he bids for a part in Henry IV Part II. It’s a little slow to get started but in its latter half, becomes genuinely hilarious as the demands become ever more extreme whilst Wight and Fellows remain as deadpan as ever in the face of such silliness.
“There’s another man with claims on me”
Harold Brighouse’s 1916 play Hobson’s Choice is regarded a good old-fashioned British classic and features on the NT2000 Top 100 plays list so when a production was announced at the Bolton Octagon earlier this year, I was keen to see it for the first time. Sure enough, having made that trip the Open Air Theatre then announced their own revival at the distinctly more convenient location of Regents Park but hey ho, you can’t win ‘em all.
And in all honesty, I did prefer the bona fide Northern version. Nadia Fall’s production here feckles the show a little too much, moving it into the 60s which undoubtedly gives it a brighter sense of modernity but one which also flies in the face of many of the gender relationships of the play – the huge social change of the time is quietly forgotten for the most part, an inconvenient truth when so much of the writing is about specific notions of parental obedience and the bestowing of dowries. Continue reading “Review: Hobson’s Choice, Open Air Theatre”
“They got me outside Habitat”
Thomas Eccleshare’s Pastoral came highly recommended to me, having transferred to the Soho Theatre after premiering at HighTide, but I have to say that this bleakly comic take on ecological catastrophe left me rather cold. All rational people know that whatever ever they offer you, [you] don’t feed the plants, but somebody seems to have ignored that and consequently this version of England is being taken over by the countryside. Hunting for an escape, a small group of people take shelter in a house as they struggle to adapt to their new circumstances but it soon becomes clear that Mother Nature is being a bitch tonight.
That said, they’re closer to having a kiki than you might think. Eccleshare invests his characters with a mordant sense of humour from the off, primarily in Anna Calder-Marshall’s excellent Moll who rips through her dislikes with zero regard for political correctness. The arrival of a family unit seems to locate us further in single-room sitcom territory, especially as the tales that everyone tells of their disintegrating world are of unlikely sightings such as wild mushrooms growing in Subway, rabbits in Aldi and a babbling brook complete with herons and kingfishers breaking through outside of Nandos. Continue reading “Review: Pastoral, Soho Theatre”