Review: A Chorus Line, Curve Leicester

Adam Cooper and Carly Mercedes Dyer continue a brilliant year for both of them in this vibrant production of A Chorus Line at Curve Leicester

“Maddening poise, effortless whirl”

There’s something almost wilfully perverse about the Curve mounting A Chorus Line as their festive production. For though it may possess one of the all-time great jazz-hands classics in ‘One’, aka the one song most people will know from it, the show is far from the stereotypical luvvie-fest that the too-prevalent preconceptions about musical theatre insist it must be.

For James Kirkwood and Nicholas Dante’s book used real-life testimonies to break down the painful realities of the auditioning process and gives us all the blood, sweat and tears of what it takes to make it. And at this final audition for the chorus of a new Broadway show, 17 hopefuls have been shortlisted for 8 places and they have to lay their souls bare if they’ve any chance of sealing the deal. Continue reading “Review: A Chorus Line, Curve Leicester”

Early September theatre news

Full casting has been announced for the brand new stage adaptation of British comedy The Good Life which tours the UK this Autumn. The acclaimed cast will include actress and presenter Preeya Kalidas as ‘Margo Leadbetter’, Dominic Rowan as ‘Jerry Leadbetter’, and Sally Tatum as ‘Barbara Good’, joining the previously announced actor and comedian Rufus Hound as ‘Tom Good’. Also featured will be Nigel Betts and Tessa Churchard.

The new comedy by Jeremy Sams, is based on the classic television series by John Esmonde and Bob Larbey which entertained countless millions in the 1970s and which I have never seen an episode of. Directed by Jeremy Sams, this world premiere production will be the first time that the iconic characters of suburban neighbours the Goods and the Leadbetters will be seen on stage. The Good Life will open at Theatre Royal Bath on 7 October 2021, before dates at Cheltenham Everyman, Salford Lowry, Oxford Playhouse, Cambridge Arts Theatre, Malvern Theatres, Richmond Theatre and Chichester Festival Theatre. Continue reading “Early September theatre news”

Round-up of August theatre news

Hampstead Theatre has announced its remaining Main Stage productions for 2021. Stockard Channing and Rebecca Night will perform in the Pulitzer Prize-winning ‘night, Mother by Marsha Norman.This astonishing play, which had its UK premiere at Hampstead Theatre in 1985, will be directed by the theatre’s Artistic Director, Roxana Silbert.  ‘night, Mother will run from 22 October until 4 December 2021.

Tamsin Greig will perform in Alan Plater’s raucously funny Peggy For You.  Richard Wilson will direct this Olivier-nominated play, which had its world premiere at Hampstead Theatre in 1999.  Peggy For You will run from 10 December until 29 January 2022. Continue reading “Round-up of August theatre news”

Cast and creatives announced for MTFestUK 2021

Paul Taylor-Mills has confirmed the line-up of award-winning and international performers and creatives assembled for next month’s MTFestUK 2021.

Due to open at the Turbine Theatre in London from 17-29 May 2021 before embarking on a digital tour from 31 May until 4 July, the third edition of the annual celebration of new musical theatre will showcase eight new musicals. Continue reading “Cast and creatives announced for MTFestUK 2021”

Review: Royal Court’s Living Newspaper #3

The third edition of Royal Court’s Living Newspaper moves online only, with some seriously fierce political writing this time around

“You want me stuffing my face in Pret A Manger so your city can feel real again”

The flexible and modular nature of the Royal Court’s Living Newspaper series means that it is sufficiently adaptable to cope with ever-changing lockdown restrictions. Previous editions had the option of being consumed either digitally or in-person at Sloane Square but this third edition is online only. #3

As a multi-authored, rapid-response foray into theatre-making, structured loosely around the section of a newspaper, it possesses an up-to-the-minute urgency that is rarely captured seen onstage. Pithy soundbites from Boris Johnson are torn apart (in the corking Crocus of Hope that forms the first page), the hollowness of Emily in Paris is exposed, and there’s variety in the vitriol too. Continue reading “Review: Royal Court’s Living Newspaper #3”

News: writers and cast for Living Newspaper #3

Living Newspaper #3 is written by Travis Alabanza, Gurpreet Kaur Bhatti, Nick Bruckman, Anupama Chandrasekhar, Zain Dada, Josh Elliott, Rabiah Hussain, Sami Ibrahim, Karen Laws, Eve Leigh, Chloë Moss, Anthony Neilson, Margaret Perry, and Rebecca Prichard.

The whole edition, which includes 15 filmed performances ranging from 2 – 15 minutes, is available to watch on the Living Newspaper Player until Sunday 11 April; so – much like an online paper – you can catch up on the news and supplements when it best suits you. Continue reading “News: writers and cast for Living Newspaper #3”

News: National Theatre reveals full cast for Dick Whittington

National Theatre reveals full cast for Dick Whittington including faves Melanie La Barrie and Amy Booth-Steel

As previously announced, pantomime comes to the National Theatre with Jude Christian and Cariad Lloyd’s hilarious and heartfelt version of Dick Whittington. First staged at Lyric Hammersmith in 2018 and freshly updated for 2020, Ned Bennett’s production will open in the socially distanced Olivier theatre on 11th December, lockdowns permitting, and tickets are now on sale. 

The full cast includes Melanie La Barrie as Bow Belles, Dickie Beau as Sarah, Amy Booth-Steel as Queen Rat, Laura Checkley as Mayor Pigeon, Lawrence Hodgson-Mullings as Dick Whittington, Georgina Onuorah as Alice and Cleve September as Tom Cat. Beth Hinton-Lever, Travis Kerry, Jaye Marshall, Ken Nguyen, Tinovimbanashe Sibanda and Christopher Tendai also join the company. Continue reading “News: National Theatre reveals full cast for Dick Whittington”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”