Book Review: Dear Audience

Just a quickie for this as the book is almost sold out now, but Sophie Ross and Danny Kaan’s coffee-table book Dear Audience is such a beautiful book that I’d encourage you to go and purchase one of the few remaining copies. Striving to photographically celebrate the arts industry from a wide range of performers through producers, MDs and writers, it is a nicely high-quality publication that matches that aim. 

In the interest of fairness, I can’t pick favourites from the many many names featured here, just look at the tags to see the impressive roll-call. What really elevates the book though is the inclusion of heartfelt letters from some of the participants, adding a really personal note to the whole endeavour, reminding us of the personal cost of the pandemic alongside what it has done to the sector as a whole. Track down those last copies now.

Mid February musical news

The producers of FIVER, the sell-out hit musical, which follows the dramatic journey of a five-pound note, are releasing a cast album in March. The album, titled Fiver (Live Concert Recording), is the product of three special, live streamed concert versions of the show, written by Alex James Ellison and Tom Lees, which played to a global audience in November 2020.

Featuring Dan Buckley, Aoife Clesham, Alex James Ellison,
Hiba Elchikhe and Luke Bayer, the album is available for pre-order now on iTunes and on CD and will be released on Friday 5 March. Continue reading “Mid February musical news”

News: Dear Audience coffee table book announced

If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.

There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.

Lockdown treat: #AcaArmy Lockdown Megamix

There’s an admirably chaotic energy to this mahoosive acapella megamix, featuring all sorts of singers in there, all in aid of The Care Workers Charity

 

 
 
 
 
 
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Please enjoy like and share! Please donate today! https://www.justgiving.com/fundraising/acaarmymegamix Featuring the incredible: @divinadecampo @sambaileysinger @itsjamielambert @theamandacole @jodiesamsteele @hollyellisonmusic @rodneyvubya @lemknights @amydibartolomeo @sarahmossmaninsta @laradebelder @mrnic.c @evroselane @_laurendrew1 @maddieroseb @macaulaynicholson Created by @mrnic.c @laradebelder @gstrickland91 and @kev_orkian The phenomenal ensemble includes: @abigail_drennan_ @amywebbersinger @annalise.johnson98 @bethorgan_actor @ellielp96 @emilyclareofficial @emilyproudlock @hjwolfe93 @heatherjconder @helena.neilsmith @jennytrapp93 @jessporter283 @kateyannfraser @kieramarie89 @lauraruthiehyde @laureldougall @laurenj1713 @olivia_mann95 @olivia_rose_deane @rachelfarago @rebeccagilli @thesoundofasong @alice_hinde @lifeofbryony @kaylsaston2607 @lauraishbel @lucie_neale @michaelabennison @naomigisbey @livvywylie @sommy_ech @verityquade @benyoucrazydiamond @christian_lunn1992 @danielump @david_zacharyuk @dmacauley_ @gstrickland91 @hugojosscatton @james.corlett @louisquinnster @richardupton @paultjdeegan @brianraf3 @connorgoing @gregorygeorgeuk @harrybutterss @hugh__edwards @heyjudetaylor @matthewlhobbs @musiclongden @moremouths @svenmaertens @timselman1123

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Please consider donating anything you can to The Care Workers Charity here

Album reviews: Working / Bat out of Hell / 42nd Street

A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic 

© Robert Workman

Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.

Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.

Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended.  Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”

The Curtain Up Show Album of the Year 2017 nominees

Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording

Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording

Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan

Bat Out Of Hell is coming back in 2018

“It’s so hard to believe but it’s all coming back to me now”

Sign-Up for more information on the rock’n’roll return of @BATtheMusical to London’s #West End ? https://t.co/n7m60a0EG6 pic.twitter.com/WpMs3rM0yS

— Bat Out Of Hell (@BatTheMusical) August 22, 2017

 
There are (still) no words to say about Bat Out Of Hell that can really do it justice (here’s my attempt from the first viewing) and in any case, even if I wanted to I couldn’t, as it really is a show that demands to be seen having partaken of a beverage or seven. And believe me, last night I partook! So I guess I’ll see you at the Coliseum next year then, you can get the first round in 😉

Review: Bat out of Hell, London Coliseum

“Will you hose me down with holy water, if I get too hot?”

I think it is safe to say that Bat out of Hell is one of the most random things you’ll see in the West End this year, if not ever, whether you’re a fan of Meatloaf or not. It is a deliciously over-the-top production quite unlike the usual fare in the august surroundings of the London Coliseum but that’s part of its charm here – what would be sacrilegious is actually cheekily charming. Find production photos of the show here and read my 4 star review for Cheap Theatre Tickets here.

Running time: 2 hour 50 minutes (with interval)
Booking until 5th August