This cinematic adaptation of Everybody’s Talking About Jamie is fabulously enjoyable, led by a fine performance by Max Harwood
“Sometimes, you gotta grab life by the balls, and you take those balls and you tuck ‘em between your legs”
The movie musical seems to be having a bit of a moment again. We’ve been treated to In The Heights and Cinderella, tick, tick…BOOM!, Dear Evan Hansen and a new West Side Story are soon on their way and who could forget Diana: A New Musical… Joining that illustrious company is Sheffield’s own Everybody’s Talking About Jamie, making the leap from the Crucible to the West End to the big* screen. (*It’s available on Amazon Prime so screen size may vary ;-))
And as it has maintained a large proportion of its original key creative team, it carries over so much of its proudly fabulous heart and soul. Based on the true story of Jamie Campbell, we follow Jamie’s last few months at high school as he dreams of becoming a drag queen. And in true Britflick fashion, there are heartwarming ups and heartbreaking downs, plus an expanded range of toe-tapping tunes from Dan Gillespie- Sells. What is fascinating as someone who has seen the stage show a fair few times now, is how well Tom MacRae’s adaptation of his own book works. Continue reading “Film Review: Everybody’s Talking About Jamie (2021)”
The relative informality of the journal structure works perfectly in cultivating an immediate sense of intimacy as we slip from audition process to rehearsal rooms to the Victoria Palace Theatre itself. But don’t mistake these for casual observations, the book is jam-packed full of hard-won insights and all kinds of practical advice which works whether you’re a budding thespian or just a bastard, orphan, son of a… Continue reading “Book Review: Hamilton and Me: An Actor’s Journal – Giles Terera”
Eurobeat – The Pride of Europe rips the piss out of Eurovision with great affection and some seriously good tunes
“Clap and cheer like crazy people”
Eurobeat – The Pride of Europe rises like a phoenix once again, now being hosted by Liechtenstein as Craig Christie’s musical enters the streaming market with a filmed performance from the Clapham Grand. Directed with a knowing wryness by Max Bex Roberts, the shows brings together 9 European nations and the UK to work through any number of Eurovision stereotypes in highly amusing style.
The show actually does a great job of ripping the piss out of so many of the Eurovision staples around the songs as well. The show-stealingly good hosting (David O’Reilly’s Orla Aboard nailing it as Marlene Cabana), dry Eurocrats reading out the rules (Andy Coxon being adorkable), the local colour (Sooz Kempner and Scott Paige in brilliant form), the little clips before each song. And a final number by Marlene hits a surprisingly authentic emotional note which lifts the spirits just before the voting begins.
Fourth Wall Live have announced the world premiere of a new online version of the cult West End Musical Eurobeat – The Pride of Europe. This irreverent, hilarious homage and celebration of the world’s best-loved song contest will be filmed at The Clapham Grand and streamed globally from 30 April – 10 May 2021 on Stream.Theatre. Viewers will be asked to vote online after watching the show (Your vote really counts!) and The Results Show will be streamed from 14 – 18 May 2021.
Eurobeatwill be hosted by David O’Reilly’s “Orla Board” as Marlene Cabana the glamorous mistress of ceremonies, with a cast led by Joanne Clifton(BBC’s Strictly Come Dancing, The Rocky Horror Show, Flashdance), Tia Kofi (BBC Three’s RuPaul’s Drag Race UK Series 2), Harriet Thorpe (BBC’s The Brittas Empire, Cabaret) and Tom Read Wilson (C4’s Celebs Go Dating, BBC’s Celebrity Best Home Cook), the show will also star West End and musical theatre stars Christine Allado (Hamilton, The Prince of Egypt), Matt Croke (ITV’s The Voice, Disney’s Aladdin), Scott Garnham (Les Miserables, Billy Elliot, The Barricade Boys), Aisha Jawando (Tina in Tina, The Tina Turner Musical), Scott Paige (Cinderella, Nativity!), Claudia Kariuki, (Priscilla Queen of the Desert, School of Rock), David Ribi(Milkshake, Channel 5), comedian Sooz Kempner, Annell Odartey (WhatsonStage Awards), George Olney (Saturday Night Fever, Fiddler on the Roof), Alexzandra Sarmiento (Hamilton, Strictly Ballroom) and Jaime Tait (Motown, Beautiful). Continue reading “News: New version of Eurobeat – The Pride of Europe to stream”
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
It’s not been a hot minute since I last saw Hamiltonso just take a look at my original review for the deets.
Running time: 2 hours 35 minutes (with interval) Booking note – keep your eyes open for returns, of which there have been quite a few. And check your browsers, the Ticketmaster site is most temperamental with the likes of Opera, Firefox and Chrome in my experience, Microsoft’s Edge has been most reliable for me
It’s here! Hamilton finally arrives in the West End and lights up the newly refurbished Victoria Palace Theatre for the ages
“A bunch of revolutionary manumission abolitionists,
Give me a position, show me where the ammunition is”
Change doesn’t just happen, it has to be ushered in by visionaries determined to shake up the status quo to allow the rest of us to shuffle in in their wake. This is true of many things but particularly when it comes to diversity in our theatres, which makes it pleasing that this first production of Hamiltonoutside of the US has maintained its commitment to multiracial casting in its depiction of the travails of ill-fated Founding Father Alexander Hamilton.