Review: Amélie the Musical, Criterion Theatre

Amélie the Musical slots into the West End just perfectly at the Criterion Theatre

“A treasure waiting to be found”

Just a quickie for this as I’ve seen Amélie the Musical a good few times now, loving it whether at the Watermill Theatre, its UK tour or The Other Palace. It now makes a West End transfer, slotting into the bijou surroundings of the Criterion Theatre just perfectly.  

The hugely talented actor-musician cast remain pretty much intact, Caolan McCarthy and Kate Robson-Stuart particular stand-outs, and Olivier-nominee Audrey Brisson leads the company with aplomb with this tale of an introvert, maybe, possibly learning to break out of her shell.

Running time: 2 hours 30 minutes (with interval)
Photos: Pamela Raith Photography
Amélie the Musical is booking at the Criterion Theatre until 25th September

Album Reviews: Amélie The Musical / Cases / After You

A trio of cast recording reviews covers musicals Amélie The Musical, Cases and After You – each one a winner in its own way

“I have always thought I’d see the world”

© Pamela Raith Photography

True story, listening to the cast recording of Amélie The Musical for the first time last summer caused the biggest eruption of tears I’d had all pandemic long. It’s a show I’ve loved from the Watermill Theatre, to its UK tour and thence to The Other Palace, and none of its charm has been lost onto its move onto record here (it has been released on CD as of 1st April). Daniel Messé’s score and his lyrics with Nathan Tysen are charmant in the extreme, embracing the quirkiness of the central character but rooting her in a deep emotional truth of social awkwardness. Audrey Brisson was deservedly nominated for an Olivier and leads the ensemble beautifully, Chris Jared and Caolan McCarthy taking moments to shine too. And I swaer, if there’s another 79 seconds that is as achingly gorgeous as ‘How To Tell Time’, I will manger mon béret. Continue reading “Album Reviews: Amélie The Musical / Cases / After You”

Musical news aplenty

Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.

The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”

News: Old Vic to live-stream Dr. Seuss’s The Lorax

Staged in celebration of the story’s 50th anniversary of publication, David Greig and Charlie Fink’s Olivier Award-nominated adaptation of The Lorax will be inventively transformed for OLD VIC: IN CAMERA into a semi-staged pint-size version to keep young (and older) minds entertained, enchanted and empowered with its central message of protecting the planet.

The cast includes Audrey Brisson, Richard Katz, Melanie La Barrie, David Ricardo-Pearce, Ben Thompson, Jamael Westman and Silas Wyatt-Barke. Should you be so inclined, you can read both of my rhyming reviews for the previous productions of the show here and here.

Dr. Seuss’s The Lorax will be streamed live from The Old Vic stage this Easter from 14th–17th April. All performances will offer audio description and captioning. 

News: Tristram Kenton’s stage archive – the musicals edition

Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
https://www.theguardian.com/stage/gallery/2020/dec/02/musicals-on-stage-in-pictures-tristram-kenton

Photos: Tristram Kenton

News: November news aplenty

An unnecessary amount of theatre news exploded forth today, maybe everyone was just too busy watching CNN all of last week…  I’m just going to rattle through it all quickly to save everyone time.

Jason Robert Brown’s Songs From A New World will play the Vaudeville Theatre for a month from 5th February. David Hunter, Rachel John, Cedric Neal , Rachel Tucker and Shem Omari James, who all reprise their roles from the London Palladium gigs in October.

The previously announced Lynn Ahrens and Mike Ockrent’s A Christmas Carol has revealed its supporting cast around Brian Conley’s Scrooge. Lucie Jones, Sandra Marvin, Martyn Ellis, Cedric Neal, Jeremy Secomb, Matt Jay-Willis and Jacqueline Jossa will join him at the Dominion Theatre from 7th December. Continue reading “News: November news aplenty”

2020 Laurence Olivier Awards nominations

Award season kicks into another gear with the arrival of the nominations for the 2020 Olivier Awards – & Juliet, Fiddler on the Roof and Dear Evan Hansen lead the musicals pack, Death of a Salesman and Rosmersholm the plays

As ever, Laurence giveth and he taketh away and it’s all subjective anyway.

  • I’m really pleased to see the love for Amélie The Musical and The Ocean At The End Of The Lane but a little incredulous that Fairview received no nominations.
  • The weird category shuffle that often happens has landed on ‘Best Entertainment or Comedy Play’ and ‘Best Family Show’ this year, leaving Emilia and Fleabag in a weird place that isn’t ‘Best New Play’ (last year they were divided into ‘Best Entertainment and Family’ and ‘Best New Comedy’.
  • I had zero desire to see Fiddler on the Roof so can’t pass comment there but can’t help wishing the supporting role in a musical nominations weren’t quite so dominated by DEH.
  • & Juliet’s director Luke Sheppard could rightfully feel snubbed, given the wealth of recognition the rest of the production has received.
  • And whither Monica Dolan, Lucian Msamati, Melanie La Barrie, the cast of Three Sisters…(oh wait, they won the more significant award earlier in the year!)

Continue reading “2020 Laurence Olivier Awards nominations”

The 2019 fosterIAN award winners

Best Actress in a Play
Sarah Niles/Natalie Simpson/Racheal Ofori, Three Sisters

Best Actress in a Musical
Audrey Brisson, Amélie the Musical

Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boys

Best Actor in a Musical
Jamie Muscato, West Side Story (Curve Leicester)

Best Supporting Actress in a Play
Monica Dolan, All About Eve

Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie, & Juliet 

Best Supporting Actor in a Play
Nick Holder, Faith Hope and Charity

Best Supporting Actor in a Musical
David Bedella, & Juliet

And my top 10 plays of the year:
1. The Curious Case of Benjamin Button, Southwark Playhouse
2. Call Me Fury, Hope Theatre
3. West Side Story, Curve Leicester
4. As You Like It, Queen’s Theatre Hornchurch
5. Islander, Southwark Playhouse
6. Amélie the Musical, Watermill Theatre/UK Tour/The Other Palace
7. & Juliet, Shaftesbury Theatre
8. Sexy Lamp, VAULT
9. Karaoke Play, Bunker Theatre
10. The Ocean at the End of the Lane, National Theatre