Russell T Davies returns to gay life in Manchester in heartbreakingly good form with the excellent Cucumber
“Close your eyes and think of me”
Having made his name with Queer As Folk, Russell T Davies’ televisual return to gay life in Manchester took the form in the triad of Cucumber, Banana and Tofu (named for stages of an erection, natch). Most attention fell on the most conventional of the three, Cucumber, which focused on the midlife crisis of Henry Best, a 40-something gay man who lurches into a meltdown when Lance, his partner of 9 years, proposes marriage and he says no.
I remembered the show quite fondly from first time around, so I was surprised upon rewatching at just how much of an uncompromising twat Henry is. Vincent Franklin does a great job at rounding off some of the sharp edges with a genial humanity but he is a selfish middle-class tosser of the first degree throughout and there’s something quite admirable in that, even if Davies can’t resist trying to undo it with a sentimentally tinged final episode. Continue reading “TV Review: Cucumber”
The extraordinary Caroline or Change makes the leap into the West End at the Playhouse Theatre, with a titanic Sharon D Clarke at the helm
“The Devil made the dryer.
Everything else, God made”
For the assiduous theatregoer, this is the third opportunity to catch this stirring Chichester Festival Theatre production of Caroline or Change. From its original run at the Minerva last year to the Hampstead Theatre this spring, this idiosyncratic musical now arrives in the West End in the relative intimacy of the Playhouse Theatre.
And it is an intimacy that is needed to draw you into the true shape of Michael Longhurst’s production – to be confronted with that Confederate statue, the sweltering isolation of that basement, the knots of tension on furrowed brows. The winds of change may be starting to blow across the US of the early 1960s but here in this Louisiana household, societal change has yet to filter down to the individual. Continue reading “Review: Caroline or Change, Playhouse Theatre”
With the magnificent Sharon D Clarke at the helm, Caroline, or Change transfers to the Hampstead Theatre London with all its power intact
“Dressed in white and feelin’ low,
talkin’ to the washer and the radio”
Tony Kushner and Jeanine Tesori’s complex and challenging civil rights musical Caroline, or Change makes its long-awaited London return to the Hampstead theatre, more than a decade after its well-received National Theatre production took the Olivier for Best New Musical but found no further life.
Michael Longhurst’s production was first seen in Chichester last May (here’s my review) and whilst it is a shame that that original cast aren’t all present here (the glorious Nicola Hughes, Gloria Onitiri, Jennifer Saayeng all now elsewhere), it holds on to the titanic talents of Sharon D Clarke as Caroline Thibideaux. Continue reading “Review: Caroline, or Change, Hampstead Theatre”
As ever, the wait for the end-of-year lists of favourite plays and performances has to continue until I’ve actually stopped seeing theatre in 2017. But in the meantime, here’s a list of 11 of my top moments in a theatre in 2017, the things that first pop into my mind when someone says ‘what did you enjoy this year’. For reference, here’s my 2016 list, 2015 list and 2014 list.
Continue reading “11 of my top moments in a theatre in 2017”
“The passengers were bound to resist”
Michael Buffong’s reinterpretation of Guys and Dolls, a co-production between the Royal Exchange and Talawa Theatre, is just that, a bold re-envisioning of the classic musical that consequently comes up with something different. That’s the point. So it may take a second to recalibrate, to adjust to these portrayals of familiar characters but in doing so you get to embrace something fresh and new and really rather exciting.
