Artistic Director Daniel Evans and Executive Director Kathy Bourne have announced that Chichester Festival Theatre will reopen its doors with its summer musical: Rodgers & Hammerstein’s South Pacific, running from 5 July – 4 September.
Daniel Evans directs Gina Beck (Nellie Forbush), Julian Ovenden (Emile de Becque), Joanna Ampil (Bloody Mary), Keir Charles (Luther Billis) and Rob Houchen (Joe Cable). Continue reading “News: Chichester Festival Theatre announces summer plans”
Shakespeare’s Globe has revealed the season of shows that will begin on 19th May in accordance with the government’s roadmap. Social distancing measures will be implemented so performances will featured limited audience capacity for an initial period. Continue reading “News: Shakespeare’s Globe reveals 2021 season”
Alfred Enoch and Russell Tovey enliven a digital take on Oscar Wilde’s The Picture of Dorian Gray
“People say there’s no dark side to social media”
What A Carve Up! proved a highlight of the theatre industry’s pivot to online work over the last year, the creative team really probing into what could be done differently, more effectively, through the digital medium. So it is little surprise to see them reunite to tackle Oscar Wilde’s The Picture of Dorian Gray.
A co-production by the Barn Theatre, Lawrence Batley Theatre, New Wolsey Theatre, Oxford Playhouse and Theatr Clwyd, directed by Tamara Harvey and written by Henry Filloux-Bennett, Wilde’s tale is lifted wholesale into the 21st century and immersed in the world of social media. For what is a modern-day equivalent of a portrait if not one’s Instagram profile… Continue reading “Review: The Picture of Dorian Gray”
First look images of the upcoming digital adaptation of The Picture of Dorian Gray have been released today.
The contemporary take on the Oscar Wilde classic brings the Faustian tale kicking and screaming into a world of Instagram, Facebook and dating apps and stars Fionn Whitehead (Dunkirk, Black Mirror: Bandersnatch) in the title role of Dorian Gray. Continue reading “Teaser images from The Picture of Dorian Gray”
In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.
The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”
The co-producers of the upcoming digital adaptation of The Picture of Dorian Gray have today announced the production’s full casting and creative team.
Joining previously announced Fionn Whitehead, in the title role, are Alfred Enoch as Harry Wotton, Joanna Lumley as Lady Narborough, Emma McDonald as Sibyl Vane and Russell Tovey as Basil Hallward with Stephen Fry as the Interviewer. Continue reading “News: full cast announced for digital Dorian Gray”
The National Theatre has today announced three new filmed productions have been added to its streaming service National Theatre at Home, including Angels in America Part One: Millennium Approaches and Angels in America Part Two: Perestroika, Marianne Elliott (The Curious Incident of the Dog in the Night-Time, War Horse)’s multi-award-winning production of Tony Kushner’s two-part masterpiece, with a cast including Andrew Garfield (The Social Network), Denise Gough (Paula), Nathan Lane (American Crime Story), James McArdle (Ammonite), Susan Brown (It’s A Sin) and Russell Tovey (Years and Years). Continue reading “News: Angels in America amongst productions added to National Theatre at Home”
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae
2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”
The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
Jonathan Coe’s novel What A Carve Up! is adapted brilliantly into a gripping online play with an excellent lead performance from Alfred Enoch
“Who even reads novels at this point, they’re just an irrelevance”
As the shadow of another lockdown looms, What A Carve Up! shines as an example of what lemonade can be made from those particular kind of lemons. Produced collaboratively by The Barn Theatre, Lawrence Batley Theatre and New Wolsey Theatre and written specifically by Henry Filloux-Bennett for online delivery, this is exciting hybrid thinking.
Based on the novel by Jonathan Coe, Filloux-Bennett and director Tamara Harvey have done a remarkable job here. Covid restrictions aside, it would never have been the most straightforward piece to adapt but reflecting the book’s postmodern structure, this play interleaves multiple layers to build up not just a murder mystery but a damning commentary on the state of the world. Continue reading “Review: What A Carve Up!”