News: Cast announced for Royal Court’s Living Newspaper

Michele Austin, Natalie Dew, Georgie Fellows, Zainab Hasan, Camille Mallet de Chauny, Rebekah Murrell, Amaka Okafor, Kimberley Okoye, Alexzandra Sarmiento, Irfan Shamji, Sophie Stone, Ragevan Vasan and Danny Lee Wynter have been cast in Edition 1 of the Royal Court Theatre’s  Living Newspaper: A Counter Narrative.  Continue reading “News: Cast announced for Royal Court’s Living Newspaper”

10 questions for 10 years – David Ralf

The Bunker Theatre may have announced its impending closure but its executive director Dave Ralf certainly has a lot to say! 

  • Where were you 10 years ago?

    Ten years ago, 2009, I was in my second year at university, writing an essay on John Donne’s poetry and desperately trying to impress my professors because I’d seriously slacked off the previous few weeks while rehearsing the first play that I’d written. I learned that year that directing your own work is a bad idea as a new playwright – frankly it’s probably not the best idea at any stage. The following year, I learned that directing theatre was not my calling at all – I couldn’t make myself care about the pictures on the stage, and only listened to the voices. Many years later, I’d find a good fit for that instinct: directing the radio dramas for Hotel Europe, which I made with Isley Lynn, David Loumgair and Philipp Ehmann and five extremely talented writers. But back in 2009, I was learning the jobs I wasn’t best suited for, concentrating on what I could offer and give to the theatre world I was then immersed in – and writing and producing had the edge over acting or directing.

    Continue reading “10 questions for 10 years – David Ralf”

Gif Reviews: B + Victory Condition, Royal Court

The Royal Court continues to shake things up under Vicky Featherstone’s reign, offering two shorter plays (though not for the price of one) which are running in rep. Guillermo Calderón’s B and Chris Thorpe’s Victory Condition are both interesting in their own ways but whether it was me being grumpy, a slightly flat atmosphere or something more, neither drama really did it for me. So we’re keeping it brief!

B

Victory Condition

Review: The Iphigenia Quartet, Gate Theatre

“We all make – sacrifices”

And still the Greeks come. The Gate Theatre have taken Euripides’ Iphigenia at Aulis and asked four playwrights to react to it with short plays from varying viewpoints, giving us The Iphigenia Quartet. Split into two double bills, we thus get Caroline Bird’s Agamemnon and Lulu Raczka’s Clytemnestra, and Suhayla El-Bushra’s Iphigenia and Chris Thorpe’s Chorus, two strong pairings that crack open the Greek tragedy and offer a kaleidoscope of responses.

Such is the enduring resilience of the original that it can take diverse treatments – to wit, the trio of Oresteias that graced British stages last year – and packed into this studio intimacy and seen on the same day (as I saw them) or not, the impact is visceral and considerable. From the raw anguish of Bird’s duelling parents to Raczka’s academic debate spun on its head, from El-Bushra’s family of Marines to Thorpe’s babbling chorus of commenters, the shifting focus is at once enigmatic and entertaining.  Continue reading “Review: The Iphigenia Quartet, Gate Theatre”