Nominations for the 2015 Drama Desk Awards

Outstanding Play:
Clare Barron, You Got Older
Lisa D’Amour, Airline Highway
Anthony Giardina, The City of Conversation
Stephen Adly Guirgis, Between Riverside and Crazy
Elizabeth Irwin, My Manãna Comes
Simon Stephens, The Curious Incident of the Dog in the Night-Time
Jack Thorne, Let the Right One In

Outstanding Musical:
An American in Paris
Hamilton
Fly By Night
Pretty Filthy
Something Rotten!
The Visit Continue reading “Nominations for the 2015 Drama Desk Awards”

Nominations for 2015 Lucille Lortel Awards

Outstanding Play
Between Riverside and Crazy Produced by Atlantic Theater Company. Written by Stephen Adly Guirgis
Father Comes Home From the Wars (Parts 1, 2 & 3) Produced by The Public Theater in association with American Repertory Theater. Written by Suzan-Lori Parks
The Invisible Hand Produced by New York Theatre Workshop. Written by Ayad Akhtar
My Mañana Comes Produced by The Playwrights Realm. Written by Elizabeth Irwin
The Nether Produced by MCC Theater. Written by Jennifer Haley

Outstanding Musical
The Fortress of Solitude Produced by The Public Theater in association with Dallas Theater Center. Book by Itamar Moses, Music and Lyrics by Michael Friedman. Conceived by Daniel Aukin, Based upon the novel by Jonathan Lethem
Hamilton Produced by The Public Theater. Book, Music and Lyrics by Lin-Manuel Miranda. Inspired by the book Alexander Hamilton by Ron Chernow
The Lightning Thief Produced by Theatreworks USA Music and Lyrics by Rob Rokicki, Book by Joe Tracz. Adapted from the book by Rick Riordan
Nevermore – The Imaginary Life and Mysterious Death of Edgar Allan Poe Produced by Radio Mouse Entertainment, Martin Hummel, Caiola Productions, Terry Schnuck, Susan Jaffe Tane, Hernreich-Horvath Productions, Catalyst Theatre in association with Fireboat Productions, Mary Cossette, Meredith Lynsey Schade. Written and Composed by Jonathan Christenson
Pretty Filthy Produced by The Civilians in association with Jon B. Platt Music and Lyrics by Michael Friedman, Book by Bess Wohl. Conceived by Steve Cosson, Michael Friedman & Bess Wohl Continue reading “Nominations for 2015 Lucille Lortel Awards”

Review: It’s Only A Play, Gerald Schoenfeld Theatre

“My first night in New York and I’m high-fiving Denzel Washington”

Of everything that I saw or considered seeing in New York, It’s Only A Play possibly best exemplifies the dilemma I faced. Being such an actor junkie, the prospect of Stockard Channing and Nathan Lane and Megan Mullally (the latter two for the first time) was hugely tempting but I could scarcely ignore the fact that they were in a backstage farce. But the lure of the Lane was strong and so I booked myself in, hoping that low expectations would allow me to enjoy it.

And did I? I can’t really say, even now. I certainly laughed quite a bit, chuckling along with the theatre industry references of which there were masses and marvelling at how many modern touches Terrence McNally had managed to stuff into his updated text (James Franco’s x-rated selfies, Shia LeBeouf’s erratic behaviour and Alec Baldwin’s red-hot temper just a few that I can recall). But the whole thing does still feel curiously old-fashioned and perhaps a little self-satisfied.

Continue reading “Review: It’s Only A Play, Gerald Schoenfeld Theatre”

Review: Master Class, Vaudeville

“Never miss an opportunity to theatricalise”

The obvious place to start with this review of Terrence McNally’s play Master Class is to take note of the fact that following Sharon Gless’ turn in A Round-Heeled Woman, it is now Tyne Daly’s turn as she reprises her Broadway performance as Maria Callas here. But even as it now means that I’ve seen both Cagney and Lacey on the stage, I have never actually seen an episode of Cagney and Lacey! A Round-Heeled Woman has now finished but as Master Class starts up its limited run at the Vaudeville Theatre (this was a preview), I have no hesitations in totally recommending booking for this fabulous show.

Initial signs were not encouraging as Daly’s first arrival on stage was met with rapturous applause, a personal bugbear but something more is going on as the fourth wall was immediately dismantled and it becomes apparent that we in the audience are actually playing a part in the show. Based on a series of master classes that renowned opera singer Maria Callas actually held at Julliard in the 1970s, we see three students present their efforts for deconstruction by the great diva and by golly does she deconstruct. And we are acknowledged as the audience watching the master class, Callas jokes with us, hectors and exhorts us to embrace her every word and generally folds us into proceedings in the most engaging of manners. Continue reading “Review: Master Class, Vaudeville”

Nominations for 2010-2011 Outer Critics Circle Awards

John Gassner Playwriting Award
Matthew López, After the Revolution
Matthew López, The Whipping Man
Kim Rosenstock, Tigers Be Still
David West Read, The Dream of the Burning Boy

Outstanding Actor in a Musical
Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Daniel Radcliffe, How To Succeed in Business Without Really Trying
Tony Sheldon, Priscilla Queen of the Desert
Aaron Tveit, Catch Me If You Can
Continue reading “Nominations for 2010-2011 Outer Critics Circle Awards”