Moving the show from Times Square to the heart of the Harlem Renaissance in 1939 allows Buffong to employ an all-black cast, infuse Frank Loesser’s score with jazz and gospel (new orchestrations by Simon Hale) and introduce a vibrant choreographic vision (by Kenrick Sandy) that draws on several decades of dance history. The result is less-concept heavy than you might expect and often, explosively good fun. Continue reading “Review: Guys and Dolls, Royal Exchange”
The Royal Exchange in Manchester have really been upping the ante as far as their Christmas musicals are concerned. Last year’s Sweet Charity was a stonker, their Into the Woods was something special, and 2014/15’s Little Shop of Horrors was basically perfection. This year see them tackle Broadway classic Guys and Dolls in a co-production with Talawa Theatre Company and by the crin (as my Aunty Mary would say – a bit of Wigan dialect for you there…) just take a look at this bushel and a peck’s worth of beauties! Continue reading “Cast for the Royal Exchange’s Guys and Dolls announced”
“There’s nowt so queer as folk”
Only about a week behind schedule, I wanted to round up my thoughts about the National’s Queer Theatre season – links to the reviews of the 5 readings I attended below the cut – and try a formulate a bit of a response to this piece by Alice Saville for Exeunt which rather took aim at the season alongside the Old Vic’s Queers (also I just want to point out too that there are two writers of colour involved – Tarell Alvin McCraney and Keith Jarrett). As a member of the ‘majority’ within this minority, I tread warily and aim to do sowith love and respect.
It feels important to recognise what the NT (and the Old Vic) were trying to achieve though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women. Several of the post-show discussions at the NT talked specifically about this issue but in acknowledging it, also quite rightly pointed out that there just isn’t the historical body of work to draw from when it comes to wider LGBT+ representation. That’s where the talks and screenings came into their own, able to provide some of that alternative focus. Continue reading “Queer Theatre – a round-up”
#2 in the National Theatre’s Queer Theatre season of rehearsed readings
Where one night can leave you legendary
Or a subsidiary”
The world has changed just a little in the decade or so since Tarell Alvin McCraney wrote Wig Out. McCraney is now an Oscar-winning writer after the phenomenal success of Moonlight (based on one of his unproduced plays) and RuPaul has dragged drag into the mainstream by its charisma, uniqueness, nerve and talent. So to see the play now is an entirely different prospect than its 2008 production at the Royal Court and an interesting example of how cultural touchstones shift.
Wig Out feels intimately connected to Paris Is Burning (if you’ve not seen it, to Netflix with you now) in its focus on ball culture in the black and Latino gay communities of New York and we get to see it fully turned out as the House of Light take on their rivals in the House of Diabolique. The ball scene is an unalloyed pleasure as outré performance follows outré performance (Craig Stein and Kobna Holdbrook-Smith took the honours for the night) and really make you want to see a fully fledged production.
Continue reading “Review: Queer Theatre – Wig Out, National Theatre”
Albany Launch Campaign to Provide a Free Theatre Ticket to Every Child in Lewisham
A Theatre Trip for Every Child, Lewisham is a new giving scheme to provide a free theatre ticket for every 5-year-old in the Borough of Lewisham. ‘Every Child’ enables businesses and individuals to give a local child the chance to experience the magic of theatre.
Jude Law has been revealed as patron for the campaign, funded by the Paul Hamlyn Foundation and Arts Council England, and with the support of founding sponsors, L&Q. A parallel project will launch simultaneously at ARC in Stockton-on-Tees. Continue reading “Round-up of news and treats and other interesting things”
“Household rules and small decrees unsuspecting bring us these secret little tragedies”
Well Daniel Evans looks set to be continuing one of Chichester Festival Theatre’s longstanding traditions, of producing musical theatre that tempts the cognoscenti over to West Sussex in droves and which leads calls for West End transfers as soon as the curtain falls (if they had curtains in Chichester that is…). His first musical for the venue is a promising one too, an adventurous choice in Tony Kushner and Jeanine Tesori’s Caroline or Change, and an entirely successful one under Michael Longhurst’s direction and a genuinely superb cast.
It is 1963, the United States is in the grip of a civil rights movement but one whose effects haven’t quite trickled all the way down to the Deep South just yet. Caroline Thibodeaux is an African American maid in Lakes Charles, Louisiana working for a Jewish family, The Gellmans, for 30 dollars a week. But she’s a single mother of 4 and ends are barely meeting so when stepmother of the house Rose devises a plan to teach her 8-year-old stepson Noah not to leave change in his pocket, it’s a difficult one to resist despite – or maybe because of – all the racial, social and economic tensions it represents. Continue reading “Review: Caroline or Change, Minerva”