The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Album reviews: Frozen / Prince of Broadway / Mean Girls

I turn my attention to the latest set of Broadway cast recordings with Frozen, Prince of Broadway and Mean Girls

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My cynicism about the quick turnaround of megahit film Frozen into a would-be megahit musical lasted for about 10 seconds as I popped on their cast recording. I mean, I loved the film and its songs by Robert Lopez and Kristen Anderson-Lopez and so who was I kidding?!

And it fulfils all of my Disney princess dreams. Caissie Levy (Elsa) and Patti Murin (Anna) lead the cast in fine full-voiced form, new songs from the Lopezes fit in well to the score though it does take a hot minute to get used to them. And the orchestral arrangement lends a note of excitement to the songs you know so well already.

Levy’s ‘Let It Go’ naturally takes the spotlight as the Act 1 closer (reprised to close the show as well) but Murin’s rendition of ‘Love Is An Open Door’ with John Riddle’s Hans gets my vote for its sheer warmth and joie de vivre. Of the new songs, Elsa’s ‘Dangerous to Dream’ probably ranks as my favourite. Definitely keen to see this once it hits the West End. Continue reading “Album reviews: Frozen / Prince of Broadway / Mean Girls”

Album Review: If/Then (Original Broadway Cast Recording)

“I know all the odds and even so…” 

One of the temptations with cast recordings, and something that’s been facilitated by the dawning of the digital age, is to make a playlist of your favourite songs and then forget about the others. I am terrible for doing this – it’s why I’m word perfect on only half of Wicked – and yet I never seen to stop. If/Then is a good example of this – the edited highlights on my iPhone give the impression of a great show whereas the reality is more just good

Predictably, these excerpts mostly include Idina Menzel’s inimitable vocal, around which Tom Kitt’s score was crafted. The delicate duet of ‘Here I Go’ with the lovely James Snyder, the stirring ‘You Learn To Live Without’, the irresistible melodic force of ‘Always Starting Over’, she’s so at home in this world of emotionally swirling tunes that it is impossible not to get swept up with her, especially in the last song’s slow-building climax. Continue reading “Album Review: If/Then (Original Broadway Cast Recording)”

Review: If/Then, Richard Rodgers Theatre

“I’d lie to say I’m never sometimes always thinking of you”

I couldn’t do New York without taking the opportunity to see Idina Menzel and in lieu of battling the crowds at Times Square, tickets were booked for her starring role in Tom Kitt and Brian Yorkey’s If/Then. Having had the soundtrack for a wee while now, and being a big fan thereof, I pretty much knew what I was letting myself in for, meaning there was none of the apparent confusion that blighted much of the initial critical response which found the show hard to follow.

Is it confusing? I don’t think so. It’s tricksy yes, as a twin set of narratives follow two different paths that newly-divorced Elizabeth could take as she moves to New York City to start her life anew. Pushing 40, she feels the clock ticking both personally and professionally and so as Liz it is the former that takes precedent and as Beth, the latter. The same friends and colleagues appear in each strand too, with different experiences so you do have to pay some attention but that’s no real hardship. Continue reading “Review: If/Then, Richard Rodgers Theatre”