Not even the presence of John Heffernan and Jessica Brown Findlay can save The Banishing from its rather punishingly dull fate
“That poor, poor woman”
I did want to like The Banishing, starring as it does fave-around-these-parts John Heffernan and Jessica Brown Findlay in its cast. But Christopher Smith’s film reveals itself as a rather staid entry into the British horror canon, offering little to make it stand out on any creative level.
A haunted house would-be thriller set in the 1930s, it follows the travails of a young family who move into a creaking, creepy house in Essex as Heffernan’s Reverend Linus takes on a new parish. His wife Marianne (Brown Findlay) and daughter Adelaide soon find themselves hearing things that go bump in the night but the truth is something much more troubling is afoot. Continue reading “Film Review: The Banishing (2020)”
Sound the #Heffklaxon! John Heffernan stars with Jessica Brown Findlay and John Lynch in The Banishing – the new horror film from Christopher Smith
In the 1930s in the heart of England, a young reverend and his family move into a manor house, which soon proves to have a horrifying secret. When a vengeful spirit haunts the little girl and threatens to tear the family apart, they are forced to turn to black magic or risk losing their daughter forever.
The Banishing will be released in cinemas and on digital platforms March 26th 2021, courtesy of AMC Networks’ Shudder, in partnership with Vertigo Releasing
The inaugural Women’s Prize for Playwriting has announced the 35 shortlisted scripts that will compete for its £12,000 prize. The prize is run by Ellie Keel Productions and Paines Plough, with production company 45North in association with Sonia Friedman Productions.
It was launched last year, to celebrate UK and Ireland-based writers who identify as female. The winning playwright will receive £12,000 in respect of an exclusive option for the lead producers – EKP and Paines Plough – to coproduce their play and the work will also be published by Samuel French. Continue reading “News: Women’s Prize for Playwriting shortlist announced”
Episode 1 of Unprecedented features strong writing from James Graham, Charlene James and John Donnelly
“It’s clear that everything’s going to be different… and then again, I’m scared that things won’t be different”
It is with an admirable speed with which Headlong and Century Films have pulled together Unprecedented, a theatrical response to the impact of lockdown on society. Conceived, written, filmed and produced in lockdown, and now airing on BBC4, some of our most exciting playwright and a cast of over 50 really have pulled together impressively and this first instalment of three short plays is certainly promising.
Necessity is the mother of invention, or something, and so all three use digital conferencing technology in one way or another and if anything, there’s no bigger marker in the way that our relationships to each other have been altered than this. How many of us even knew what Zoom was in January? And between them, writers James Graham, Charlene James and John Donnelly deftly sketch some of these changes. Continue reading “TV Review: Unprecedented, Episode 1”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
You might, not unreasonably, think that I’d had my fill of Glass Menageries, having seen three in the space of a month late last year but Tennessee Williams’ memory play is one I enjoy especially and am usually keen to see. And so it was with Giles Croft’s production ofThe Glass Menagerie for Nottingham Playhouse where he is Artistic Director, this play being the one that inspired him to become a director and now 40 years later, he feels ready to tackle for himself.
Another key factor in my decision was this theatre’s participation in the Ramps on the Moon project, helping to mainstream disability arts and culture through programming and increased opportunities, here taking the form of casting wheelchair user Amy Trigg as Laura, the young woman whose physical fragility is matched by her emotional wellbeing, smothered as she is by overbearing mother Amanda and abandoned by brother guilt-ridden Tom. Continue reading “Review: The Glass Menagerie, Nottingham Playhouse”