The National Theatre has announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, the Young Vic and Joshua Andrews’ production of Tennessee Williams’ timeless masterpiece A Streetcar Named Desire featuring Gillian Anderson as Blanche DuBois, Ben Foster as Stanley and Vanessa Kirby as Stella, the NT’s recent production of Dylan Thomas’ Under Milk Wood with Michael Sheen and Nadia Fall’s verbatim play Home that explores homelessness in the UK featuring Michaela Coel. New productions are added each month and since launching in December 2020, there are now 31 productions available to stream on the platform.
It is also announced today some of the productions that audiences can expect to see on the platform in the coming months. Those productions are confirmed to include Antony & Cleopatra with Ralph Fiennes and Sophie Okonedo in the title roles; Hedda Gabler with Ruth Wilson in the title role; Caryl Churchill’s Top Girls in the Lyttelton theatre from 2019; Sally Cookson’s 2017 production of Peter Pan; Yaël Farber’s Salomé and James Graham’s political drama This House, alongside current NT productions; Kae Tempest’s Paradise with Lesley Sharp and Winsome Pinnock’s Rockets and Blue Lights. Ian McKellen on Stage will also join the platform this autumn for audiences outside the UK and Ireland. It is currently available in the UK and Ireland for Amazon Prime subscribers. Continue reading “News: National Theatre adds new productions to streaming platform NT at Home”
Kae Tempest makes a stirring National Theatre debut with Sophocles adaptation Paradise, starring a superb Lesley Sharp
“If I don’t make it back and they ask what happened, make it a better story than it was“
Tales of the Greeks are seemingly never far from any stage but in adapting Sophocles’ Philoctetes, Kae Tempest has at least tended towards one of the lesser known (at least for me). Paradise pleasingly sees the Olivier Theatre remain in the round and Ian Rickson’s production strikes gold with its all-female cast, catapulting leads Lesley Sharp, Gloria Obianyo and Anastasia Hille towards the divine.
Sharp plays Philoctetes, a renowned warrior abandoned years ago by Odysseus (Hille) after suffering an injury but now finding himself back in demand to help win another war. But years as a hermit have soured the traumatised hero and Odysseus and sidekick Neoptolemus (Obianyo) have their work cut out, trying to bring their former compatriot and his illustrious bow back into the fold. Continue reading “Review: Paradise, National Theatre”
The National Theatre will return to performances with full capacity audiences from later this month. Additional seating will now be available for performances of After Life from 27 July alongside the previously-announced productions Rockets and Blue Lights in the Dorfman theatre and Paradise in the Olivier theatre, with extra tickets going on sale to the public from Monday 19 July.
Tickets for The Normal Heart, East is East, Manor and Hex on sale to the public from Friday 30 July. Continue reading “News: National Theatre On Sale, July 2021 – January 2022”
The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, Michaela Coel’s Chewing Gum Dreams, the Young Vic’s A View from the Bridge directed by Ivo van Hove with Mark Strong and Nicola Walker, and Rufus Norris’ production of Everyman with Chiwetel Ejiofor will be available for all audiences worldwide to stream. Danny Boyle’s production of Frankenstein and Sonia Friedman Productions’ Hamlet with Benedict Cumberbatch will also be available for audiences outside the UK and Ireland. Continue reading “News: National Theatre adds five new productions to streaming platform National Theatre at Home”
The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.
It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic. Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”
Amazon has partnered with the National Theatre to stream four high-profile live-recorded stage shows, including Phoebe Waller-Bridge’s Fleabag.
The shows, which include Benedict Cumberbatch and Jonny Lee Miller in 2011’s Frankenstein, will be made available to Amazon’s Prime Video customers in the UK and Ireland from 11 June.
The two other performances are Cumberbatch as Hamlet, filmed at the Barbican in 2015, and Ian McKellen on Stage, a solo show the Lord of the Rings actor toured in 2019 to mark his 80th birthday.
Rachael Stirling and Anna Maxwell Martin are fantastic in Series 1 of The Bletchley Circle, which I’ve finally gotten round to watching
“You really think that just by listening to the wireless, you can tell the police where to look for a murder victim”
I don’t really know how I have left it this late to finally watch The Bletchley Circle, just nine years since series 1 first aired in the UK. It is tailor-made for my interests too: Rachael Stirling, Anna Maxwell Martin, women in wartime(ish), oh and Rachael Stirling 😍 and with the show being on one of my streaming services, I finally took the plunge. This miniseries was written by Guy Burt and directed by Andy De Emmony, with Julie Graham and Sophie Rundle rounding out the lead cast.
And but of course, I loved it. An all-too-brief three episodes take us through the crime-solving exploits of four women who worked as codebreakers at Bletchley Park but now, in 1952, find their talents ignored by a resumption of traditional societal values. As a serial killer murders young women across London and the police fail to take their warnings sufficiently seriously, the foursome start to delve into the investigation themselves despite the intense danger that emerges. Continue reading “TV Review: The Bletchley Circle Series 1”
One of the joys of seeing so much theatre in London is that sense of seeing any number of actors at the beginning of their careers and Tristram Kenton has been doing that for years now. Here’s just some of those big names as whippersnappers on the British stage:
Photos: Tristram Kenton
It is Caryl Churchill’s turn to get the Tristram Kenton treatment from the Guardian’s archive, and what an impressive array of talent that have understandably flocked to this most remarkable of playwrights:
Photos: Tristram Kenton
Given the current discourse around Churchill and the aspects of British history that are commonly taught, watching A United Kingdom couldn’t be more timely
“Would you care for a sherry?”
It’s no secret that the realities of British colonial history are too often and too easily brushed under the carpet. And so it’s no surprise that it is directors of colour who are dragging them into the spotlight, as Amma Asante does with A United Kingdom. You can’t imagine a history lesson that wouldn’t benefit from screening this for its students.
Written by Guy Hibbert from Susan Williams’ Colour Bar, it is based on the true-life story of a law student named Seretse and a underwriters’ clerk named Ruth who met at a dance and fell in love, the film intelligently explores and exposes post-war British imperialist attitudes as well as giving us an epic love story. Continue reading “Film Review: A United Kingdom (2016)”