Just a quickie for this as the book is almost sold out now, but Sophie Ross and Danny Kaan’s coffee-table book Dear Audience is such a beautiful book that I’d encourage you to go and purchase one of the few remaining copies. Striving to photographically celebrate the arts industry from a wide range of performers through producers, MDs and writers, it is a nicely high-quality publication that matches that aim.
In the interest of fairness, I can’t pick favourites from the many many names featured here, just look at the tags to see the impressive roll-call. What really elevates the book though is the inclusion of heartfelt letters from some of the participants, adding a really personal note to the whole endeavour, reminding us of the personal cost of the pandemic alongside what it has done to the sector as a whole. Track down those last copies now.
Priscilla Queen of the Desert will restart its tour at the Everyman Theatre, Cheltenham on 23rd June. Miles Western will take on the role of Bernadette, with Nick Hayes as Adam/Felicia and Edwin Ray playing Tick/Mitzi. They are joined by Daniel Fletcher (Bob), Rebecca Lisewski (Marion), Kevin Yates (Miss Understanding), Gracie Lai (Cynthia) and Ronan Burns (Frank). The Divas will be played by Claudia Kariuki, Rosie Glossop and Aiesha Pease, and the cast is completed by Emma Katie Adcock, Jak Allen Anderson, Allie Daniel, Martin Harding, Clarice Julianda, Jemima Loddy, Nathan Ryles, Tom Scanlon and Jermaine Woods. Continue reading “News: a whole load of UK musical tour casting announcements”
Paul Taylor-Mills has confirmed the line-up of award-winning and international performers and creatives assembled for next month’s MTFestUK 2021.
Due to open at the Turbine Theatre in London from 17-29 May 2021 before embarking on a digital tour from 31 May until 4 July, the third edition of the annual celebration of new musical theatre will showcase eight new musicals. Continue reading “Cast and creatives announced for MTFestUK 2021”
Musical revue Disenchanted takes a deeper look at the lives of Disney princesses and whether happy ever after is all that
“One more once upon a time and I swear I’ll go insane”
Revisiting fairytale endings and reclaiming female historical narratives will be familiar to fans of Into the Woods and SIX but Dennis T Giacino’s Disenchanted attempts to tackle both in an ambitious if patchy musical comedy. Returning to some of the characters so familiar from our storybooks, the show gives them new voice to explain what life as a ‘princess’ is really and how the stories we’ve been told don’t necessarily reflect ‘reality’.
In some ways, this is powerfully effective. You can’t help but hear echoes of Thandiwe Newton’s recent decision in Badroulbadour’s story of how her name and ethnicity were changed in order to become a secondary character in Aladdin. Or nod at Mulan’s recognition that the reason she’s one of the only princesses not to end up with a partner is because she’s a lesbian. Throw in commentary on typical cup size and waist measurements and you see how much social conditioning has gone on through this mode of storytelling. Continue reading “Review: Disenchanted”
Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.
The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”
The Barn Theatre goes choose-your-own-adventure with The Secret Society of Leading Ladies with mixed results
“Leave them wanting more”
There’s no faulting the ambition of the Barn Theatre as they continue to lead the vanguard of theatres exploring how far they can push the digital realm. The Secret Society of Leading Ladies sees them adopt something of a choose-your-own-adventure model for this concert, which means there’s over 150 different ways in which it can be experienced. Continue reading “Review: The Secret Society of Leading Ladies, Barn Theatre”
The Barn Theatre have announced an upcoming digital musical theatre event entitled The Secret Society of Leading Ladies, which provides a new innovative format that allows the viewer to make decisions and control the set list.
The Secret Society of Leading Ladies, which will run from 22nd February – 7th March, takes audiences into a world where Musical Theatre characters can co-exist in the same space regardless of era or genre. The concept was created to reward die-hard musical theatre fans, whilst being mould-breaking enough to invite a new audience to discover the world of musical theatre. Continue reading “News: the Barn Theatre announces The Secret Society of Leading Ladies”