“How soon after you were married was your husband deployed?”
In one of the more interesting moves that an artistic director of a theatre anywhere in the UK has made, Derby Theatre’s Sarah Brigham has commissioned a set of one-woman plays from some interesting names indeed, to respond to the main house programme. The RETOLD series begins with Caroline Horton’s Penelope RETOLD which accompanies The Odyssey by placing Odysseus’ wife Penelope full square and centre.
Developed with director Lucy Doherty, Horton’s monologue imagines a current day Penelope, borrowing from the contemporary military wives trope to create something more recognisably modern. And skipping around through the nineteen years of her enforced separation from her husband the general, she finds something deeply moving in the challenges faced this woman, and indeed many others in similar scenarios. Continue reading “Review: Penelope RETOLD, Derby Theatre”