“What a happy time we’ll spend”
I’m pretty sure that if you could distil the warmth of Emma Williams’ voice, it would be the basis for the cure to the world’s ills. There are few singers who have that kind of effect on people and it is a travesty that isn’t better known to the world at large. Part of that is a consequence to her admirable devotion to new musical theatre writing which means that her projects haven’t always quite broken through to the mainstream but to those in the know, she’s a real champion of British musical theatre.
Which is a long-winded but deserved introduction to the Original London Cast Recording of Chitty Chitty Bang Bang, the production in which she made her debut as an 18 year old in 2002. The Sherman Brothers’ film has long turned into an enduring classic and its score here, enhanced by new numbers for the stage, remains a thing of unalloyed joy. The delicacy of lullabies like ‘Hushabye Mountain’ and ‘Doll On A Music Box’ are just beautiful and in the hands of Williams and Michael Ball, they shimmer gorgeously. Continue reading “Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)”
“Tale as old as time”
It’s taken me a little time to get round to writing this review, which is rarely a good sign, as I was struggling for anything entirely constructive to say about this film. The 1991 animated Beauty and the Beast was Disney close to its best but these days, nothing is left alone if it has even the merest hint of cash cow about it. So it has previously hit the stage as a musical and following the success of Kenneth Branagh’s Cinderella, it now has a cinematic live-action remake.
Which is all fine and good but just because you can do something doesn’t mean you should. And at no point does Bill Condon’s film ever convince us that the world needed this version of Beauty and the Beast, there’s rarely any sense of it bringing something new and insightful to the story. Plus the contortions it (and star Emma Watson) has had to make to try and convince of its feminist credentials scarcely seem worth it in the final analysis. Continue reading “Film Review: Beauty and the Beast (2017)”
“Perhaps the greatest risk any of us will ever take is to be seen as we really are”
Who knew what the world needed was a live-action version of Cinderella directed by Kenneth Branagh. It oughtn’t be as good as it is but somehow the fusion of Disney magic and folktale wonder comes together most effectively, thoroughly traditional in its outlook yet somehow still feeling fresh. Chris Weitz’s screenplay is based on Charles Perrault’s Cendrillon but both he and Branagh take lots of inspiration from the Disney version of the story too and the resulting confection is really rather bibbity-bobbity-beguiling.
There’s a cleverness too about what it does in spinning new details like giving us a reason that her step-family don’t recognise her at the ball and weaving much humour into the magic spells that get her to said ball. Ella herself is well pitched by Lily James, not quite too perfect to be true but still hugely appealing. It’s no wonder Richard Madden’s Prince Charming tumbles instantly for her (and she for him, those breeches…those boots!) and their chemistry is palpable, one can see why Branagh has cast them as Juliet and Romeo in his upcoming theatre residency in London. Continue reading “DVD Review: Cinderella”
“Queen of Angels is not your grandma’s church anymore. God help your grandmother if it were.”
It was quite the unexpected pleasure returning to this soundtrack. My abiding memories of Sister Act the Musical were of initial disappointment that it wasn’t a retread of the film (one of my all-time favourites doncha know), the randomness of Whoopi Goldberg jetting in for a week of shows and the subsequent tour being rather good (if a little spoiled by the women behind me not shutting up for a minute). But listening to Alan Menken’s score, I was amazed how much of it I was able to easily recall – I may have seen the show 3 times but the last trip was back in 2012.
And how. From the raucous girl-group energy of openers ‘Take Me To Heaven’ and ‘Fabulous, Baby!’ to the (only slightly) more sedate musical offerings of the nuns’ choir in ‘Raise Your Voice’ and ‘Bless Our Show’, there’s a roof-raising joyousness to many of the songs that brings larger groups of the cast together. And leading from the front, the glorious Patina Miller is a full-throated pleasure to listen to as the divine Deloris, her voice soaring like a heavenly host but also capable of tenderness as in the stirring simplicity of the title track. Continue reading “Album Review: Sister Act the musical (Original London Cast Recording)”
“I had a revelation when I skipped my medication”
One of the cardinal rules of theatre booking is that you should never book to see a show just to see a particular performer as that road can only lead to disappointment. And so it came to be when I booked a return visit to Sister Act The Musical when it was announced that Whoopi Goldberg would be covering the role of Mother Superior for most of August for the sole reason of seeing her rather than any desire to see the show again. With the sad news of her mother taking very ill, Whoopi was forced to cut her run short and return to the US and so I ended up giving my tickets to a friend.
But the world works in mysterious ways and I clearly had some good karma stored up so when I booked the shows on my Groupon deal (including this one as I had decided to give it a whirl again since it had announced it was closing in advance of a move to Broadway and also to make way for The Wizard of Oz) and was randomly allocated a date, it just so happened to coincide with Goldberg’s return to the show for just 5 performances. Continue reading “Re-Review: Sister Act with Whoopi Goldberg, Palladium”
I am nothing if not contrary, and whilst weighty fare such as Lantana features in my Top 5 films, Sister Act is also up there amongst my all-time favourites. I have seen it numerous, numerous times and absolutely adore it, so I had mixed feelings when I heard that it was being made into a musical and arriving at the Palladium. My fears were then heightened when I found out that the songs from the film would not be featured in the show, and so I was quite sceptical as I approached the theatre.
Sister Act The Musical first came into being in the States in 2006 and has been developed since then, with the book being written by multi-Oscar-winning songwriter, Alan Menken. The story is still fairly similar to the film, lounge singer Deloris Van Cartier is placed in a witness protection programme after witnessing her hoodlum boyfriend shooting someone, and so she finds herself in hiding in a convent, disguised as a nun. Her only connection to the sisters with whom she is sequestered is through music, and she inspires the choir to hgh levels of success, but in doing so threatens to ruin her cover, and the safety of the nuns, as she has a contract out on her head. Continue reading “Review: Sister Act, Palladium”