Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On
“Many a thing you know you’d like to tell her”
In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form.
Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”
“No way to change that now”
The art of the concept album can be a tricky one, as is evidenced on An American Victory, an album of 21 songs from a new musical written by first-time composer Louis R Bucalo. The show is set in 1801 in a time of lawlessness on the seas, Thomas Jefferson’s government struggling to deal with the piracy that continually holds their ships to ransom at a time when money is scarce and the US navy is not yet fully in existence.
At least that’s what the detailed synopsis tells us. One of the crucial problems with An American Victory is that you’d be hard-pressed to work out what is happening from these songs alone, they lack any kind of narrative impetus which is close to a fatal flaw when it comes to storytelling in musical theatre. Too little drama emerges from both music and lyrics, which leaves vast swathes of it feeling inert despite its occasionally stirring nature. Continue reading “Album Review: An American Victory (2016 Concept Album)”