Legally Blonde The Musical Original cast members Laura Bell Bundy, Annaleigh Ashford, Leslie Kritzer & Asmeret Ghebremichael deliver a fun parody that is educational too. Omigod you guys!
“Never let ‘em tell you who you ought to be
Come mid-January, the Strand will look a fair bit different for theatregoers as both Kinky Boots and Dreamgirls have posted advance closing notices, leaving the Adelphi and the Savoy respectively on the same date, Saturday 12th January. As sad as it is to see any show close though, both of these musicals have had a fairly decent run (Kinky Boots opened in August 2015, making it nearly 3 and a half years; Dreamgirls in November 2016, reaching two) and given how merciless the commercial market can be, I think both productions can hold their head up high with their West End runs.
And getting ahead of the game with those closing notices means that people still have many the opportunity to catch either or both of these shows before the final curtain. (I should add too, that both shows have announced that they will be touring the UK going into 2019.) I’ve paid both a revisit relatively recently and am happy to report that they both remain well worth seeing, due to some mighty fine performance. Oliver Tompsett has only just stepped into the role of Charlie Price but he is nigh-on perfect casting and his majestic voice suits Cyndi Lauper’s score down to a T and he’s clearly getting on well with Simon-Anthony Rhoden’s impressive Lola. Continue reading “Re-review: All change on the Strand for Dreamgirls and Kinky Boots”
“You want all my love and my devotion”
As Dreamgirls goes into its second year in the West End and has just welcomed a new cast into the Savoy, what better time to revisit this most glittering of musicals. I must admit to going in with something of a sceptical mindset last time around, both in trying to resist the hype and letting thoughts of ticket prices and imported US leading ladies play on my mind. But all such things aside, this really is a belter of a show, a glowing, full-throated roller-coaster of an experience.
Marisha Wallace, Moya Angela and Karen Mav now share the role for which Amber Riley has won pretty much every award going and tonight’s Effie was the delightful Wallace, a powerhouse of a presence who pretty much nails it from start to finish. Another visitor from Broadway Brennyn Lark’s Deena is well played but I really loved Asmeret Ghebremichael’s Lorrell, possibly becoming the brightest of the Dreams despite the way the script goes. And off the men, Joe Aaron Reid’s Curtis remains a villainous delight.
It’s always lovely to see ensemble members be rewarded for their hard work and both Tosh Wanogho-Maud and Kimmy Edwards have made the leap, now playing Jimmy Early and Michelle Martin respectively. And the production as a whole remains as slick and shiny as it did when it first opened – with all those crystals, how could it not! Keep your eyes peeled for deals on the off-chance they pop up, or take a chance on TodayTix’s daily lottery – it’s worth the shot. And if that weren’t proof enough, here’s some productions shots courtesy of Dewynters. Continue reading “Re-review: Dreamgirls, Savoy”
“I’m honoured to have been asked to return for another residency at Zedel. Taking the stage at this beautifully, intimate venue is the perfect way to celebrate a brand new year and teaming up with some of the biggest names in the London theatre scene is just icing on the cake!”
Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre. Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman
Oslo Produced by Lincoln Center Theater. Written by J.T. Rogers
Underground Railroad Game Produced by Ars Nova. Written by Jennifer Kidwell and Scott R. Sheppard
Vietgone Produced by Manhattan Theatre Club in association with South Coast Repertory. Written by Qui Nguyen
The Wolves Produced by The Playwrights Realm in association with New York Stage and Film and Vassar’s Powerhouse Theatre Season. Written by Sarah DeLappe
The Band’s Visit Produced by Atlantic Theater Company. Music and Lyrics by David Yazbek, Book by Itamar Moses, Based on the screenplay by Eran Kolirin
Dear Evan Hansen Produced by Second Stage Theatre in association with Stacey Mindich Productions. Book by Steven Levenson, Music and Lyrics by Benj Pasek and Justin Paul
Hadestown Produced by New York Theatre Workshop. Written by Anaïs Mitchell
Ride the Cyclone Produced by MCC Theater. Book, Music, and Lyrics by Brooke Maxwell and Jacob Richmond
The Total Bent Produced by The Public Theater. Text by Stew, Music by Stew and Heidi Rodewald Continue reading “Nominations for 2017 Lucille Lortel Awards”