The finalists of The ONCOMMs 2021

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
May 2020. 

1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae

2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”

News: Women’s Prize for Playwriting shortlist announced

The inaugural Women’s Prize for Playwriting has announced the 35 shortlisted scripts that will compete for its £12,000 prize. The prize is run by Ellie Keel Productions and Paines Plough, with production company 45North in association with Sonia Friedman Productions.

It was launched last year, to celebrate UK and Ireland-based writers who identify as female. The winning playwright will receive £12,000 in respect of an exclusive option for the lead producers – EKP and Paines Plough – to coproduce their play and the work will also be published by Samuel French. Continue reading “News: Women’s Prize for Playwriting shortlist announced”

Review: When We Have Sufficiently Tortured Each Other, National Theatre

Strong performances from Cate Blanchett and Stephen Dillane make the challenging When We Have Sufficiently Tortured Each Other worth the effort at the National Theatre

“A woman would never say that
‘A woman did just say it'”

It is bracingly refreshing to see the kind of artistic decisions that drive Cate Blanchett’s theatrical career, so often complex, contemporary takes on classic work which show a performer never content to rest on her laurels. Which leads us to her National Theatre debut in When We Have Sufficiently Tortured Each Other – 12 Variations on Samuel Richardson’s Pamela, written and directed respectively by noted iconoclasts Martin Crimp and Katie Mitchell. 

And as such, it certainly is something of a challenge. Played for its two hours without interval, Blanchett and co-star Stephen Dillane act out a series of psychosexual, sado-masochistic role-playing games and that’s about it. There’s strap-ons and shaving foam, backseat shenanigans and boxes of cherries, and an untold amount of portentous chat which sometimes, sometimes, sears through to the soul. Continue reading “Review: When We Have Sufficiently Tortured Each Other, National Theatre”

News from the National Theatre Autumn 2018 Press Conference

All sorts of goodies were announced today for the upcoming slate of productions at the National Theatre, including Small Island, Peter Gynt, and Top Girls 

Olivier Theatre

Small Island, a new play adapted by Helen Edmundson from Andrea Levy’s Orange Prize-winning bestselling novel, will open in the Olivier Theatre in May. Directed by Rufus Norris, the play journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Small Island follows the intricately connected stories of Hortense, newly arrived in London, landlady Queenie and servicemen Gilbert and Bernard. Hope and humanity meet stubborn reality as, with epic sweep, the play uncovers the tangled history of Jamaica and the UK. Hundreds of tickets for every performance available at £15. Small Island will be broadcast live to cinemas worldwide as part of NT Live. Continue reading “News from the National Theatre Autumn 2018 Press Conference”