“Now we can go straight into the middle eight”
Now that Spamalot has left the West End (again) (and may well pop up once again given its reliability as a stand-by for quickly vacated theatres), I thought I would give the soundtrack a listen, not least because it has languished on my hard-drive for a good couple of years now without me actually getting round to it. Recorded in 2010 at the Churchill Bromley, the album features the UK cast from that touring production of this Eric Idle and John Du Prez show.
It’s a live recording which means the first thing we hear is applause, something which annoys me disproportionately – why can’t, or don’t, they edit it out – as I don’t want to hear anything that isn’t the people on the stage. Likewise with the laughter throughout, I’m glad the audience were finding it funny but that’s not why people buy soundtracks, to hear others having a good time – is it too much to expect a recording unsullied by the great unwashed?! Continue reading “CD Review: Spamalot UK Cast Album”
“In a thousand years, this will still be controversial”
I’ve never really been a fan of Monty Python and so had never felt the need to go and see Spamalot when it was running in the West End. But when a UK tour was announced, featuring a few interesting cast members, I decided to take the plunge and make my first visit to the New Wimbledon Theatre.
Described as a new musical loving ripped off from Monty Python and the Holy Grail, it is a largely irreverent parody of the Arthurian legend with some self-parodic numbers about musical theatre thrown in for good measure. It features a new book and lyrics from Eric Idle with John Du Prez contributing to the music, but contains a couple of songs from the original film and also possibly the most recognisable song Monty Python ever came up with, ‘Always Look On The Bright Side of Life’. But really, it’s not about the plot, or the killer rabbit, or the French people, or the flying cow, or Finland, it’s about the humour and the silliness and the sheer enthusiasm onstage. Continue reading “Review: Spamalot, New Wimbledon Theatre”
“Jumping Jehosaphat, well if it ain’t the damndest thing I ever did see.”
Running right through to January, the Young Vic has set a lot into Annie Get Your Gun, their longest running production to date. Starring Jane Horrocks as the sharp-shooting Annie Oakley, this musical contains some incredibly well-known songs, and so would seem like a fairly safe bet.
First off, the look of the whole show really is quite arresting, and not in a good way. It instantly evokes ‘school show’ as it really does look cheap and shabby, and the lack of depth in the stage is highlighted every time there’s more than 4 people on stage as they are having to carefully negotiate their way around each other and the props without tumbling off. And on top of that, the design is really quite unsuited to the venue. Such a wide, shallow stage means that people sat towards either edge of the auditorium have severe difficulties in seeing the action when it moves to the other side. And the use of a cutaway above the stage means the front few rows miss the final scene (and the one shirtless moment!). Given that it is unreserved seating, it does seem quite unreasonable to expect people to fork out £30 and then have their view restricted. Continue reading “Review: Annie Get Your Gun, Young Vic”