BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”
“Ma che faccia buffa che hai! Ma sei sicura di essere una donna? Sembri un carciofo”
Most reviews of La Strada will doubtless start with a potted history of the film but I have to be entirely honest with you and say that despite its illustrious Oscar-winning status, it’s not one that has ever crossed my path. Apologies to Federico Fellini and co for that, and apologies to you readers too, for I see little point in pretending otherwise for the sake of some supposed authenticity.
So I come to La Strada with entirely fresh eyes but no small measure of excitement too for it is the latest show to spring from the extraordinary well of theatricality that is Sally Cookson. And with a writer-in-the-room devising with the company instead of a conventional book scribe, and a ensemble ever-present onstage made up of an international cast of multi-disciplinarians at hand, it is unmistakably and unforgettably Cookson. Continue reading “Review: La Strada, Richmond”
I didn’t care too much for Peter Pan, as the gif below might suggest, so I’m keeping my mouth shut for once.
Running time: 2 hours 40 minutes (with interval)
Booking until 4th February