A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
Who couldn’t love a LGBT+ rom-com – Robert Holtom and Tom Wright’s Dumbledore Is So Gay is like a gorgeously warm embrace at the VAULT Festival
“It’s not how I imagined it, but it’s great”
There’s something beautifully sweet about Dumbledore Is So Gay, a LGBT+ rom-com set in a world of magical realism that gives you hope that things can sometimes get better. Written by Robert Holtom (The Cluedo Club Killings) and directed by Tom Wright (My Dad’s Gap Year, which I now wish I’d seen), it is an adorably funny piece of theatre with a fair amount of potential.
Age 12, Jack can’t stop getting a boner in French class every time he looks at his best friend Ollie but as his parents change the channel when Graham Norton comes on, he knows he can’t be honest about himself. As the years go by, key relationships develop but not always in the way he is expecting so at a crucial moment, he decides to whip out his time-turner and do it all over again, only better this time. Continue reading “Review: Dumbledore Is So Gay, VAULT Festival”
Insofar as it is humanly possible for any one person to know everything that is happening at the VAULT Festival this year, I present a handful of my recommendations for 2020.
In all honesty though, I think the best thing to do is just pick a night, go down there and see what tickles your fancy – the level of quality here really is something to admire and means it’ll be very hard to end up disappointed. Take a look at their website here.
Body Talk – 29 Jan — 02 Feb
Full Disclosure Theatre take on male body image from the gay perspective, looking at the damage that can be imposed by obsessing over it.
how we love 18 — 23 Feb
Regi and Babs are getting married. She’s a lesbian and he’s gay but they need the cover to deal with the dangers posed by the prevailing attitudes towards homosexuality in Nigeria.
Notch 19 — 23 Feb
After the devilish fun of Ladykiller, the Thelmas return with this dark meditation on migration, homelessness and obsession from Danaja Wass.
V&V 03 — 08 Mar
Exploring communication then and now, V&V contrasts love stories past and present from Virginia Woolf and Vita Sackville-West’s love letters, to Mia and Lottie’s online missives.
Too Pretty To Punch 03 — 08 Mar
A comedy spoken word show from Edalia Day about gender and featuring original songs and video work about trans life in 21st century Britain. Continue reading “2020 VAULT Festival – 20 shows to see”
“Switch Grindr off before the night begins…”
For all the rainbow flags painted on cheeks at Pride and declarations of being an ally, I don’t straight people can ever really appreciate the extraordinary rush of feeling that comes from going to your first gay club. The excitement, the fear, the sexiness, the strangeness, the sense of community that feels right at your fingertips, the sense of potential isolation equally, precariously close – it can be a most eye-opening, exhilarating experience. It can also be more ambivalent than that.
And it is the complexity of this sensory overload that Alistair Wilkinson captures evocatively in his dance-led devised piece Man-Cub. Trailed as a queer adaptation of Rudyard Kipling’s The Jungle Book, it feels looser than that but Alex Britt’s first-time gay club-goer is our Mowgli and the club is his jungle. And if we don’t get a Baloo (no bears in this gay club!) or a Kaa (joke about being hung like a python redacted), what we do get it a sense of the tribal fervour of the dancefloor. Continue reading “Review: Man-Cub, Etcetera”