Curve Leicester’s The Color Purple – at home sounds like a dream with an excellent cast but I’m not sure it truly benefits from being filmed
“She got them heebies and jeebies”
It is a bit of a shame that The Color Purple – at home, has to follow Curve Leicester’s exceptionally good production of Sunset Boulevard as they reimagine their planned autumn/winter season in concert form. For where the already cinematic Sunset blossomed in the marriage of theatre and film, The Color Purple doesn’t reap anywhere near the same level of benefit from this treatment.
Part of the problem lies in the essential nature of the shows. Sunset is full of distance and estrangement which is perfect with there’s a 2m social distancing rules in place but The Color Purple is about intimacy and connection at its heart, and that is sadly – but necessarily – missing here. Continue reading “Review: The Color Purple – at home, Curve Leicester”
Following the success of its recent five-star production of Sunset Boulevard – at Home, Curve has announced plans to also stream The Color Purple online between Tue 16 Feb and Sun 7 Mar, in association with Birmingham Hippodrome.
Whilst the planned run of live performances is now sadly cancelled due to the uncertainty around national restrictions, Curve will safely bring together the 2019 award-winning company to stream the production for audiences to watch online. The Color Purple – at Home will be a fully reimagined concert version of the 2019 production, co-produced by Curve and Birmingham Hippodrome. Continue reading “News: Curve to stream The Color Purple at Home”
Johnny English, Johnny English Reborn and Johnny English Strikes Again prove ideal brainless festive watching
“I’ve been dropped into the Kalahari Desert carrying nothing more than a toothbrush and a packet of sherbet lemons”
I don’t believe in any of my pleasures being guilty, if something makes you smile then who is anyone else to dictate whether that’s acceptable? The Johhny English film trilogy – Johnny English (2003), Johnny English Reborn (2011), and Johnny English Strikes Again (2018) – holds a special place in my heart (well, the first two do) as they formed the backdrop to a couple of great family holidays and several of the funnier lines have snuck into the family vernacular.
Written by Neal Purvis, Robert Wade and William Davies and directed by Peter Howitt, Johnny English is an amusing entry into the series. Rowan Atkinson’s English is a hapless MI7 employee whose bumbling sees their top agent accidentally killed and then all their other agents massacred in a bomb at his funeral. As the sole agent left, he has to thwart a plot to steal the Crown Jewels and decipher John Malkovich’s comedy villain French accent. Continue reading “Film review: the Johnny English trilogy”
Just doing my best to try and amplify some of these amazing black voices. I stand with you.
Continue reading “#StandByMeChallenge Instagram edition”
The extraordinary Caroline or Change makes the leap into the West End at the Playhouse Theatre, with a titanic Sharon D Clarke at the helm
“The Devil made the dryer.
Everything else, God made”
For the assiduous theatregoer, this is the third opportunity to catch this stirring Chichester Festival Theatre production of Caroline or Change. From its original run at the Minerva last year to the Hampstead Theatre this spring, this idiosyncratic musical now arrives in the West End in the relative intimacy of the Playhouse Theatre.
And it is an intimacy that is needed to draw you into the true shape of Michael Longhurst’s production – to be confronted with that Confederate statue, the sweltering isolation of that basement, the knots of tension on furrowed brows. The winds of change may be starting to blow across the US of the early 1960s but here in this Louisiana household, societal change has yet to filter down to the individual. Continue reading “Review: Caroline or Change, Playhouse Theatre”
With the magnificent Sharon D Clarke at the helm, Caroline, or Change transfers to the Hampstead Theatre London with all its power intact
“Dressed in white and feelin’ low,
talkin’ to the washer and the radio”
Tony Kushner and Jeanine Tesori’s complex and challenging civil rights musical Caroline, or Change makes its long-awaited London return to the Hampstead theatre, more than a decade after its well-received National Theatre production took the Olivier for Best New Musical but found no further life.
Michael Longhurst’s production was first seen in Chichester last May (here’s my review) and whilst it is a shame that that original cast aren’t all present here (the glorious Nicola Hughes, Gloria Onitiri, Jennifer Saayeng all now elsewhere), it holds on to the titanic talents of Sharon D Clarke as Caroline Thibideaux. Continue reading “Review: Caroline, or Change, Hampstead Theatre”
“The passengers were bound to resist”
Michael Buffong’s reinterpretation of Guys and Dolls, a co-production between the Royal Exchange and Talawa Theatre, is just that, a bold re-envisioning of the classic musical that consequently comes up with something different. That’s the point. So it may take a second to recalibrate, to adjust to these portrayals of familiar characters but in doing so you get to embrace something fresh and new and really rather exciting.
Moving the show from Times Square to the heart of the Harlem Renaissance in 1939 allows Buffong to employ an all-black cast, infuse Frank Loesser’s score with jazz and gospel (new orchestrations by Simon Hale) and introduce a vibrant choreographic vision (by Kenrick Sandy) that draws on several decades of dance history. The result is less-concept heavy than you might expect and often, explosively good fun. Continue reading “Review: Guys and Dolls, Royal Exchange”
The Royal Exchange in Manchester have really been upping the ante as far as their Christmas musicals are concerned. Last year’s Sweet Charity was a stonker, their Into the Woods was something special, and 2014/15’s Little Shop of Horrors was basically perfection. This year see them tackle Broadway classic Guys and Dolls in a co-production with Talawa Theatre Company and by the crin (as my Aunty Mary would say – a bit of Wigan dialect for you there…) just take a look at this bushel and a peck’s worth of beauties! Continue reading “Cast for the Royal Exchange’s Guys and Dolls announced”
“This world should be notified.
It’ll be a bumpy ride.
Thanks to Bonnie and Clyde!”
My first work-in-progress show at The Other Palace in the form of Bonnie and Clyde and as it is a developmental work, I ain’t gonna say a thing!