Series 10 of Silent Witness, aka the one where they add episodes, make Harry a wannabe stand-up and Harry and Nikki do it, or do they?
“I went as far as I believed I could”
Because in TV-land, a young(ish) man and woman couldn’t possibly work together without shagging, Series 10 of Silent Witness sees the inevitable hooking-up of Nikki and Harry. Although to its credit, it instantly puts a fly in the ointment and in the harrowing final story, really earns the affection between this pair.
As we flit from people-trafficking to performance art, angsty teenagers to animal rights activists, this emerges as a solid rather than spectacular series. Adding in a fifth story adds to the sense of general competence without really raising the stakes, until ‘Schism’ at least, though I’d question just how much mortal danger we ever thought ‘someone’ was in. Continue reading “TV Review: Silent Witness Series 10”
Playing at Theatre Peckham before a UK tour, Tamasha Theatre’s Under the Mask – written by a junior doctor – is a haunting revisit of the early days of the pandemic
“I’m telling you now I don’t feel safe”
Given that you can’t help but expect that there’s going to be a whole lotta COVID plays coming along soon, there’s a balancing act to be made about the approach to a global pandemic that is still very much a clear and present danger. Under the Mask takes the route of almost documentary realism as junior doctor and new writer Shaan Sahota very much writes what she knows.
A Tamasha and Oxford Playhouse co-production, opening its UK tour at Theatre Peckham, Under the Mask invites audiences to an audio experience, taking us back to the beginning of the first wave of the Coronavirus pandemic in the UK. Viewed through the scarcely believing eyes of newly qualified doctor Jaskaran who is fast-tracked onto the Intensive Care Unit, it’s a haunting tale of lived experience. Continue reading “Review: Under the Mask, Theatre Peckham”
So much to love in the uninhibited Series 1 of Bridgerton, not least the most perfect of roles for the brilliant Adjoa Andoh as Lady Danbury
“If I were truly courting you, I would not need flowers, only five minutes alone with you in a drawing room”
Created by Chris Van Dusen and inspired by Julia Quinn’s Regency era-set novels, the much heralded Bridgerton arrives on Netflix with the most excitement arguably reserved for the presence of producer Shonda Rhimes. And it’s a presence that we feel rightaway as this version of Regency London is a racially integrated one, starting with Queen Charlotte being a mixed-race woman and trickling down through all levels of society.
It’s a simple innovation but still a radical one in its execution here, of course it took an American woman to do it! The best thing about it is that it offers up a range of roles for actors who might not normally get a look-in – Golda Rosheuvel as Her Majesty, Regé-Jean Page as the Duke of Hastings and best of all for me, Adjoa Andoh as the deliciously wry Lady Danbury. And as with Nikki Amuka-Bird in the recent David Copperfield film, there’s a general sense of knocking it out of the park and regret that it has taken this long. Continue reading “TV Review: Bridgerton Series 1”
Episodes 1 + 2 set the tone for something rather raucous and raunchy with new period drama Bridgerton definitely doing things differently
“If this is to work, we must appear madly in love”
Just a quickie as the whole of series one of Bridgerton has now landed on Netflix but who know when I’ll actually get round to watching it all, not least because it is probably advisable to ration the amount of Jonathan Bailey sexiness that exudes all over episodes 1 and 2. See below for receipts!
But on the evidence of these first two episodes, it looks set to be a huge amount of fun, though less of a ‘watching with your parents’ kinda show than I thought perhaps it might be. Created by Chris Van Dusen and produced by Shonda Rhimes, it is sexy and sprightly and showcasing some great acting talent. Definitely recommended.
With the loss of two original cast members, Series 5 of Waking the Dead really does ring the changes
“What do you mean exactly, no present threat?”
I’d completely forgotten that Holly Aird left Waking the Dead at the same time as Claire Goose, although sadly her Frankie not getting an exit scene compared to Mel’s gory departure. So Series 5 had quite the job on its hands in introducing two new key members of the team and its contrasting approaches for both resulted in mixed feelings for me.
Esther Hall comes in as Dr Felix Gibson, Frankie’s replacement whose arrival predates the start of the series so she’s already fully accepted as a member of the team. By contrast, Félicité Du Jeu’s DC Stella Goodman is scarcely tolerated as Boyd and Spence give her a really rough ride for basically not being Mel. And it’s one way of doing things to be sure but there’s a little dissonance in the way Felix’s presence is so much of a fait accompli that she can give Stella advice rather than comparing notes as a newbie, especially given Felix’s unheralded departure at series’ end. Continue reading “TV Review: Waking the Dead Series 5”