It is Sarah Kane’s turn to get the Tristram Kenton treatment from the Guardian’s archive, and what an impressive array of talent that have understandably flocked to this most challenging of playwrights:
Photos: Tristram Kenton
“It is known that the Doctor requires companions”
Right – the first season that I haven’t rewatched any of at all. Things get a bit hectic here as once again, the series got split in two, accommodating the mid-season departure of Amy and Rory and the (re-)introduction of new companion Clara Oswald, plus a pair of specials respectively marking the 50th anniversary of Doctor Who and the end of Matt Smith’s tenure as Eleven. It all adds up to a bit of a bloated mess to be honest, though not without its high points.
Amy and Rory feel a little ill-served by their final five, the introduction of Mark Williams as Rory’s dad detracts from their screen-time (yet he doesn’t feature in their farewell?), though the return of the Weeping Angels gives their noirish NY-set exit episode some real heft. And though I admire Jenna Coleman’s confident take on Clara, she’s a hard companion to warm to without any contrasting humanity to go with her intelligence and intensity.
The ‘Impossible Girl’ arc didn’t really tick my box and the grandiosity of Moffatt’s writing for the finale of The Name of…, The Day of… and The Time of the Doctor doesn’t really help (I was curiously unmoved by all the fan-service second time round). Still, Gatiss knocks it out of the park with the superb Ice Warrior tale Cold War and bringing mother and daughter Dame Diana Rigg and Rachael Stirling together on screen for the first time. Continue reading “Countdown to new Who: Doctor Who Series 7”
“Time to come back, the past is the past”
Our appetite for dark crime dramas is seemingly insatiable but it is helped by the quality of programming that is now being sourced from a wide range of countries. One such drama that is closer to home than most is the Welsh-language police procedural Y Gwyll, which is also broadcast in a bilingual English and Welsh format as Hinterland. The 5 part second series of feature-length episodes has just been released on DVD by Nordic Noir and Beyond.
Labelled as part of the Celtic Noir movement, it is interesting to try and locate Hinterland in the televisual landscape and it does fall naturally somewhere in the North Sea – the influence of the all-conquering Scandi-crimewave is certainly there, as are hints of something more homegrown – as reductive as comparisons are, I’d say this is a cross between the Icelandic Trapped and bleak West Yorkshire of Happy Valley. Continue reading “Review: Y Gwyll / Hinterland Series 2”
“We’re all shattered underneath really, aren’t we”
The second part of Nicola Walker’s cross-channel takeover of crime drama has been BBC1’s River. An altogether different prospect to ITV’s Unforgotten, Abi Morgan’s six-parter is aesthetically closer to the Nordic noir of which TV audiences seem unendingly enamoured but still manages to find its unique niche in a crowded marketplace. The Scandi feel is enhanced by the genuine casting coup of Stellan Skarsgård as DI John River but what marks out River are the people around him.
Chief among these is Walker’s Stevie, DS Stevenson, who we meet straightaway and instantly get a feel for their closeness of their professional relationship as they tackle crime on the streets of London. But what is brilliantly done is the shift from buddy cop show to something altogether darker as [major spoiler alert] we find out at the end of episode 1 that Stevie is dead, murdered recently, and River is in fact imagining her presence at his side, even to the extent of regularly conversing with her. Continue reading “TV Review: River”
”Sometimes you have to do bad things to get into power, in order to do good things when you get there”
18 years may have passed since Paula Milne wrote The Politician’s Wife so it was something of a surprise to hear that a companion piece called The Politician’s Husband was in the works. Shown on BBC2 last year, it followed the same 3 episode miniseries format as its forefather and directed by Simon Cellan Jones, had a splashy cast in David Tennant and Emily Watson as a high-flying political couple forced to navigate tricky ground when her career starts to outshine his. But for all the expectation that may have surrounded this, it sadly didn’t feel like a worthy follow-up, satisfyingly excellent performance from Emily Watson aside.
It’s not immediately clear why Milne decided to write this sequel of sorts. The surnames of her characters pay homage to the West Wing (Hoynes, Gardner, Babbish…) and the Machiavellian manipulations of those in power and those who would be speak of many a political thriller gone by. But it is a very British kind of politics that is being interrogated here, the expenses scandal looms large in the public disillusionment with the establishment. And though no affiliations are made with any particular political parties, it is hard not to see echoes of an imagined Balls/Cooper household here, though it is a universal truth that the power-hungry are not restricted to any one ideology. Continue reading “DVD Review: The Politician’s Husband”
Sometimes, the simplest things are the best, and so it proves with Manjinder Virk’s film Forgive. A two-hander split between two timeframes, an estranged father and son reaching out but at different times, forgiveness paling into insignificance in the face of forgetting. Sacha Dhawan and Abdi Gouhad are both superb as the scars left by the sins of the past bite hard, but not quite hard enough to eradicate all traces of familial love as the unpredictability of the future shakes all certainties. Beautifully restrained film-making at its best.
Continue reading “Short Film Review #31”
Our enduring fascination with the Greek tragedies continues with this three-part adaptation of Aeschylus’ Oresteia which sees three writers create contemporary reworkings for radio, starting with Simon Scardifield’s take on Agamemnon. It’s a cracking version, featuring a brilliantly conceived three person Chorus who merge almost seamlessly into the narrative – they pass comment and provide rich detail as per usual, but feeling so much a part of the fabric of this version of Argos makes their storytelling truly integral to the work.
Elsewhere, the story follows the familiar laugh-a-minute path of Aeschylus. After taking a decade to conquer Troy, Agamemnon (Hugo Speer) returns victorious to Argos with a new concubine the prophetess Cassandra (the mellifluous Anamaria Marinca) in tow. But far from happy to see him, his wife Clytemnestra (a calculatedly fierce Lesley Sharp) has long been plotting revenge on him as he sacrificed their eldest daughter Iphigenia on divine orders. It is bloody, brutal stuff and little is spared in this effective retelling. Continue reading “Radio Review: The Oresteia – Agamemnon / The Brick”
“The problem is, citizenship isn’t automatically acquired through naturalisation”
I was initially quite hesitant about booking to see Routes – the murkily complex worlds of immigration and what was the UK Border Agency (UKBA) are all too familiar to me from aspects of my work and so I wasn’t sure that I wanted to see a dramatic interpretation of the painful intricacies of the legal system that so many people are forced to endure. And though Rachel De-lahay’s play, her second for the Royal Court, has a vivid compassion and a burning sense of injustice, it never really dealt sufficiently with its subject matter for my liking, barely scratching at the surface of something so rotten in the state of Great Britain.
She intertwines a number of stories, all to do with immigration and citizenship and how precious the rare flashes of humanity are, that survive in this system. Fiston Barek’s teenage Bashir has spent most of his life in the UK but at the slightest hint of trouble, finds his indefinite leave to remain under threat and a forcible return to Somalia on the cards. His roommate in his hostel is Calvin Demba’s Kola, a troubled youth offender disowned by his parents, one of whom works for the UKBA. And in Nigeria, Peter Bankolé’s Femi is trying to beat the system by buying a fake identity to be able to join his family in the UK. Continue reading “Review: Routes, Royal Court”