Matt Lucas’ ‘Thank You Baked Potato’ reaches its apotheosis with this West End frenzy
Les Misérables – The Staged Concert is released on digital download, along with a bonus featurette which is highly amusing
“Minutes into hours, and the hours into years”
Striding over the barricades to alleviate lockdown tedium, Les Misérables – The Staged Concert has now been released on digital download. The release will raise funds for performers, musicians and the NHS as well as incurring additional donations (an extra £5 for every purchase) from The Mackintosh Foundation which will go to the charity Acting for Others, the Musicians Union Coronavirus Hardship Fund and Captain Tom Moore’s Walk for the NHS fund
You can actually watch Bringing It Home – A Les Miz Stay at Home Special below but I thought I’d give you fair warning as it has its pros and cons. Continue reading “Lockdown review: Les Misérables – The Staged Concert”
I revisit long-runners The Mousetrap, Les Misérables and Wicked, and come to a decision (of sorts) about the future of this blog
“Here’s to you and here’s to me”
Well 2019 has been an interesting year so far and one full of significance – I’ve turned 40, this blog has turned 10 and it’s all got me in a reflective mood. Personally, professionally, is this what I want to be doing? Do quote a Netflix show I haven’t even seen, does all this bring me joy…? Over the last couple of weeks, I’ve revisited a few long-running shows in the West End to consider what cost longevity.
The longest running show in the West End is The Mousetrap – 66 years old with over 27,000 performances and their answer to keeping going is to not change a single bit – has the show even ever cast a person of colour? My limited research suggests not… On the one hand, it’s a policy that does seem to have worked and that record is a mighty USP, although does the number of empty seats at the St Martin’s that afternoon suggest a waning of interest finally? Continue reading “Blogged: long-running shows and long-running blogs – what does the future hold”
Best Feel Good Show
Show You Came Out Dancing To
Five Guys Named Moe
Best Female Performer
Rachel John for Hamilton
Most Heart Stopping Show
Soundtrack of My Soul
Best Male Performer
Layton Williams for Rent
Aesthetic On Point
The Grinning Man
Performer Who Saved The Day
Adam Bayjou for Les Mis
Couldn’t Wait For It To Open
Five Guys Named Moe
The Old Vic
“Its simple truth speaks volumes in a world where hatred rages”
Following on from the re-release of his self-titled album earlier this year, Leslie Odom Jr gives us another opportunity to sink into his world of soulful jazz with an album of reinterpreted holiday classics in Simply Christmas on S-Curve Records. And I do mean sink into like the most comfortable sofa you can imagine, in front of a log fire and drinking a nice cup of Charbonnel and Walker, for this is rich and luxurious stuff – as evidenced halfway into opening track ‘Have Yourself A Merry Little Christmas’ when a softly funky breakdown envelops you in its warmth like a marshmallow on top of that hot chocolate.
Dangerously seductive in Hamilton, Odom Jr will lose precisely zero fans here with this lush yet restrained style. Arrangements are kept simple, allowing heartfelt vocals to imbue tracks like ‘The First Noel’ and ‘The Christmas Song’ with renewed life. Equally, the piano and vocal improvs in ‘My Favourite Things’ keep things utterly fresh without losing sight of the overall vision of the record. The gentle guitar accompaniment to The Carpenters’ ‘Merry Christmas Darling’ is a thing of loveliness and Sara Bareilles and Ingrid Michaelson’s new festive standard ‘Winter Song’ blooms gorgeously under the treatment. Continue reading “Festive review: Leslie Odom Jr / Megan Hilty / Eyles & Gould / All Aboard! The Sleigh Ride”
And because things come in threes, here’s the news about West End Sings’ Christmas single ‘If We Only Have Love’ by Jacques Brel. Released to celebrate the 30th Anniversary of Childline and all proceeds will go to the charity. The track can be pre-ordered from Friday 2nd December and will be released on Friday 9th December.
The song features stars from several West End Musicals plus the Sylvia Young Choir, with music by the producers of two out of the last three Christmas number 1s. Just some of the people singing are Dean John-Wilson, Cassidy Janson, Lucy St Louis, Davina Perera, Dylan Turner, Daniel Boys, Ben Forster, Rachelle Ann Go, Caroline Sheen, and Claire Sweeney – more details can be found on their website.
“Angry men don’t write the rules and guns don’t right the wrongs”
The season to be jolly is fast approaching but if the idea of Christmas cheer in the theatre leaves you, well, less than cheerful, then the Menier Chocolate Factory’s festive offering this year may well be up your street. The highly prolific director Jamie Lloyd is taking on Stephen Sondheim’s Assassins, which sees Sondheim’s music and lyrics coiled around John Weidman’s book exploring the men and women who tried (whether successfully or not) to assassinate a President of the United States.
It’s hardly the most Christmassy of shows and I think that is pretty much the point. And Sondheim’s enduring popularity (especially at this venue) makes it a safe bet even before the luxurious quality of the cast and company comes into the equation. I saw the first preview on Friday, my booking radar having gone a little awry as I was away when the tickets were released, so instead of reviewing the production, I’m offering you 10 things to look forward to and look out for and if I get to see the show later in the run, I’ll review it ‘properly’ then. Here be mild production spoilers (all hidden behind links).
“Hey, I never liked it when you cried”
The Howard Goodall season at Sasha Regan’s Union Theatre continues with a revival of what could possibly be one of my favourite new musicals of recent times so no pressure there then. It is a tricky show to get right though, Stephen Clark’s book (from Erich Segal’s original story) speeds through the entire life of this tragic relationship at a relentless pace and so care does need to be taken to ensure the audience is fully engaged from the off and are kept fully onboard throughout.
In some way, the overall approach to Love Story here lacks the kind of propulsive energy that Clark’s book sorely needs. Regan curiously leaves lots of dead space in and around her scenes, far too many moments of awkward silence during transitions which are difficult in such a small space as this – the impact of Jenny communing with the spirit of her dead mother is somewhat muted by the sound of her heels as the ghost walks away… Continue reading “Review: Love Story, Union Theatre”
“I’m a girl of few words
And I don’t make a fuss
But there’s something I’d like to discuss”
As with too many good musical theatre writers, transatlantic partnership Charles Miller and Kevin Hammonds may not be the best known, but their work deserves a wider recognition as evidenced on their CD It’s Just The Beginning – The Songs of Charles Miller and Kevin Hammonds. British musician Miller and New York lyricist Hammonds have something of an old-fashioned soul, their songs very much part of the long tradition of musical theatre rather than a genre-busting radical new approach and as such, represent an interesting future alongside the Jason Robert Browns of the world.
To musical theatre aficionados, some of this music won’t be unfamiliar. When Midnight Strikes was performed at the Upstairs at the Gatehouse theatre last year and is well represented here (the emotive ‘Never Learned To Type’ is probably the highlight, the divine Caroline O’Connor wistfully breaking our hearts with a beautiful vocal. And Julie Atherton’s debut album A Girl of Few Words showcased 12 of their songs, two of which are reprised here – the wonderfully striking title track and the powerful duet ‘Someone Find Me’ with good pal Paul Spicer. Continue reading “CD Review: It’s Just The Beginning – The Songs of Charles Miller and Kevin Hammonds”