Ryan Craig’s new version of 1984 is technically awesome but lacks some killer drive at Richmond Theatre
“I want you to see my truth”
It is kinda bonkers to think how many references from George Orwell’s 1984 have threaded their way into popular culture. Or perhaps it is something depressingly predictable, that a novel predicting a dystopian future for society – even from 75 years ago – managed to hit the nail on the head, while we blithely name gameshows and reality TV shows after its dictators and torture chambers.
It’s a lesson that feels more stingingly pertinent just now with the state of the world being what it is and so the time could feel ripe for a new adaptation of the book (I saw Headlong’s version in this very theatre 11 years ago; a new immersive version is playing in Hackney right now). But though this production, originating at Theatre Royal Bath, carries great technological innovation with it, I’m not sure it fully makes the case for another dramatic reinterpretation.
Ryan Craig’s adaptation is solidly done but rarely quickens the pulse, missing something of the charge needed between Winston and Julia to ignite the fateful rebellious streak that precipitates the action. Mark Quartley and Eleanor Wyld are both strong actors but the chemistry just feels lacking in Lindsay Posner’s production – a surprising state of affairs if we’re honest.
The originality of Justin Nardella’s striking set and video design makes it just about worth it though, combined with the arresting texture of Giles’ Thomas sound design and the disquieting shifts in Paul Pyant’s lighting which situate us all directly in with the torture – Keith Allen’s O’Brien all the more compelling for his restraint as he nails the tone of everyday evil that almost feels worse than out-and-out villainry.
