“Do not blaspheme! Do not blaspheme!”
To mark Series 10 of Doctor Who starting on BBC1 next week, I’ve been counting down the weeks with a rewatch of all 9 of the previous series of new Who. And now we’re within touching distance, I’m counting down the days talking about each one. For once though, I’m going to keep these posts (relatively) short and sweet, following the below format.
With just the one series to judge him on, and that series being the very first when everyone was still finding their feet, Christopher Eccleston’s Nine often gets a bit of a raw deal. And some of his zany moments are undoubtedly really quite awkward to watch but for me, they’re easily outweighed by the emotional weight of his more serious work, especially when hinting at the considerable darkness of the events of his recent past that had left him so haunted. A solid re-entry back into the televisual world. Continue reading “Countdown to new Who: Doctor Who Series 1”
Best Choreography in a New Production of a Musical
Casey Nicholaw – The Book of Mormon
Peter Darling – Charlie and the Chocolate Factory
Steven Hoggett – Once the Musical
Best Costume Design in a New Production of a Play or Musical
Mark Thompson – Charlie and the Chocolate Factory
Ann Roth – The Book of Mormon
David Woodhead – Titanic Continue reading “2013 BroadwayWorld UK Awards Shortlist”
“Are you glad you got married to me?”
As is proving de rigueur for many a Chichester show, last year’s production of Private Lives makes the leap into the West End, sashaying with its silk pyjamas into the Gielgud Theatre for the summer. I made the trip to the Minerva Theatre to see the show as the chance of seeing Anna Chancellor on stage is not one that one should really turn down and my review can be read here – I liked the production immensely but can’t help but feel that I don’t really need to see this play again -for me, it turns out Coward is a playwright who is not standing up to repeated viewings. But throw a good deal my way and my intentions go out the window – Time Out were offering dress circle seats for a tenner and so I just couldn’t resist.
And I pretty much felt the same second time around. Anna Chancellor and Toby Stephens are truly excellently cast as the dangerously dynamic duo Amanda and Elyot, a divorced couple whose chance meeting as they both honeymoon with new partners pulls them back into the vortex of their passion which is somehow simultaneously self-destructive and enduring. Chancellor slinks around Anthony Ward’s handsomely appointed set with the elegance of a panther, her feline seductiveness quick to turn fearsome the moment she doesn’t get her own way. And Stephens makes Elyot a unreconstructed public schoolboy, full of bluffness and a near-childish sense of humour as he turns to acerbically mock everyone around him. Continue reading “Re-review: Private Lives, Gielgud Theatre”
“What could be more innocent than visiting the vicar of Cockchaffington?”
So having completely tumbled for the charms of The Way We Live Now, I turned to the following BBC Anthony Trollope adaptation He Knew He Was Right which was also reworked by Andrew Davies and broadcast in 2004. Trollope’s main concern here was the corrosive effect of jealousy and particularly on his lead character of Louis Trevelyan whose marriage and family are broken up as he struggles to deal with the independent mind of his wife Emily as he suspects her of having an affair, and suffers the consequences of a gossipy Victorian society.
And thus the problems started for me – I never once found myself believing or really caring for Louis or Emily or their relationship. Oliver Dimsdale and Laura Fraser both struggled with the likeability factor for me and so as a central plot point, the story lost me from the beginning. More engaging was Emily’s younger sister Nora’s romantic travails as she falls for a penniless writer – Christina Cole and Stephen Campbell Moore just lovely together, and another love story as a kind but poor young companion falls for her mistress’s great-nephew against society’s rules. Continue reading “DVD Review: He Knew He Was Right”
“You don’t hold any mystery for me darling, do you mind?”
Is there anything left that one can say about Private Lives? That was my abiding feeling on leaving the final show in Chichester Festival Theatre’s 2012 programme despite having had an immensely enjoyable time. The show has proved to be one of Noël Coward’s enduring successes with productions continuing to regularly bless our stages – Kim Cattrall and Matthew Macfadyen brought it to the West End a couple of years ago – as they dance the timeless dance of irresistible couple Elyot and Amanda.
The chemistry in Jonathan Kent’s production is palpable with the nigh-on perfect casting of Anna Chancellor and Toby Stephens. Chancellor, always a fearsomely good actress, brings a fulsome depth to bear which never lets us forget that there is a lifetime of love and loss that underlies all the comic business which occurs when the divorced couple meet accidentally on a hotel balcony, whilst both on their honeymoons with new partners. And Toby Stephens brings an unexpectedly delicious levity to his Elyot, public schoolboy through and through but charmingly warm too and both display perfect comic precision. Continue reading “Review: Private Lives, Minerva”
“It’s always going to be someone else’s lipstick”
A completely random discovery, via an excellent bundle of birthday presents, was this BBC3 series from 2009, Personal Affairs. In its easy mixture of comedy and drama of 4 City PAs trying to discover what happened to one of their friends who has disappeared, it was rather enjoyable if hardly ground-breaking over its six episodes. But where it was huge amounts of fun was in the sheer number of theatrical spots it contained which made it a highly entertaining watch for me.
Whether it was Annabel Scholey as Scouse X-Factor wannabe Midge or Ruth Negga’s strident temp Sid amongst the leads, Al Weaver as a plotting boyfriend or a gorgeously bearded Kieran Bew (correctly assessed as the main attraction for me!) as a potential love interest and Mark Benton and Emily Bruni amongst the bosses, the regular cast held much delight. Combined with a supporting guest cast which featured the likes of Ben Lloyd-Hughes, Mark Bonnar and Annette Badland, the acting was predictably of a high quality which ensured it was always extremely watchable. Continue reading “DVD Review: Personal Affairs”