Album Review: Scott Alan Live

“And there it is…”

For a composer who hasn’t had a major show on over here, Scott Alan inspires an amazing amount of evangelical joy from his fans. This has come from a series of albums and concerts in which his songwriting has been showcased by a wide-ranging collection of Broadway and West End stars, culminating in a rapturously received residency at the St James Theatre a couple of months ago. I like his work, having previously reviewed a couple of his albums, but I haven’t been as ecstatic as some about it so I thought I’d go back to the ones I hadn’t listened to. 

His double album Live offers reworkings of many of his songs and mixes things up further by retaining many of his frequent collaborators but letting them loose on different songs, even switching up genders on some of them. It’s a great move – Natalie Weiss smashes the joyful ‘I’m A Star’, Laura Osnes wraps her delicate voice beautifully around ‘Now’ and Jeremy Jordan is charming as ever on ‘Please Don’t Let Me Go’ and that’s all in the opening five songs. The slightly indulgent length of the album means we don’t always maintain such intense quality over both discs plus bonus tracks.

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Album Review: Where The Sky Ends –The Songs of Michael Mott

“So I dare to dream”

Where The Sky Ends is the debut album from US composer and lyricist Michael Mott which makes for one of the better songbook collections that have been released this year. 11 original songs (and a brief interlude) are featured here which have been selected from shows he has written like Faustus and Mob Wife and also from his back catalogue of standalone songs which cover a wide range of styles. And as ever, a fascinating group of performers have been gathered to give voice to this music. 

What shines through in this collection, especially in the first half, is the sheer diversity of Mott’s writing. The chart-friendly pop of Justin Guarini’s ‘Just Like Me’ switches into Zachary Levi’s ‘The Left Side of the Moon’ which could easily pass as a Rat Pack standard; the slinky supperclub vibe of Sierra Boggess’ ‘The Devil’ with its fantastic brass accompaniment flips into the Donna Summer-esque Don’t Stop Dancin’ which recalls nothing so much as the soundtrack to an 80s gay bar! Continue reading “Album Review: Where The Sky Ends –The Songs of Michael Mott”