I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
A beautiful arrangement of ‘Heroes’ from Elegies for Angels, Punks, and Raging Queens by Henry Brennan, from the cast of the recent Union Theatre production
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“Send us a pineapple for the wedding breakfast”
What was the last lie you told? How much was at stake and did you even think of the consequences? Such are the questions being raised at Briarwood Hall in Sir Charles Worrall’s talk on the study of lies and lying to which we’re all invited. And to illustrate his thesis and to break up the Greek philosophy, he’s employed his staff to act out musical scenes of a notable scandal of the 1820s in which his family was involved. So begins Phil Willmott and Mark Collins’ new musical Princess Caraboo in an amusing and inventive manner, which entertains right until the last porky pie has been told.
Based on real events, the Princess Caraboo was a woman who claimed to have been shipwrecked on the English shore and taken in by some well-meaning sorts in the Worralls, was able to inveigle her way into the heights of Regency society. But by highlighting this deception from the start, Willmott’s book is more concerned with the way in which such lies take hold and are promulgated by societal convention and the need to maintain a facade of propriety. It adds up to an effective and affecting piece of storytelling and reaffirms the Finborough’s commitment to supporting British musical theatre. Continue reading “Review: Princess Caraboo, Finborough Theatre”