Best Supporting Actress in a Play
Ayesha Dharker, The Book of Dust
Ruth Wilson’s televisual take on Mrs Coulter is one of my favourite things in life so for Dharker to find an interpretation that complemented yet contrasted so effectively is quite something. Stunning costume work certainly helped but she located the perfect combination of compelling and chilling for me.
Honourable mention: Norah Lopez Holden, Hamlet
A fascinatingly different take on Ophelia that really worked by finding an affecting emotional truth to the character that I’ve rarely seen done before.
Liz Carr, The Normal Heart
Deborah Findlay, Romeo and Juliet
Anastasia Hille, Paradise
Gloria Obianyo, Paradise
Best Supporting Actress in a Musical
Carly Mercedes Dyer, Anything Goes
Against the star wattage of Sutton Foster, Dyer more than held her own as gangster’s moll Erma, full of vocal confidence and scene-stealing comic timing. And she impressed mightily in A Chorus Line too, a standout year for this most exciting of performers.
Honourable mention: Victoria Hamilton-Barritt & Rebecca Trehearn, Cinderella
As I said at the time, we’d all be winners if the musical was called The Stepmother and the Queen. Two larger-than-life scene-chewing turns that give the show so much of its life.
Emily Barnett-Salter, A Chorus Line
Kaisa Hammarlund, She Loves Me
Joanna Riding, Carousel
NIck Payne adapts his play Wanderlust for TV, with a great lead performance from Toni Collette and stunning work from Sophie Okonedo
“I thought old people were supposed to go off sex”
It being more than 10 years since I saw Nick Payne’s play Wanderlust at the Royal Court, I’d be hard pressed to tell you much about how it differed from this TV adaptation which aired back in 2018 but essentially, Payne circles around notions of sex and intimacy and the different roles they can play in different relationships. At the heart of the tale here are Joy and Alan, long married but sexually stale and thus we follow their decision to open out their marriage, with all the attendant difficulties that presents to their tightly-wound emotional states.
We also see the ripple effects on their teenage children, each finding their own way through love and sex and life and friendship, and we also see a lot of Joy’s therapy clients, the significance of which comes heavily to bear late on. Toni Collette and Steven Mackintosh are great value for money as Joy and Alan, Paul Kaye and Zawe Ashton also entertain as their new sex partners, and Kate O’Flynn and Anastasia Hille both thrill in supporting parts. The whole damn thing is worth it though for the simply spectacular Episode 5 in which locks Collette’s Joy and Sophie Okonedo as her own therapist in a room and keeps them there, to just stunning effect.
Amanda Burton’s departure is smoothly managed as Series 8 of Silent Witness heralds a major new age for the show
“Hard act to follow…the blessed Sam”
Given that the first 7 series of Silent Witness featured Amanda Burton’s name above the title, it is impressive that the show’s transition to life without her is effected so smoothly here. She leaves after the first story of Series 8 with a return to Northern Ireland and some long held secrets from the past and if her departure comes a little as a surprise, it’s slightly less so given how the first part of that story finishes on quite the cliffhanger.
Harry and Leo then get one story to themselves and their petty rivalries until Emilia Fox’s effervescent Dr Nikki Alexander is introduced to the team. She comes as a forensic anthropologist, focusing on Iron Age facial reconstructions but is soon co-opted into the Lyell Centre’s ways (“Why are they still involved? They’re pathologists”) in a dicey tale of horse racing and helicopters and then a truly harrowing tale of the aftermath of a train crash, stirringly written by Michael Crompton. Continue reading “TV Review: Silent Witness Series 8”
The National Theatre has announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, the Young Vic and Joshua Andrews’ production of Tennessee Williams’ timeless masterpiece A Streetcar Named Desire featuring Gillian Anderson as Blanche DuBois, Ben Foster as Stanley and Vanessa Kirby as Stella, the NT’s recent production of Dylan Thomas’ Under Milk Wood with Michael Sheen and Nadia Fall’s verbatim play Home that explores homelessness in the UK featuring Michaela Coel. New productions are added each month and since launching in December 2020, there are now 31 productions available to stream on the platform.
It is also announced today some of the productions that audiences can expect to see on the platform in the coming months. Those productions are confirmed to include Antony & Cleopatra with Ralph Fiennes and Sophie Okonedo in the title roles; Hedda Gabler with Ruth Wilson in the title role; Caryl Churchill’s Top Girls in the Lyttelton theatre from 2019; Sally Cookson’s 2017 production of Peter Pan; Yaël Farber’s Salomé and James Graham’s political drama This House, alongside current NT productions; Kae Tempest’s Paradise with Lesley Sharp and Winsome Pinnock’s Rockets and Blue Lights. Ian McKellen on Stage will also join the platform this autumn for audiences outside the UK and Ireland. It is currently available in the UK and Ireland for Amazon Prime subscribers. Continue reading “News: National Theatre adds new productions to streaming platform NT at Home”
Kae Tempest makes a stirring National Theatre debut with Sophocles adaptation Paradise, starring a superb Lesley Sharp
“If I don’t make it back and they ask what happened, make it a better story than it was“
Tales of the Greeks are seemingly never far from any stage but in adapting Sophocles’ Philoctetes, Kae Tempest has at least tended towards one of the lesser known (at least for me). Paradise pleasingly sees the Olivier Theatre remain in the round and Ian Rickson’s production strikes gold with its all-female cast, catapulting leads Lesley Sharp, Gloria Obianyo and Anastasia Hille towards the divine.
Sharp plays Philoctetes, a renowned warrior abandoned years ago by Odysseus (Hille) after suffering an injury but now finding himself back in demand to help win another war. But years as a hermit have soured the traumatised hero and Odysseus and sidekick Neoptolemus (Obianyo) have their work cut out, trying to bring their former compatriot and his illustrious bow back into the fold. Continue reading “Review: Paradise, National Theatre”
The National Theatre will return to performances with full capacity audiences from later this month. Additional seating will now be available for performances of After Life from 27 July alongside the previously-announced productions Rockets and Blue Lights in the Dorfman theatre and Paradise in the Olivier theatre, with extra tickets going on sale to the public from Monday 19 July.
Tickets for The Normal Heart, East is East, Manor and Hex on sale to the public from Friday 30 July. Continue reading “News: National Theatre On Sale, July 2021 – January 2022”
The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, Michaela Coel’s Chewing Gum Dreams, the Young Vic’s A View from the Bridge directed by Ivo van Hove with Mark Strong and Nicola Walker, and Rufus Norris’ production of Everyman with Chiwetel Ejiofor will be available for all audiences worldwide to stream. Danny Boyle’s production of Frankenstein and Sonia Friedman Productions’ Hamlet with Benedict Cumberbatch will also be available for audiences outside the UK and Ireland. Continue reading “News: National Theatre adds five new productions to streaming platform National Theatre at Home”
The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.
It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic. Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”