Billie Piper and Lucy Prebble reunite and collaborate to great success with the sharply funny I Hate Suzie
“I’m sorry the world’s seen your dick, but also – fuck off, slightly”
Lucy Prebble and Billie Piper’s creative relationship has covered TV (Secret Diary of a Call Girl, the first season at least) and theatre (the excellent The Effect) and was recently reignited with Sky series I Hate Suzie. Drawing something of personal history, the show follows a former teen pop star turned sci-fi actress as she deals with a phone hacking incident which leaves problematic intimate photos of her scattered on the internet.
The eight episodes cycle through, and are titled after, stages of trauma – Shock, Denial, Fear, Shame, Bargaining, Guilt, Anger, and Acceptance – representing the indubitably self-centered Suzie’s processing of her experience. And it is a highly entertaining, linear journey, one which Suzie barrelling forward with an interesting lack of recurring characters – even her family members only get the one episode in which to appear, such is the pace of the high-maintenance that she is alternately trying to salvage and sabotage. Continue reading “TV Review: I Hate Suzie”
Holy What’s Antigone at the New Diorama shifts the focus of Sophocles’ play onto two young sisters to powerful effect
“Do you think they’ll come back from the war…both of them?”
There’s a pleasing trend toward giving voice to the under-represented through revisiting familiar narratives (cf Six, & Juliet; Teenage Dick) and Holy What’s new production of Antigone makes for a fine addition to that canon. Lulu Raczka’s adaptation of Sophocles’ Greek classic resites the story as an ongoing interaction between the two sisters Antigone and Ismene and proves all the more compelling for it.
The result is a restless psychological study that forefronts sisterhood, teenage emotion and the impact that trauma has on those left behind. Set in the elegant but eerie space of Lizzie Leech’s metatheatrical design, Tig and Issy play a series of games to try and distract themselves from the fact that their Uncle Creon has locked them in while their brothers Eteocles and Polynices wage civil war against each other. But games only go so far… Continue reading “Review: Antigone, New Diorama”
Sarah DeLappe’s play The Wolves proves a striking piece of ensemble work full of incisive teen insight at Theatre Royal Stratford East
“We should be, like, very very thankful for our liberties you know”
You don’t want to instinctively compare The Wolves to Dance Nation but as far as new plays written by American women about teenage girls involved in competitive sport go, the parallels are there. Sarah DeLappe’s debut play receives a visually striking production here from Ellen McDougall, with some superb design work from Rosie Elnile.
The sport here is football, indoor soccer to be precise, and we follow this team over five weeks’ worth of games. But the focus isn’t the games, it is the young women playing them – known only by their shirt numbers, not their names – the characters being formed by this intense group interaction, which ranges from jokey banter to the deeply profound. Continue reading “Review: The Wolves, Theatre Royal Stratford East”
“It’s because you love him too much”
So a slightly odd position to be in, as we saw Harry Potter and the Cursed Child Parts 1 and 2 nearly 7 weeks ago at their first previews. And with the #keepthesecrets campaign already in full force then, I didn’t write up a review, opting instead for this preview of sorts. And even now, I’m loathe to write too much about it, for it really is the kind of play, and production, that benefits from the multiple elements of surprise contained within.
And it really is packed full of them, from all aspects. Based on an original new story by JK Rowling, Jack Thorne and John Tiffany, Thorne’s play revels in the richness and full depth of the Harry Potter universe to the point where the named cast are described as playing “roles include…” so as not to spoil what’s to come. This does have the knock-on effect of making this a play not really suitable for newcomers but I can’t imagine too many of them will have booked! Continue reading “Review: Harry Potter and the Cursed Child, Palace – totes spoiler free!”
“How is that even possible?!”
Well it’s finally here, Harry Potter and the Cursed Child Parts 1 and 2 have landed at the Palace Theatre in a blaze of insane publicity and media coverage desperate for a touch of that JK Rowling magic to drive web traffic. In some ways, I’m no different (hence this post!) but in one crucial way I do have the advantage – I’m one of the lucky audience members who has now seen both shows, along with the one and only scene-stealing appearance of Sprocket the owl.
It’s no secret that Rowling is asking people to #KeepTheSecrets and there’s always an interesting tension about whether or not one should observe an embargo when you’ve paid for your ticket (a whole £10 per show too, we weren’t going crazy!). So for now, I’m leaving you with this little collection of teasers about some of my favourite things from the show and be warned, they do increase in mild spoilerishness (mostly about staging, the final E is the one to avoid if you’re not sure…forgive me JK!). Continue reading “Preview: Harry Potter and the Cursed Child, Palace”