The thought of outdoors theatre was fine earlier this week, not so much right now! For the brave, Regent’s Park Open Air Theatre have confirmed full casting for Rodgers and Hammerstein’s Carousel, which plays 31 July – 25 September. Joining the already announced Carly Bawden (Julie Jordan), Declan Bennett (Billy Bigelow), John Pfumojena (Enoch Snow), Joanna Riding (Nettie Fowler) and Natasha May Thomas (Louise Bigelow) are Brendan Charleson (Mr Bascombe), Jo Eaton-Kent (Mrs Mullin), Sam Mackay (Jigger Craigin), Ediz Mahmut (Young Enoch) and Christina Modestou (Carrie Pipperidge).
The ensemble includes: Chanelle Anthony, Craig Armstrong, William Atkinson, Shay Barclay, Sarah Benbelaid, Madeline Charlemagne, Freya Field, Sebastian Goffin, Amie Hibbert, Tim Hodges, Lukas Hunt,Tessa Kadler, Lindsay McAllister, Matthew McKenna, Jack Mitchell, Charlotte Riby, Lisa Ritchie and Daisy West. Continue reading “News: West End musical castings confirmed”
The Theatre Channel returns with Episode Five, full of The Classics of Broadway sung by the likes of Bonnie Langford, Gary Wilmot and Marisha Wallace
“Tell me, why should it be true, That I get a kick out of you”
Over fourinstalmentslastyear, Adam Blanshay Productions and The Theatre Café’s The Theatre Channel managed the not-inconsiderable feat of finding its niche within the crowded marketplace of streamed theatrical content and also elevating its quality. Such is its quality with its consistently high production values, you really do get the feeling of seeing bona fide musical theatre rather than just another concert.
Nipping in just before Santa arrives, The Theatre Channel’s fourth episode delivers festive treats aplenty in The Holiday Special
“If you’re burdened down with trouble If your nerves are wearing thin…”
With all the uncertainty that has haunted the world of theatre since the pandemic began, there’s something unalterably pleasing about seeing a theatrical enterprise grow from strength to strength at this time. Born out of the explosion in streaming content that emerged in the first lockdown, The Theatre Channel has taken that concept and elevated it to something rather special, so mince pies and buckets of mulled wine all round for everyone at Adam Blanshay Productions and The Theatre Café.
In its half-hourly episodes, it has found focus in its themes (Hallowe’en, rock musicals) and shown generosity in its casting. Starrier names may be the headliners but the decision to introduce the Café Four (comprised of Alyn Hawke, Emily Langham, Sadie-Jean Shirley and Alex Woodward) as a regular ensemble has proven a masterstroke. providing continuity across a diverse range of performances and from episode to episode, but also showcasing their own talents alongside a raft of Olivier winners and nominees. Continue reading “Review: The Theatre Channel – Episode Four The Holiday Special”
Exploring the world of rock musicals, Episode 3 of The Theatre Channel features Alex Gaumond, Shan Ako, John Owen-Jones, Francesca Jackson, Aisha Jawando and Rob Houchen
“Je cherche le soleil Au milieu de ma nuit“
First, a confession. The idea of a rock musical generally leaves me cold so the announcement of the theme of the third episode of The Theatre Channel being just that wasn’t one that filled me with too much joy. But the quality of Episode 1 and Episode 2, plus the calibre of talent they’ve been attracting, meant that I was happy to at least give it a whirl.
And if it didn’t make a convert out of me (there’s enough fans of Rent out there already…), there’s plenty to be impressed with. The highlight of the half-hour show for me was the chance to hear the Québécois Alex Gaumond singing ‘Le Monde est Stone’ from Starmania in its original French, the desperation of this soaring ballad transcending any linguistic barrier (though subtitles are provided). Continue reading “Review: The Theatre Channel – Episode Three”
Episode Two of The Theatre Channel takes its Halloween theme and has a ball with it, with brilliant performances from the likes of Linzi Hateley, Jordan Shaw, Bradley Jaden and Sophie Isaacs
“It’s a matter of time before London belongs to us”
After a highly successful debut, Episode 2 of The Theatre Channel arrives and things have gone a bit Strictly with a theme week. Natch it is Hallowe’en that acts as a linking thread between the performances here but unlike Strictly, it is pleasingly effective as the production design (by Gregor Donnelly) gets to play with a more cohesive visual language across the show (credit too to director Bill Deamer and DP Ben Hewis), and the song selection gets to go a bit dark and dramatic.
That’s not to say that there’s not a variety of tone here. As befits this holiday, there’s a healthy dose of camp as a CGI-enhanced Ria Jones casts her spell over Into the Woods’ ‘Last Midnight’ and the camp drama of Frank Wildhorn’s ‘Life After Life’ from Dracula the Musical is well served by the relatively straight bat and sensational voices of Bradley Jaden and Sophie Isaacs. The same goes for Josh Piterman’s dangerously seductive take on ‘The Confrontation’ from Jekyll and Hyde. Continue reading “Review: The Theatre Channel – Episode Two”
Featuring the likes of Jenna Russell, Matt Henry and Carrie Hope Fletcher, Episode 1 of The Theatre Channel is a roaring success
“Believe me, my admiration for you hasn’t died”
As big question marks remain over if and when theatre doors will start opening again, the move to online delivery of musical theatre has taken an interesting turn with the arrival of The Theatre Channel. It is officially described as a web series but it is basically a musical theatre version of classic Top of the Pops online, ie heaven!
Set on location in (and on top of) The Theatre Café, the first episode was a slick half hour of cracking entertainment that really gladdened the heart. Director Bill Deamer offers a slice of real variety across its six numbers but also maintains a high level of quality, right down to the witty timing of the snippets of choreography he introduces via the inhouse ensemble. Continue reading “Review: The Theatre Channel – Episode One”
SIX reunite, The Theatre Channel switches on, The Shows Go On return and casting is revealed in Bath
The Reunion is the first stage+streaming concert performance by seven powerhouse vocalists who rose to fame as the original West End queens of the musical SIX: Aimie Atkinson,Alexia McIntosh,Grace Mouat,Jarneia Richard-Noel,Maiya Quansah-Breed,Millie O’Connell, and Natalie Paris. The show will be livestreamed by theatre platform Thespie but a lucky few will also be able to get tickets to see the concerts live on Saturday 10th and Sunday 11th October.
Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Continue reading “More September theatre news”