Cush Jumbo is excellent, and there’s a great Ophelia, but do we really need another Hamlet? Three hours plus at the Young Vic will soon tell you
“The time is out of joint”
At the risk of sounding like Brenda from Bristol, my initial reaction to hearing of another “highly-anticipated production of Shakespeare’s great tragedy” is rarely one of too much excitement. But the Young Vic’s Hamlet has quite the trump card up its sleeve, in the return of Cush Jumbo to the theatrical stage after nailing transatlantic TV success in shows like The Good Fight.
It is 10 years or so now since getting to see Jumbo fairly regularly at the Royal Exchange in Manchester, her talent obvious to see even then in productions of As You Like It and Pygmalion. And with frequent collaborator Greg Hersov at the helm, it is little surprise that her presence here is nigh on revelatory, a high-wattage performance that electrifies the play almost anew. Continue reading “Review: Hamlet, Young Vic”