Nicole Kidman and Hugh Grant may have been the headliners but the real star of The Undoing was Noma Dumezweni saying the word ‘muck’
“People hire me to create muck”
Created by David E Kelley and directed by Susanne Bier for HBO Max, The Undoing was sold on its prestige merits but in the end, proved to be watchable hokum. And heaven knows in these times, that was what we kinda needed. Traditional scheduling of one episode a week heightened the buzz with some good old-fashioning theorising going on between episodes and if it didn’t quite live up to expectations in the end, well we’ve only ourselves to blame.
Set up as a whodunnit in the higher echelons of Manhattan society, we followed Nicole Kidman’s Grace and Hugh Grant’s Jonathan as their gilded lives are torn asunder when he is arrested for the murder of Matilda De Angelis’ Elena, who we soon find out is his lover. He couldn’t have done it, could he? Over six episodes, an inordinate amount of red herrings and a titanic court battle, the result might not have that surprising but I found the journey highly entertaining. Continue reading “TV Review: The Undoing”
Covid meant we sadly only got 7 episodes of Series 4 of The Good Fight, that’s just not enough Christine Baranski, Audra McDonald and Cush Jumbo
“We need evidence, no conspiracy theories”
Just a quickie for this as the truncated fourth season of The Good Fight meant that it had a rather abrupt finish that cheated the creators out of the fullness of the stories they wanted to tell. What we did get was the customary tackling of huge up-to-the-minute issues – racism in the workplace, political parties trying to reach marginalised communities and in the daring final episode, Jeffrey Epstein.
Baranski’s Diane Lockhart remains one of the great TV characters but I’m not sure anyone was particularly well served by the larger themes of the show. The ramifications of the buyout were tiresome, Memo 618 didn’t get the resolution it needed and Lucca’s plot strand smacked of them not knowing what to do with the character, given how little she ended up interacting with the rest of the main cast. Continue reading “TV Review: The Good Fight Series 4”
I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be
“Who else was masturbating into plants?!”
I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”
On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).
For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”
Legendary Broadway composer Stephen Sondheim will be toasted with an all-star birthday concert, streaming live on Sunday 26th April. Hosted by Raúl Esparza, with musical direction by Mary-Mitchell Campbell, and coinciding with the 50th Broadway anniversary of Sondheim’s Company, Take Me to the World: A Sondheim 90th Birthday Celebration can be seen for free on YouTube.
This once-in-a-lifetime event, benefiting ASTEP (Artists Striving to End Poverty), will include a range of songs from the Sondheim catalogue performed by many of the artists who delivered iconic turns in his musicals, including Meryl Streep, Bernadette Peters, Patti LuPone, Mandy Patinkin, Audra McDonald, Christine Baranski, Donna Murphy, Kristin Chenoweth, Sutton Foster, Brian Stokes Mitchell, Kelli O’Hara, Aaron Tveit, Maria Friedman, Katrina Lenk, Michael Cerveris, Brandon Uranowitz, Elizabeth Stanley, Chip Zien, Alexander Gemignani, Iain Armitage, Stephen Schwartz and, from the cast of Pacific Overtures at Classic Stage Company, Ann Harada, Austin Ku, Kelvin Moon Loh and Thom Sesma.
Though she’s yet to pop her head over this side of the ocean, I’m pretty sure Annaleigh Ashford is an absolute darling. It’s part of the legacy of playing Lauren in Kinky Boots I think, such a lovable part and what I’ve seen and heard of her since has only confirmed that for me. Her acclaimed cabaret performances also won over new audiences, resulted in a live recording of Lost in the Stars: Live at 54 Below being released late last year.
Supported by the superb musicianship of Will Van Dyke and The Whiskey 5, Ashford is an effortlessly delightful performer, whether ripping through the vocal splendour of Dreamgirls‘ ‘One Night Only’ or a Donna Summer medley, nodding to Studio 54’s illustrious past. There’s actually a lot of pop on here, The Everly Brothers’ ‘Love Hurts’, Adele’s ‘Someone Like You’ mixed with Gnarls Barkley’s ‘Crazy’. Continue reading “Album Review: Annaleigh Ashford – Lost in the Stars: Live at 54 Below”
A little something to perk us all up on a Tuesday morning. Stephen Sondheim and James Lapine’s Pulitzer Prize-winning Sunday in the Park with George is enjoying a Broadway revival at the Hudson Theatre (139-141 West 44th Street) and here’s a few photographs of the show and its stars Academy Award nominee Jake Gyllenhaal (in his Broadway musical debut) and Tony Award winner Annaleigh Ashford doing things in and around the show.
Directed by Sarna Lapine, Sondheim and Lapine’s masterpiece follows painter Georges Seurat (Gyllenhaal) in the months leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte. Consumed by his need to “finish the hat,” Seurat alienates the French bourgeoisie, spurns his fellow artists, and neglects his lover Dot (Ashford), not realizing that his actions will reverberate over the next 100 years. And if you’re over the pond, Sunday In The Park With George runs through April 23, 2017. And as if that wasn’t enough, there’s also a video of Jakey singing ‘Finishing the Hat’ below the cut! Continue reading “Tuesday morning treat – Sunday in the Park with George”
“Charlie from Northampton, meet Simon from Clapton”
There is something undoubtedly ironic about a show set in Northampton opening on Broadway before it took its bow on the West End but such it was for Kinky Boots, birthed on the Great White Way with a book by Harvey Fierstein and a Tony-winning score from Cyndi Lauper. And it was that cast that got to release their album first, unleashing Lauper’s joyous songs onto the public.