2020 Offie Award Winners

Offies Awards - Off West End Theatre Awards

DESIGN

Design: Costume
WINNER – Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
WINNER – Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
WINNER – Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
WINNER – Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
WINNER – Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “2020 Offie Award Winners”

The finalists of The Offies 2020

Offies Awards - Off West End Theatre Awards

The finalists for the 2020 Offies (for performances in 2019) have been announced and congratulations to all 89 mentioned below. A tip of the hat too to the 400+ nominees who you can find here.

DESIGN

Design: Costume
Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “The finalists of The Offies 2020”

Review: The House of Yes, Hope Theatre

There’s a whole lot of morbid fascination in The House of Yes, Matthew Parker’s directorial swansong at the Hope Theatre

“Were you poor? Did you eat chicken pot pie?”

For his final show as a director, outgoing AD of the Hope Theatre Matthew Parker (interview here) has turned once again to the ever-so-slightly macabre, in reviving Wendy MacLeod’s 1990 The House of Yes. And in a rather pleasing note, a host of familiar faces can be spotted in the cast – Bart Lambert (Thrill Me), Fergus Leathem (Brimstone and Treacle), Colette Eaton (Her Aching Heart) are joined by Gill King and Kaya Bucholc to take a step way onto the dark side.

The Pascals live in Washington DC but though it is 20 years since JFK’s assassination, the shadow of the Kennedys looms large over this clan. And over a hurricane-swept Thanksgiving, twin siblings Marty and Jackie-O are set to be reunited, though as he’s bringing a new fiancée Lesly and she’s got a pills-addled mother and horny younger brother in tow, it is clear this ain’t going to be your average family gathering. Continue reading “Review: The House of Yes, Hope Theatre”

Review: Thrill Me – The Leopold & Loeb Story, Hope Theatre

A twisted but thrilling true crime two-hander – Thrill Me – The Leopold & Loeb Story is a must-see at the Hope Theatre

“If this keeps going on I’ll go crazy
I’m aroused, you’re conveniently lazy”

How far to go in the name of erotic obsession? You’d hesitate to call Thrill Me – The Leopold & Loeb Story a love story, what happens here is far too dark and twisted for that, but what you do get is a horribly fascinating study of twisting power dynamics and blurred moralities. And with sex thrown into the equation, it becomes a heady combination, enough to drive you to…well, you’ll see.

Stephen Dolginoff’s one-act musical is based on the true story of Richard Loeb and Nathan Leopold but rather than glorifying their crimes, including murder, it focuses on the extraordinary relationship between these two men in 1920s Chicago. Lovers, abusers, conspirators, victims, they slip and slide from pillar to post as we try to make sense of who they are and what they do to each other.
Continue reading “Review: Thrill Me – The Leopold & Loeb Story, Hope Theatre”